{"id":54805,"date":"2013-06-21T16:00:36","date_gmt":"2013-06-21T20:00:36","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=54805"},"modified":"2016-02-23T10:52:19","modified_gmt":"2016-02-23T15:52:19","slug":"drawing-gitmo","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/06\/21\/drawing-gitmo\/","title":{"rendered":"Drawing Gitmo"},"content":{"rendered":"<p><center><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5124.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-54821\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5124.jpg\" alt=\"IMG_5124\" width=\"600\" height=\"427\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5124.jpg 3093w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5124-300x213.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5124-768x546.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5124-1024x728.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/center><\/p>\n<p>In the eleven years since captives arrived at Guantanamo Bay, only three artists have been allowed to visit. I\u2019m here drawing the Khalid Sheikh Mohammed hearings for <a href=\"http:\/\/www.vice.com\/read\/molly-crabapple-sent-us-sketches-from-khalid-sheikh-mohammeds-trial-at-gitmo\" target=\"_blank\"><em>VICE<\/em> magazine<\/a>.\u00a0Artists sketch through three layers of soundproof glass. There\u2019s a monitor for sound, but it runs on a forty-second delay.\u00a0The delay is to allow for any classified information to be cut.\u00a0The world in front of you does not sync with the censored world on the screen.<\/p>\n<p><center><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5123.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-54824\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5123.jpg\" alt=\"IMG_5123\" width=\"600\" height=\"455\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5123.jpg 2977w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5123-300x227.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5123-1024x777.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/center><\/p>\n<p>We sit far from the accused. Our opera glasses were confiscated as \u201cprohibited ocular amplification.\u201d Before we take drawings into the outside world, a court security officer must approve and sticker them.<\/p>\n<p><!--more--><\/p>\n<p><center><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5114.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-54820\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5114.jpg\" alt=\"IMG_5114\" width=\"600\" height=\"838\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5114.jpg 2087w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5114-214x300.jpg 214w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5114-732x1024.jpg 732w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/center><\/p>\n<p>These are portraits of Khalid Sheikh Mohammed, defense attorneys, attorneys from the Red Cross, and families of those murdered on 9\/11. They are the only images of the Gitmo war court besides those of Janet Hamelin, the official sketch artist.<\/p>\n<p><center><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5126.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-54822\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5126.jpg\" alt=\"IMG_5126\" width=\"600\" height=\"813\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5126.jpg 2131w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5126-221x300.jpg 221w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5126-755x1024.jpg 755w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/center><center><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5128.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-54827\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5128.jpg\" alt=\"IMG_5128\" width=\"600\" height=\"877\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5128.jpg 2146w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5128-205x300.jpg 205w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5128-700x1024.jpg 700w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/center><center><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5129.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-54832\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5129.jpg\" alt=\"IMG_5129\" width=\"600\" height=\"800\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5129.jpg 2448w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5129-225x300.jpg 225w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/06\/IMG_5129-768x1024.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/center><\/p>\n<p>Miles away, in the Gitmo prison camp, 104 men are hunger striking. Forty-four are being force-fed. During the KSM hearings, journalists are not allowed to see the prison.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the eleven years since captives arrived at Guantanamo Bay, only three artists have been allowed to visit. I\u2019m here drawing the Khalid Sheikh Mohammed hearings for VICE magazine.\u00a0Artists sketch through three layers of soundproof glass. There\u2019s a monitor for sound, but it runs on a forty-second delay.\u00a0The delay is to allow for any classified [&hellip;]<\/p>\n","protected":false},"author":502,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,8920,11200,11199,21250],"class_list":["post-54805","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-current-events","tag-guantanamo-bay","tag-khalid-sheikh-mohammed","tag-trials"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Drawing Guantanamo Bay<\/title>\n<meta name=\"description\" content=\"Molly Crabapple&#039;s artistic renderings of the trail of Khalid Sheikh Mohammed.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2013\/06\/21\/drawing-gitmo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Drawing Gitmo by Molly Crabapple\" \/>\n<meta property=\"og:description\" content=\"June 21, 2013 \u2013 In the eleven years since captives arrived at Guantanamo Bay, only three artists have been allowed to visit. 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