{"id":652,"date":"2010-06-08T10:30:49","date_gmt":"2010-06-08T14:30:49","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=652"},"modified":"2014-01-26T22:09:11","modified_gmt":"2014-01-27T03:09:11","slug":"watching-the-detectives","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2010\/06\/08\/watching-the-detectives\/","title":{"rendered":"Watching the Detectives"},"content":{"rendered":"<div id=\"attachment_65384\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/06\/litreactor-marlowe.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-65384\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/06\/litreactor-marlowe.jpg\" alt=\"litreactor-marlowe\" width=\"600\" height=\"319\" class=\"aligncenter size-full wp-image-65604\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/06\/litreactor-marlowe.jpg 610w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/06\/litreactor-marlowe-300x159.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-65384\" class=\"wp-caption-text\">Raymond Chandler\u2019s detective Philip Marlowe isn\u2019t a man without needs.<\/p><\/div>\n<p>It\u2019s late. You take Sidney Bechet\u2019s \u201cApex Blues\u201d off the turntable and switch on the television. The private eye on the screen is doing more or less as you are: Ravel on his record player, his revolver in the open desk drawer, his whiskey in his hand. It is appalling how much of your everyday behavior has been modeled on these clowns and caricatures. You pick up the phone in the dark and call your father to make sure he isn\u2019t missing the movie.<\/p>\n<p>The apparent absence of any desire to please in the hard-boiled hero presupposes an absence of any need to please. When Diogenes saw a man drink from his hands, he threw his cup away. A real man doth not need either man\u2019s work or his own gifts, his state is kingly. He doesn\u2019t go to the grocery, he breaks off a hunk of himself and eats it.<\/p>\n<p>Adorno\u2019s \u201cTough Baby\u201d from <em>Minima Moralia<\/em>:<\/p>\n<blockquote>\n<p>There is a certain gesture of virility, be it one\u2019s own or someone else\u2019s, that calls for suspicion.<\/p>\n<p>He-men are thus, in their own constitution, what film-plots usually present them to be, masochists. At the root of their sadism is a lie.<\/p>\n<p>In the end the tough guys are the truly effeminate ones, who need the weaklings as their victims in order not to admit that they are like them.<\/p>\n<\/blockquote>\n<p>Raymond Chandler\u2019s detective Philip Marlowe isn\u2019t a man without needs: \u201cI needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.\u201d Chandler, a popularizer of this style of overtly wounded heroism\u2014<em>Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid<\/em>\u2014was a terrific boozehound, and the expertly casual scenes in which his detective is bludgeoned unconscious are extrapolations from a lifetime of research into blacking out. Marlowe\u2019s stigmata demonstrate his fundamental invincibility. There is no <em>man neither tarnished nor afraid<\/em>: such a creature would be an animal, or a machine\u2014or a god, where each gimlet is another station of the cross in a pornography of suffering that culminates in the hangover, the Crucifixion, the money shot. <\/p>\n<p>When I tried to locate a certain phrase in Chandler, I can\u2019t say I was shocked to find it instead in Travis Bickle\u2019s mouth in <em>Taxi Driver<\/em>: \u201cThere\u2019s no escape. I\u2019m God\u2019s lonely man.\u201d Loneliness is a small price to pay for being God\u2019s man of any sort: divine permission to be aggrieved, with an ensuing role as the avenging angel. In the absence of willing persecutors, you flay yourself, accumulating smaller or larger scars like skee-ball tickets on the carnival midway, until you can afford a <em>Taxi Driver<\/em>&ndash;style orgy of violence. I\u2019d like to trade in this used 1974 masochism for a shiny new sadism, please.<\/p>\n<p>Adorno again: \u201cHere pain, as pride in bearing it, is raised directly, untransformed, as a stereotype, to pleasure.\u201d Such a man must repress his pain imperfectly: his real aim is to experience it, and to display his experience of it. That is why it isn\u2019t enough to watch the movie by yourself in the dark. You call your father, but his line is busy. He\u2019s calling you.<\/p>\n<p><em>J. D. Daniels lives in Massachusetts. He will contribute an essay on Brazilian jiu-jitsu to the fall issue of <\/em>The Paris Review.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s late. You take Sidney Bechet\u2019s \u201cApex Blues\u201d off the turntable and switch on the television. The private eye on the screen is doing more or less as you are: Ravel on his record player, his revolver in the open desk drawer, his whiskey in his hand. It is appalling how much of your everyday [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[79,4009,811,8378,4769,2460],"class_list":["post-652","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-film","tag-humphrey-bogart","tag-j-d-daniels","tag-philip-marlowe","tag-raymond-chandler","tag-travis-bickle"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>J. D. Daniels on Raymond Chandler\u2019s Detective Philip Marlowe<\/title>\n<meta name=\"description\" content=\"June 8, 2010 \u2013 It\u2019s late. You take Sidney Bechet\u2019s \u201cApex Blues\u201d off the turntable and switch on the television. 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