{"id":62285,"date":"2013-11-08T14:13:55","date_gmt":"2013-11-08T19:13:55","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=62285"},"modified":"2019-01-29T15:18:58","modified_gmt":"2019-01-29T20:18:58","slug":"what-were-loving-baseball-giacometti-literary-sprinting","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/11\/08\/what-were-loving-baseball-giacometti-literary-sprinting\/","title":{"rendered":"What We\u2019re Loving: Baseball, Giacometti, Literary Sprinting"},"content":{"rendered":"<p>Missing baseball yet? I am: I miss the slow churn of the season, I miss sitting in the stands, shielding my eyes from an afternoon sun as a hit flies into the air\u2014is it foul? is it fair?\u2014only to be caught at the wall by an outfielder. I miss the rhythm of apparent inactivity mixed with maximum tension. (I <em>don\u2019t<\/em> miss the Cubs never winning a World Series.) What is beautiful about Steven Millhauser\u2019s single-sentence story \u201c<a href=\"http:\/\/electricliterature.com\/blog\/2013\/11\/02\/watch-our-latest-animation\/\" target=\"_blank\" rel=\"noopener\">Home Run<\/a>\u201d in <em>Electric Literature<\/em> is that not only does it celebrate our national pastime, it celebrates this rhythm through language. As editor Halimah Marcus explains in her introduction, \u201cWith nary a punctuation mark other than a comma, Millhauser builds momentum like the titular home run\u2014the linguistic equivalent of bated breath, of rally towels, of screaming from your seat, of going, going, gone.\u201d <strong>\u2014Justin Alvarez<\/strong><\/p>\n<p>In celebration of Neil Gaiman\u2019s recent appointment at Bard College (my alma mater), I\u2019ve been spending my evenings with <a href=\"http:\/\/www.indiebound.org\/book\/9780062080233?aff=theparisreview\" target=\"_blank\" rel=\"noopener\"><em>American Gods<\/em><\/a>. Not generally a reader of fantasy, at first I\u00a0found myself echoing a question asked early on by our protagonist, Shadow: \u201cWhat should I believe?\u201d When we received an answer\u2014\u201cEverything\u201d\u2014it came from a man with a buffalo head. The book is a compendium of mythological tales, mixed together with intelligent precision and strewn with horror and humor. Ancient deities war with the rising gods of a digital world; a junkie leprechaun roams the streets in search of a misplaced gold coin; morticians by the names of Ibis and Jacquel chew on small bits of organs as they reseal their cadavers. Oh, and Lucille Ball is a god of the new millennium. Yet at the core of these phantasmagorical episodes is a commentary on melting-pot America, where the titans of other worlds are forgotten and replaced by newer, trendier gods\u2014\u201cgods of credit card and freeway, of Internet and telephone, of radio and hospital and television, gods of plastic and of beeper and of neon.\u201d It\u2019s no wonder that this novel has won both Hugo and Nebula awards or that the Internet has been in a frenzy over the rumored HBO adaptation. <strong>\u2014Caitlin Youngquist<\/strong> <!--more--><\/p>\n<p>In the world of century artist Alberto Giacometti, perfect na\u00efvet\u00e9 amounted to sophistication, plaudits amounted to nothing, and life came\u00a0down to rendering a nose in relief on a flat canvas. In <a href=\"http:\/\/www.indiebound.org\/book\/9780374515737?aff=theparisreview\" target=\"_blank\" rel=\"noopener\"><i>A Giacometti Portrait<\/i><\/a>, James Lord chronicles his time posing for the artist. He chronicles the artist\u2019s struggles\u2014\u201cmaybe the canvas will become completely empty \u2026 I\u2019ll die of it!\u201d\u2014but it is far more than a list of artistic idiosyncrasies: rather, it is a moving profile of vision and realization. <strong>\u2014Taylor Anne Lane<\/strong><\/p>\n<p>On Monday night, I attended a screening of Roman Polanski\u2019s <i>Macbeth<\/i> at the BAM Rose Cinemas in Brooklyn. Noted Kings County resident Martin Amis was on hand to introduce the film. If that sounds like an arbitrary choice, one should know that Amis met Polanski in 1979\u2014eight years after <i>Macbeth<\/i> was made\u2014for the director\u2019s first official interview since fleeing the United States. Amis unwisely brought his girlfriend along to the meeting, and later found out that whenever he went to the restroom, Polanski told her to get rid of him. As for the film itself, this adaptation of Shakespeare\u2019s tragedy was produced by <em>Playboy<\/em>, which feels eerily apropos in the scene where Macbeth visits the Weird Sisters and finds a harem of naked witches, as if the director had mined Hugh Hefner\u2019s nightmares for inspiration. Unlike the weary bosoms of those midnight hags, Polanski\u2019s movie has held up rather well over the years, especially the final fight between Macbeth and Macduff. When the two of them go at it like demented drunks in armor the effect is\u2014I think intentionally\u2014comical. Of course we know what the outcome will be, as does the usurper king, but the decision to make his final struggle an absurd, bumbling affair is a stroke of brilliance. <strong>\u2014Fritz Huber<\/strong><\/p>\n<p>Nicholson Baker probably wouldn\u2019t beat out Beckett (who famously once told an actress \u201cyou can\u2019t go fast enough\u201d) for the title of top literary sprinter. But Baker\u2019s short, breathtaking <a href=\"http:\/\/www.amazon.com\/gp\/product\/B005FOFT84\/ref=as_li_tf_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B005FOFT84&amp;linkCode=as2&amp;tag=theparrev0f-20\" target=\"_blank\" rel=\"noopener\"><i>Room Temperature<\/i><\/a> is as athletic and verbally spirited as anything I\u2019ve ever read, and deserves at least a hankie thrown on the track. Halfway through this feat of lyrical endurance, Baker\u2019s narrator riffs on \u201cthe implied high culture\u201d of a felt-tip comma he hears his wife writing, obsessing like a reverential fanboy over whether \u201cthe graceful purling motion necessary to the creation of the coma, that inclusive flip of the pen, is similar to the motions we use in writing the prose that surrounds it, while the period is an alien jab\u201d. That regard for gentleness is what seems to be behind Baker\u2019s own peripatetic, generous style: \u201cmaybe as a general rule, the fewer commas a person used, the more ruthless a tyrant he would prove to be if placed in a position of power.\u201d\u00a0<strong>\u2014Lucie Elven\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Missing baseball yet? I am: I miss the slow churn of the season, I miss sitting in the stands, shielding my eyes from an afternoon sun as a hit flies into the air\u2014is it foul? is it fair?\u2014only to be caught at the wall by an outfielder. I miss the rhythm of apparent inactivity mixed [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[1519,375,12176,12178,12180,2660,12179,12177],"class_list":["post-62285","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-alberto-giacometti","tag-baseball","tag-chicago-cubs","tag-halimah-marcus","tag-james-lord","tag-nicholson-baker","tag-roman-polanski","tag-steven-millhauser"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>What We\u2019re Loving: Baseball, Giacometti, Literary Sprinting by The Paris Review<\/title>\n<meta name=\"description\" content=\"November 8, 2013 \u2013 Missing baseball yet? 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