{"id":69843,"date":"2014-04-17T09:30:23","date_gmt":"2014-04-17T13:30:23","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=69843"},"modified":"2014-04-17T11:55:48","modified_gmt":"2014-04-17T15:55:48","slug":"hoarding-shakespeare-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/04\/17\/hoarding-shakespeare-and-other-news\/","title":{"rendered":"Hoarding Shakespeare, and Other News"},"content":{"rendered":"<div id=\"attachment_69845\" style=\"width: 591px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/04\/James-Orchard-Halliwell-P-001.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-69845\" class=\"size-full wp-image-69845\" alt=\"James Orchard Halliwell-Phillipps\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/04\/James-Orchard-Halliwell-P-001.jpg\" width=\"581\" height=\"427\" \/><\/a><p id=\"caption-attachment-69845\" class=\"wp-caption-text\">James Orchard Halliwell-Phillipps lived like a tramp, but he had a huge collection of &#8220;Shakespearean rarities.&#8221; Photo via the<i> Guardian<\/i><\/p><\/div>\n<ul>\n<li><a href=\"http:\/\/www.newyorker.com\/online\/blogs\/books\/2014\/04\/vijay-seshadri-in-the-new-yorker.html?utm_source=tny&amp;utm_campaign=generalsocial&amp;utm_medium=twitter&amp;mbid=social_twitter\" target=\"_blank\">On Vijay Seshadri<\/a>, the poet who won this year\u2019s Pulitzer: \u201cThe combination of epic sweep \u2026 and piercing, evocative detail is characteristic of the contribution Seshadri has made to the American canon.\u201d<\/li>\n<li>Next week at Lincoln Center, <a href=\"http:\/\/www.filmlinc.com\/films\/on-sale\/anna\" target=\"_blank\">Rachel Kushner introduces <i>Anna<\/i><\/a>, a seventies documentary that will be familiar to readers of <i>The Flamethrowers<\/i>: it \u201ccenters on the titular pregnant, homeless sixteen-year-old whom the filmmakers discovered in Rome\u2019s Piazza Navona.\u201d<\/li>\n<li>\u201cIn a small series of sheds in Sussex <a href=\"http:\/\/www.theguardian.com\/books\/2014\/apr\/11\/shakespeare-scholar-tramp-charles-nicholl\" target=\"_blank\">a nineteenth-century joker and eccentric<\/a> hoarded the evidence that reconciles Shakespeare the playwright with Shakespeare the man.\u201d<\/li>\n<li><i>Heaven Is for Real<\/i> \u201cis based on the mega-bestseller by a pastor whose four-year-old had major surgery, after which he knew things he couldn\u2019t possibly have known, and also <a href=\"http:\/\/io9.com\/what-do-you-do-when-your-son-says-he-met-jesus-surpris-1563313524?utm_campaign=socialflow_io9_twitter&amp;utm_source=io9_twitter&amp;utm_medium=socialflow\" target=\"_blank\">claimed to have met Jesus<\/a> \u2026 The intended audience appears to be people in medically induced comas who enjoy Nebraska-themed screensavers and who think that Michael Landon had a little too much \u2018bad boy edge\u2019 on <i>Highway to Heaven<\/i>.\u201d<\/li>\n<li>What\u2019s this? Just the average story of <a href=\"http:\/\/theappendix.net\/issues\/2014\/4\/a-pirate-surgeon-in-panama\" target=\"_blank\">a doctor-buccaneer who lived among the natives of Panama in the seventeenth century<\/a>: \u201cIt took almost an hour for his shipmates to recognize him. Then one started backwards in shock. \u2018Why! Here\u2019s our doctor!\u2019 the man cried, and a crowd gathered around him, trying to rub off the geometric paint that obscured his features. It was Lionel Wafer, the pirate surgeon.\u201d<\/li>\n<li>In 1951, when the sociologist C. Wright Mills published <i>White Collar: The American Middle Classes<\/i>, \u201c<a href=\"http:\/\/chronicle.com\/article\/Paper-Pushers\/145839\/\" target=\"_blank\">an entire society was being white-collarized<\/a>. Status and prestige, emotional games and office politics: These were leaking out of the workplace and into the world, coloring the entire way people interacted and organized their time and leisure. The frankly confrontational style of blue-collar work and industrial unions was disappearing.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>On Vijay Seshadri, the poet who won this year\u2019s Pulitzer: \u201cThe combination of epic sweep \u2026 and piercing, evocative detail is characteristic of the contribution Seshadri has made to the American canon.\u201d Next week at Lincoln Center, Rachel Kushner introduces Anna, a seventies documentary that will be familiar to readers of The Flamethrowers: it \u201ccenters [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[13581,12985,8307,1267,9330,948,13582,13580],"class_list":["post-69843","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-heaven-is-for-real","tag-nineteenth-century","tag-pirates","tag-pulitzer-prize","tag-rachel-kushner","tag-shakespeare","tag-the-middle-class","tag-vijay-seshadri"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Morning News Roundup for April 17, 2014<\/title>\n<meta name=\"description\" content=\"April 17, 2014 \u2013 On Vijay Seshadri, the poet who won this year\u2019s Pulitzer: \u201cThe combination of epic sweep \u2026 and piercing, evocative detail is characteristic 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