{"id":67954,"date":"2014-03-12T09:28:59","date_gmt":"2014-03-12T13:28:59","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=67954"},"modified":"2014-03-12T11:35:49","modified_gmt":"2014-03-12T15:35:49","slug":"papas-risque-mash-note-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2014\/03\/12\/papas-risque-mash-note-and-other-news\/","title":{"rendered":"Papa\u2019s Risqu\u00e9 Mash Note, and Other News"},"content":{"rendered":"<div id=\"attachment_67956\" style=\"width: 611px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/03\/Marlene_Dietrich_in_No_Highway_1951.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-67956\" class=\"wp-image-67956 \" alt=\"Marlene_Dietrich_in_No_Highway_(1951)\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/03\/Marlene_Dietrich_in_No_Highway_1951-1024x823.jpg\" width=\"601\" height=\"483\" \/><\/a><p id=\"caption-attachment-67956\" class=\"wp-caption-text\">Publicity still of Marlene Dietrich in <i>No Highway<\/i>. Image via Wikimedia Commons<\/p><\/div>\n<ul>\n<li>\u201cDrunk and naked I would advance from the rear, or your rear, wearing evening clothes.\u201d <a href=\"http:\/\/www.latimes.com\/books\/jacketcopy\/la-et-jc-ernest-hemingway-marlene-dietrich-20140311,0,1987731.story?track=rss&amp;utm_source=dlvr.it&amp;utm_medium=twitter&amp;dlvrit=717819\" target=\"_blank\">A ribald note from Hemingway to Marlene Dietrich<\/a> is soon to be auctioned\u2014their relationship was, alas, never consummated, but if the price is right, you could own a record of their long flirtation, replete with such swooning phrases as \u201cwhore blood,\u201d \u201cfoaming at the mouth,\u201d and \u201cDearest Kraut.\u201d<\/li>\n<li>Talking doors, gossip machines, super-duper turntables: here\u2019s what Philip K. Dick, writing from the vantage point of 1966, thought <a href=\"http:\/\/www.theguardian.com\/books\/booksblog\/2014\/mar\/11\/philip-k-dick-ubik-reading-group?CMP=twt_fd\" target=\"_blank\">1992 might have been like<\/a>. Would that it were.<\/li>\n<li>While we\u2019re on sci-fi: the New Museum\u2019s new exhibition, \u201cReport on the Construction of a Spaceship Module,\u201d plunges you into the old socialist vision of space travel. \u201cFilko has a wall-mounted tablet nearby where, donning a wall-tethered headset that brings your forehead unnaturally close to the screen, you can <a href=\"http:\/\/www.nybooks.com\/blogs\/nyrblog\/2014\/mar\/11\/news-from-space-exhibition\/\" target=\"_blank\">ponder his ruminations on the fourth dimension<\/a>.\u201d<\/li>\n<li>\u201cTomorrow starts here.\u201d \u201cOne course at a time.\u201d \u201cBe the difference.\u201d The surprisingly vacuous phrases <a href=\"http:\/\/www.slate.com\/blogs\/lexicon_valley\/2014\/03\/11\/universities_and_colleges_have_trademarked_phrases_such_as_student_life.html\" target=\"_blank\">copyrighted by universities<\/a>.<\/li>\n<li>A newly reprinted <a href=\"http:\/\/www.laphamsquarterly.org\/voices-in-time\/a-german-comedy-is-like-a-german-sentence.php?page=2\" target=\"_blank\">1856 essay<\/a> gives German comedy quite the drubbing: \u201cGerman humor generally shows no sense of measure, no instinctive tact; it is either floundering and clumsy as the antics of a leviathan, or laborious and interminable as a Lapland day, in which one loses all hope that the stars and quiet will ever come.\u201d<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cDrunk and naked I would advance from the rear, or your rear, wearing evening clothes.\u201d A ribald note from Hemingway to Marlene Dietrich is soon to be auctioned\u2014their relationship was, alas, never consummated, but if the price is right, you could own a record of their long flirtation, replete with such swooning phrases as \u201cwhore [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[412,571,247,7802,7789,200,8205,13144],"class_list":["post-67954","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-comedy","tag-ernest-hemingway","tag-germany","tag-marlene-dietrich","tag-philip-k-dick","tag-science-fiction","tag-socialism","tag-universities"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Morning News Roundup for March 12, 2014<\/title>\n<meta name=\"description\" content=\"March 12, 2014 \u2013 \u201cDrunk and naked I would advance from the rear, or your rear, wearing evening clothes.\u201d A ribald note from Hemingway to Marlene Dietrich is soon to be\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2014\/03\/12\/papas-risque-mash-note-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Papa\u2019s Risqu\u00e9 Mash Note, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"March 12, 2014 \u2013 \u201cDrunk and naked I would advance from the rear, or your rear, wearing evening clothes.\u201d A ribald note from Hemingway to Marlene Dietrich is soon to be\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2014\/03\/12\/papas-risque-mash-note-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-03-12T13:28:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-03-12T15:35:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/03\/12\/papas-risque-mash-note-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/03\/12\/papas-risque-mash-note-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Papa\u2019s Risqu\u00e9 Mash Note, and Other News\",\"datePublished\":\"2014-03-12T13:28:59+00:00\",\"dateModified\":\"2014-03-12T15:35:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/03\/12\/papas-risque-mash-note-and-other-news\/\"},\"wordCount\":250,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2014\/03\/12\/papas-risque-mash-note-and-other-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2014\/03\/Marlene_Dietrich_in_No_Highway_1951-1024x823.jpg\",\"keywords\":[\"comedy\",\"Ernest Hemingway\",\"Germany\",\"Marlene Dietrich\",\"Philip K. 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