{"id":70378,"date":"2014-04-25T18:18:31","date_gmt":"2014-04-25T22:18:31","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=70378"},"modified":"2014-04-28T17:20:23","modified_gmt":"2014-04-28T21:20:23","slug":"what-were-loving-archives-architects-the-arctic-sky","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/04\/25\/what-were-loving-archives-architects-the-arctic-sky\/","title":{"rendered":"What We\u2019re Loving: Archives, Architects, the Arctic Sky"},"content":{"rendered":"
\"lebbeus<\/a>

Lebbeus Woods, San Francisco Project: Inhabiting the Quake, Quake City, 1995. Image via the Drawing Center<\/p><\/div>\n

Sadie Stein already recommended Arlette Farge\u2019s little book-length essay The Allure of the Archives<\/a><\/em>. A year later, I have to second the recommendation. On the surface, this is a personal memoir by a feminist historian whose research\u2014into eighteenth-century police files\u2014fundamentally changed our picture of pre-revolutionary Paris. But really this is a handbook about how to write, how to think about, history. Gripping, graceful, and beautifully translated by Thomas Scott-Railton, it captures the fun and the dangers of library work like nothing I\u2019ve ever read. \u2014Lorin Stein<\/strong><\/p>\n

A new anthology from Brick<\/em><\/a> introduced me to Don DeLillo\u2019s \u201cCounterpoint: Three Movies, a Book, and an Old Photograph<\/a>,\u201d an essay from 2004. That title belies both the piece\u2019s range and its force of concentration. It looks at Glenn Gould, Thelonious Monk, and Thomas Bernhard, three isolated, brilliant men who craved and feared the seclusion that came with their work. DeLillo is interested not just in their difficult lives but in the cultural consensus we reached upon their deaths\u2014who did we decide these men were, and why? As its images begin to collect, all of them rendered in that laser-cut DeLillo prose, the essay becomes a haunting account of the distance between an artist and his audience, his art, and himself. DeLillo has a rare gift for writing about the sensory experience of art, for tracing the vectors of meaning in sight and sound. \u201cIn a busy diner,\u201d he writes of a scene from Thirty Two Short Films About Glenn Gould<\/em>, \u201cthere are voices in layers and zones, some folded over others, in counterpoint.\u201d And he condenses The Fast Runner<\/em> into a solitary image, an image of, well, overwhelming solitariness<\/em>: \u201cThe man is running, eyes wild, into the arctic sky.\u201d \u2014Dan Piepenbring<\/strong><\/p>\n

Lebbeus Woods, who died in 2012, was an artist\u2019s architect. He imagined the buildings that cities would need when calamity came calling. His work exists almost exclusively as experiment\u2014only one of his ideas was actually constructed\u2014and 175 of his graphite dreams are currently on display at the Drawing Center in SoHo<\/a>. Some look like gashes in the side of a building, or what would happen to a street if it suddenly woke up. Some are like seedpods split open and engorged, a home for one suspended by a slender stalk, and some are simply floating, free of the city entirely. Or maybe these are cities, untethered, finally free to found themselves. \u2014Zack Newick<\/strong> <\/p>\n

Growing up a diehard Cubs fan on the North Side of Chicago, I rarely encountered many South Siders. But when my family moved out to the Northwest suburbs, I came to know a few White Sox fans, and only then did I fully understand a rivalry that\u2019s grown since the 1906 World Series<\/a>. Now, thanks to The Upshot<\/a> (as well as millions of baseball fans avowing their allegiances on Facebook), we can use maps to visualize the exact Chicago neighborhoods \u201cwhere White Sox jerseys stop being welcome,\u201d along with the borders between the Yankees and the Red Sox, the Dodgers and the Angels, and\u2014let\u2019s just forget about the poor Mets. \u2014Justin Alvarez<\/strong><\/p>\n

Spring means that getting dressed is no longer a matter of piling on as many layers as possible and keeping rain boots on standby\u2014it now seems safe to put away down jackets and woolen tights. On the street, beautifully dressed women keep reminding me of Jil Sander\u2019s 1998 ready-to-wear show<\/a>, with its perfect shin-length hems and bluish shades of white. I\u2019ve always thought of this show as the last triumph of nineties minimalism before we were hit by a wave of decorative luxury, with John Galliano at its crest. (Let\u2019s not forget the $25,000 dresses of Dior\u2019s \u201chomeless\u201d collection of 2000, or the weird mania for Louis Vuitton luggage.) \u2014Anna Heyward<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Sadie Stein already recommended Arlette Farge\u2019s little book-length essay The Allure of the Archives. A year later, I have to second the recommendation. On the surface, this is a personal memoir by a feminist historian whose research\u2014into eighteenth-century police files\u2014fundamentally changed our picture of pre-revolutionary Paris. But really this is a handbook about how to […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[11259,375,1889,10459,13696,13693,13694,13695,1747],"class_list":["post-70378","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-arlette-farge","tag-baseball","tag-don-delillo","tag-glenn-gould","tag-jil-sander","tag-lebbeus-woods","tag-the-upshot","tag-the-world-series","tag-thelonious-monk"],"acf":[],"yoast_head":"\nWhat We\u2019re Loving: Archives, Architects, the Arctic Sky<\/title>\n<meta name=\"description\" content=\"This week\u2019s Paris Review staff picks, including the fun and the dangers of library work, Don DeLillo\u2019s Arctic sky, and Lebbeus Woods\u2019s calamity architecture.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/04\/25\/what-were-loving-archives-architects-the-arctic-sky\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What We\u2019re Loving: Archives, Architects, the Arctic Sky by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"April 25, 2014 \u2013 Sadie Stein already recommended Arlette Farge\u2019s little book-length essay The Allure of the Archives. 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