{"id":59023,"date":"2013-09-05T13:48:49","date_gmt":"2013-09-05T17:48:49","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=59023"},"modified":"2014-12-17T12:37:44","modified_gmt":"2014-12-17T17:37:44","slug":"franzen-on-kraus-footnote-48","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/09\/05\/franzen-on-kraus-footnote-48\/","title":{"rendered":"Franzen on Kraus: Footnote 48"},"content":{"rendered":"<div id=\"attachment_58867\" style=\"width: 535px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/09\/kokoshka_kraus.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-58867\" class=\"size-full wp-image-58867\" alt=\"Oskar Kokoschka's 1925 portrait of Karl Kraus. Oil on canvas, 65 x 100 cm, Museum Moderner Kunst, Vienna. \" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/09\/kokoshka_kraus.jpg\" width=\"525\" height=\"331\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/09\/kokoshka_kraus.jpg 525w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/09\/kokoshka_kraus-300x189.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-58867\" class=\"wp-caption-text\">Oskar Kokoschka\u2019s 1925 portrait of Karl Kraus. Museum Moderner Kunst, Vienna.<\/p><\/div>\n<p><em>This week, to celebrate the launch of our Fall issue, we will preview a few of our favorite footnotes from \u201cAgainst Heine,\u201d Jonathan Franzen\u2019s translation of the Austrian writer Karl Kraus. Click <a href=\"https:\/\/www.theparisreview.org\/subscribe\" target=\"_blank\">here<\/a> to get your subscription now!<\/em><\/p>\n<h2>And Heine had a talent for being embraced by young souls and thus associated with young experiences.<sup>48<\/sup>\u00a0<\/h2>\n<h2>(p. 210)<\/h2>\n<p><sup>48<\/sup> J.&thinsp;D. Salinger might be an example of an American writer whose reputation has similarly benefitted from being read in people\u2019s youth.\u00a0But consider here, too, the periodic arguments from Bob Dylan fans that Dylan deserves the Nobel Prize in Literature.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, to celebrate the launch of our Fall issue, we will preview a few of our favorite footnotes from \u201cAgainst Heine,\u201d Jonathan Franzen\u2019s translation of the Austrian writer Karl Kraus. Click here to get your subscription now! And Heine had a talent for being embraced by young souls and thus associated with young experiences.48\u00a0 [&hellip;]<\/p>\n","protected":false},"author":512,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[807],"tags":[4219,1191,11769,11746,910,110,11750,11770,112],"class_list":["post-59023","post","type-post","status-publish","format-standard","hentry","category-on-translation","tag-bob-dylan","tag-fall-issue","tag-heinrich-heine","tag-issue-206","tag-j-d-salinger","tag-jonathan-franzen","tag-karl-kraus","tag-nobel-prize-in-literature","tag-novel"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Franzen on Kraus: Footnote 48 by Jonathan Franzen<\/title>\n<meta name=\"description\" content=\"September 5, 2013 \u2013 This week, to celebrate the launch of our Fall issue, we will preview a few of our favorite footnotes from \u201cAgainst Heine,\u201d Jonathan Franzen\u2019s translation\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2013\/09\/05\/franzen-on-kraus-footnote-48\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Franzen on Kraus: Footnote 48 by Jonathan Franzen\" \/>\n<meta property=\"og:description\" content=\"September 5, 2013 \u2013 This week, to celebrate the launch of our Fall issue, we will preview a few of our favorite footnotes from \u201cAgainst Heine,\u201d Jonathan Franzen\u2019s translation\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2013\/09\/05\/franzen-on-kraus-footnote-48\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2013-09-05T17:48:49+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-12-17T17:37:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/09\/kokoshka_kraus.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"525\" \/>\n\t<meta property=\"og:image:height\" content=\"331\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jonathan Franzen\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jonathan Franzen\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2013\/09\/05\/franzen-on-kraus-footnote-48\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2013\/09\/05\/franzen-on-kraus-footnote-48\/\"},\"author\":{\"name\":\"Jonathan Franzen\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/68e0e8aba1eeedfe88cb76905b898f84\"},\"headline\":\"Franzen on Kraus: Footnote 48\",\"datePublished\":\"2013-09-05T17:48:49+00:00\",\"dateModified\":\"2014-12-17T17:37:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2013\/09\/05\/franzen-on-kraus-footnote-48\/\"},\"wordCount\":123,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2013\/09\/05\/franzen-on-kraus-footnote-48\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/09\/kokoshka_kraus.jpg\",\"keywords\":[\"Bob Dylan\",\"fall issue\",\"Heinrich Heine\",\"Issue 206\",\"J. 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