{"id":69929,"date":"2014-04-17T18:28:04","date_gmt":"2014-04-17T22:28:04","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=69929"},"modified":"2014-04-18T17:20:24","modified_gmt":"2014-04-18T21:20:24","slug":"gabriel-garcia-marquez-1927-2014","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/04\/17\/gabriel-garcia-marquez-1927-2014\/","title":{"rendered":"Gabriel Garc\u00eda M\u00e1rquez, 1927\u20132014"},"content":{"rendered":"
\"marquez\"<\/a>

Garc\u00eda M\u00e1rquez in high school, as seen in our Summer 2003 issue.<\/p><\/div>\n

We\u2019re saddened to report that Gabriel Garc\u00eda M\u00e1rquez has died, at eighty-seven. The Paris Review <\/em>interviewed him in 1981<\/a>:<\/p>\n

\n

INTERVIEWER<\/p>\n

Why do you think fame is so destructive for a writer?<\/p>\n

GARC\u00cdA M\u00c1RQUEZ<\/p>\n

Primarily because it invades your private life. It takes away from the time that you spend with friends, and the time that you can work. It tends to isolate you from the real world. A famous writer who wants to continue writing has to be constantly defending himself against fame. I don\u2019t really like to say this because it never sounds sincere, but I would really have liked for my books to have been published after my death, so I wouldn\u2019t have to go through all this business of fame and being a great writer. In my case, the only advantage in fame is that I have been able to give it a political use. Otherwise, it is quite uncomfortable. The problem is that you\u2019re famous for twenty-four hours a day and you can\u2019t say, \u201cOkay, I won\u2019t be famous until tomorrow,\u201d or press a button and say, \u201cI won\u2019t be famous here or now.\u201d<\/p>\n<\/blockquote>\n

In the summer of 2003, we published an oral biography of Garc\u00eda M\u00e1rquez, lovingly compiled by Silvana Paternostro. Here are a few excerpts from it.<\/p>\n

\n

Mar\u00eda Luisa Elio<\/strong>: Have you been out on the streets with him? The girls throw themselves at him. It must be annoying \u2026 Garc\u00eda M\u00e1rquez\u2019s phenomenon is very special. He has great charisma.<\/p>\n

Alberto Fuguet<\/strong>: To read Garc\u00eda M\u00e1rquez at a certain age can be very harmful, and I would forbid it. It can spoil you forever. Garc\u00eda M\u00e1rquez is a software that you install and then can\u2019t get rid of.<\/p>\n

Santiago Mutis<\/strong>: The entire world understands [One Hundred Years of Solitude<\/em>] because it is an epic, a bible. It tells the story of life itself from beginning to end\u2014a human version, with a very Colombian truth. It is life as it is lived here. Colombia is a magical country; the people believe in that. When you go to a market fair in Villa de Leyva, the people spray the truck with holy water so that it won\u2019t fall off the road. I think this is what happened with Gabo: the nation had an oral tradition, and that oral tradition started to get closed in a bit; the cities began taking on an important role. When the pop culture threatened\u2014to stop being oral\u2014Gabo was there to pick it up. It starts to pass into literature; he senses it, starts to refine it\u2014it\u2019s his parents, his family, his land, his friends, it\u2019s everything. Pop culture is the mother and father of art\u2014that is Gabo.<\/p>\n

Ramon Ill\u00e1n Bacca<\/strong>: Well, everyone cooks with parsley, but there\u2019s always one cook who takes it to an artistic level. Right? His genius lies in that.<\/p>\n

Juancho Jinete<\/strong>: I will never forget when Gabito came and stayed at \u00c1lavo\u2019s house, and Juan Gossa\u00edn\u2014who is the big cheese in Colombian journalism today\u2014was also at the house. Gabo hugged me and said, \u201cThese are my childhood friends.\u201d Then Juan Gossa\u00edn told Gabito, \u201cMaestro, let me interview you.\u201d Gabito said to him, \u201cWhat kind of a journalist are you? What more do you want? You have the story right in your hands. Get it!\u201d It was true\u2014you didn\u2019t have to ask any questions \u2026 Gabito told him, \u201cWhat more do you want? This is my friend here since we were children. There\u2019s your story.\u201d<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"

We\u2019re saddened to report that Gabriel Garc\u00eda M\u00e1rquez has died, at eighty-seven. The Paris Review interviewed him in 1981: INTERVIEWER Why do you think fame is so destructive for a writer? GARC\u00cdA M\u00c1RQUEZ Primarily because it invades your private life. It takes away from the time that you spend with friends, and the time that […]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[27],"tags":[3071,1132,13592,7782],"class_list":["post-69929","post","type-post","status-publish","format-standard","hentry","category-in-memoriam","tag-gabriel-garcia-marquez","tag-interviews","tag-oral-histories","tag-the-art-of-fiction"],"acf":[],"yoast_head":"\nGabriel Garcia Marquez, 1927-2014<\/title>\n<meta name=\"description\" content=\"Quotes from our 1981 Art of Fiction interview with the Nobel laureate and excerpts from Silvana Paternostro\u2019s oral history.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/04\/17\/gabriel-garcia-marquez-1927-2014\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gabriel Garc\u00eda M\u00e1rquez, 1927\u20132014 by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"April 17, 2014 \u2013 We\u2019re saddened to report that Gabriel Garc\u00eda M\u00e1rquez has died, at eighty-seven. 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