{"id":61254,"date":"2013-10-11T11:53:31","date_gmt":"2013-10-11T15:53:31","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=61254"},"modified":"2013-10-11T16:51:13","modified_gmt":"2013-10-11T20:51:13","slug":"what-were-loving-dickinson-waltz-lupines","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/10\/11\/what-were-loving-dickinson-waltz-lupines\/","title":{"rendered":"What We\u2019re Loving: Dickinson, Waltz, Lupines"},"content":{"rendered":"

\"dickinsonenvelopelarge\"<\/a><\/p>\n

I\u2019ve been marveling over The Gorgeous Nothings<\/em><\/a>, a coffee table\u2013size book with (gorgeous) color facsimiles of Emily Dickinson\u2019s \u201cenvelope writings\u201d\u2014fifty-two poems and fragments written to fit on the backs and flaps of carefully folded envelopes. Marta Werner and Jen Bervin, who edited the book, also provide transcriptions that reflect the actual position of the poems on the page (many are written diagonally, or in columns, or upside down). In her informative afterword, Werner suggests the fragments belong to Dickinson\u2019s \u201clate ecstatic writings.\u201d And there is something inaccessible yet buoyant about these pieces of poetry, written on scraps that often look like the wings of paper birds. \u2014Robyn Creswell<\/strong><\/p>\n

This past weekend, I visited a three-year-old friend (and her parents). I brought her one of my favorite children\u2019s books, Barbara Cooney\u2019s Miss Rumphius<\/em><\/a>. The 1983 National Book Award winner is beautiful, certainly, but just as striking is its story, about an independent woman dedicated to bringing beauty to the world. It\u2019s a classic, for sure, but more importantly, a total delight. \u2014Sadie Stein<\/strong><\/strong> <\/p>\n

<\/p>\n

I read Rodrigo Rey Rosa\u2019s The African Shore<\/em><\/a> in a single night. It is a slim volume, only 136 pages, but Rey Rosa is one of the most economical writers I\u2019ve encountered in a long time. The exactitude and concise beauty of his prose illustrates not only what the characters do but, above all, what they see and what they perceive. As Rey Rosa recently told Francisco Goldman in Bomb<\/em><\/a>, \u201cLife is just very complex and strange. Inexplicable things are always happening.\u201d Much like the work of his mentor, Paul Bowles, who translated many of Rey Rosa\u2019s works (and vice versa), The African Shore<\/em> is a tale of anxiety and violence but also of how fragile life can become. \u2014Justin Alvarez<\/strong><\/p>\n

Last Saturday, I attended an event at the New Yorker<\/i> Festival<\/a>, the annual lineup of panel discussions, interviews, and lectures that a friend recently described as \u201csomething like Fashion Week for writers.\u201d Heeding a patriotic impulse, I went to see fellow Austrian Christoph Waltz in conversation with Susan Orlean. I\u2019ve enjoyed the rise of Quentin Tarantino\u2019s silver-haired muse, and as far as cultural ambassadors go, Waltz is a clear improvement on Arnold Schwarzenegger and Hitler. Christoph didn\u2019t disappoint: not only was he his usual urbane, hyper-articulate self, but he also managed to get in a few potshots at the Germans (in Austria, it\u2019s how we deal with an inferiority complex regarding our neighbors to the north). Responding to the question of whether he found it easier to act in English or in German, Herr Waltz replied that English is certainly the preferable language for comedies; the unforgiving laws of German syntax make it too easy to accidentally spoil a punch line midsentence. \u201cSo there\u2019s not a big comedy scene in Germany?\u201d Orlean asked. \u201cWell,\u201d said Christoph, \u201cunfortunately, there is.\u201d \u2014Fritz Huber<\/strong><\/p>\n

\u201cThey say happiness is like good health; you don\u2019t notice it until it\u2019s gone. Me, I was happy in 1917,\u201d says a bow-tied Jon Hamm, sparking a cigarette as Soviet officers riffle his circa-1934 Moscow office. Suddenly, to a swell of accordion music, a tightly bundled Daniel Radcliffe likewise sparks a cigarette, this time surrounded by snow en route to a remote village. \u201cFarewell to Moscow,\u201d he says, \u201cFarewell to the red and gold Bolshoi. Farewell to shop windows.\u201d This is the world of Mikhail Bulgakov, though not that of his later dark surrealism\u2014rather,\u00a0that of a young provincial doctor scribbling grotesqueries in his diary. Black comedy permeates the connected stories of A Young Doctor\u2019s Notebook<\/a><\/i>, as well as this painfully funny new adaptation, starring Hamm as the morphine-addled Older Doctor and Radcliffe as his naive younger self. Among the show\u2019s motifs are botched obstetrics, a gory tooth extraction, and the looming presence of Leopold Leopoldovich, a recently deceased doctor and \u201cprolific artist\u201d whose self-portraits cover the hospital walls. The young doctor has big shoes to fill, and an even bigger beard he can\u2019t possibly grow. The Older Doctor mentors and chastises his younger double at one point, a dubious premise not to be found in Bulgakov\u2019s stories, but the conceit works. \u201cI saw a lot of horror and tragedy in here,\u201d he says to his younger self, \u201cHappy days.\u201d \u2014Adam Winters<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

I\u2019ve been marveling over The Gorgeous Nothings, a coffee table\u2013size book with (gorgeous) color facsimiles of Emily Dickinson\u2019s \u201cenvelope writings\u201d\u2014fifty-two poems and fragments written to fit on the backs and flaps of carefully folded envelopes. Marta Werner and Jen Bervin, who edited the book, also provide transcriptions that reflect the actual position of the poems […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[12018,12013,11573,2056,12016,12014,12015,2832,12017,10478],"class_list":["post-61254","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-barbara-cooney","tag-christoph-waltz","tag-daniel-radcliffe","tag-emily-dickinson","tag-jon-hamm","tag-marta-werner","tag-mikhail-bulgakov","tag-quentin-tarantino","tag-rodrigo-rey-rosa","tag-susan-orlean"],"acf":[],"yoast_head":"\nWhat We\u2019re Loving: Dickinson, Waltz, Lupines by The Paris Review<\/title>\n<meta name=\"description\" content=\"October 11, 2013 \u2013 I\u2019ve been marveling over The Gorgeous Nothings, a coffee table\u2013size book with 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