{"id":71021,"date":"2014-05-09T09:30:30","date_gmt":"2014-05-09T13:30:30","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=71021"},"modified":"2014-05-09T14:35:11","modified_gmt":"2014-05-09T18:35:11","slug":"lets-hear-it-for-refrigerators-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/05\/09\/lets-hear-it-for-refrigerators-and-other-news\/","title":{"rendered":"Let\u2019s Hear It for Refrigerators, and Other News"},"content":{"rendered":"<div id=\"attachment_71022\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/05\/woods1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-71022\" class=\"wp-image-71022\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/05\/woods1.jpg\" alt=\"Woods1\" width=\"600\" height=\"449\" \/><\/a><p id=\"caption-attachment-71022\" class=\"wp-caption-text\">From <i>Life<\/i>, November 19, 1965. Via the Appendix.<\/p><\/div>\n<ul>\n<li><small>BREAKING: <a href=\"http:\/\/www.newrepublic.com\/article\/117696\/flaubert-biography-review-frederick-brown-christopher-benfey?utm_content=buffer381b3&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer\" target=\"_blank\">FLAUBERT NOT A REALIST<\/a>, SAYS EXPERT TESTIMONY<\/small><\/li>\n<li><a href=\"http:\/\/www.washingtonpost.com\/blogs\/style-blog\/wp\/2014\/05\/07\/nathaniel-mackey-wins-100000-ruth-lilly-poetry-prize\/\" target=\"_blank\">Nathaniel Mackey has won the Ruth Lilley Poetry Prize<\/a>: a cool $100k. Don Share, editor of <em>Poetry <\/em>magazine, says, \u201cThe poetry of Nathaniel Mackey continues an American bardic line that unfolds from Whitman\u2019s \u2018Leaves of Grass\u2019 to H.D.\u2019s \u2018Trilogy\u2019 to Olson\u2019s \u2018Maximus\u2019 poems, winds through the whole of Robert Duncan\u2019s work and extends beyond all of these. In his poems, but also in his genre-defying serial novel (which has no beginning or end) and in his multifaceted critical writing, Mackey\u2019s words always go where music goes: a brilliant and major accomplishment.\u201d<\/li>\n<li><a href=\"http:\/\/www.newyorker.com\/online\/blogs\/currency\/2014\/05\/what-happened-to-harlequin-romances.html?utm_source=dlvr.it&amp;utm_medium=twitter\" target=\"_blank\">The rise and fall of the conventional romance novel<\/a>: \u201cBy the seventies, Harlequins became known for their lush language, which often evoked settings that sounded like Thomas Kinkade paintings: \u2018The rolling tide of summer grass had engulfed the small meadow in a sweet-smelling flood of lambs\u2019 tails, coltsfoot, feverfew, the drifting pollen from them like pale yellow dust on Linden\u2019s bare arms as she lay full length among them.\u2019\u201d Now self-published erotica, much of it hardcore enough to make your average Harlequin heroine blush, have eaten into sales.<\/li>\n<li>We take our refrigerators for granted, but history reminds of <a href=\"http:\/\/theappendix.net\/issues\/2014\/4\/flesh-made-wood-the-invention-of-artificial-refrigeration\" target=\"_blank\">the glories inherent in artificial refrigeration<\/a>, which used to blow people\u2019s minds.<\/li>\n<li>Google now offers <a href=\"http:\/\/harpers.org\/blog\/2014\/05\/grand-plan\/\" target=\"_blank\">a street view of the Grand Canyon<\/a>: \u201cOn the virtual river you can fast-forward downstream, avoiding the soaking rapids and searing sun, putting in and taking out as you please. But part of the Grand Canyon experience is surrendering to the flow of the river and committing to the journey. Anyone who has traveled in canyon country knows how much the terrain can change in a matter of seconds during an afternoon rainstorm, or in the hours between noon and dusk, as sunlight glistens and fades upon the canyon walls. To these subtle but vital gradations, Google\u2019s roving digital eye remains conspicuously blind.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>BREAKING: FLAUBERT NOT A REALIST, SAYS EXPERT TESTIMONY Nathaniel Mackey has won the Ruth Lilley Poetry Prize: a cool $100k. Don Share, editor of Poetry magazine, says, \u201cThe poetry of Nathaniel Mackey continues an American bardic line that unfolds from Whitman\u2019s \u2018Leaves of Grass\u2019 to H.D.\u2019s \u2018Trilogy\u2019 to Olson\u2019s \u2018Maximus\u2019 poems, winds through the whole [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[978,1045,9441,13847,5872,13849,13848,13850],"class_list":["post-71021","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-flaubert","tag-google","tag-harlequin","tag-nathaniel-mackey","tag-realism","tag-refrigeration","tag-ruth-lilley-poetry-prize","tag-the-grand-canyon"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Morning News Roundup for May 9, 2014<\/title>\n<meta name=\"description\" content=\"Let\u2019s hear it for refrigerators, the rise and fall of the conventional romance novel, and other news.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/05\/09\/lets-hear-it-for-refrigerators-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Let\u2019s Hear It for Refrigerators, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"May 9, 2014 \u2013 BREAKING: FLAUBERT NOT A REALIST, SAYS EXPERT TESTIMONY Nathaniel Mackey has won the Ruth Lilley Poetry Prize: a cool $100k. 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