{"id":53197,"date":"2013-05-28T11:34:59","date_gmt":"2013-05-28T15:34:59","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=53197"},"modified":"2013-05-28T14:45:26","modified_gmt":"2013-05-28T18:45:26","slug":"announcing-our-summer-issue","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/05\/28\/announcing-our-summer-issue\/","title":{"rendered":"Announcing Our Summer Issue!"},"content":{"rendered":"

\"205-Announcement-600x450\"<\/a><\/p>\n

The proofs of our Summer issue<\/a> just arrived at Twenty-Seventh Street from the printer. This afternoon is our last chance to catch any mistakes. You always find a few typos\u2014and we have more names to spell-check than usual, because this issue contains more stories, poems, and interviews than any in recent memory.\u00a0<\/p>\n

Some of these writers are regular contributors, including Lydia Davis\u2014with her first publication since she won the 2013 Man Booker International Prize for fiction\u2014and David Gates, whose new story is a favorite of his and ours. Others are writers we\u2019ve been waiting to publish for a while, namely Ben Lerner, whose first novel, Leaving the Atocha Station<\/em>, is one of the best debuts we\u2019ve seen in the past few years, and Kristin Dombek, whose essays in n+1<\/em> electrified us. The newly translated stories by Robert Walser are from his groundbreaking 1904 collection, Fritz Kocher\u2019s Essays<\/em>. This book (which won the admiration of Franz Kafka and Walter Benjamin) made me feel for the first time that I understood what all the fuss is about.<\/p>\n

Still others, including Emma Cline, Gillian Linden, and the Italian poet Patrizia Cavalli\u2014translated by the likes of Jorie Graham and Mark Strand\u2014are new to us and will probably be new to you.\u00a0We look forward to saying, You read them here first.<\/p>\n

Plus, three<\/em> interviews.<\/p>\n

Two are devoted to the art of literary biography. Michael Holroyd\u2019s lives of Lytton Strachey and George Bernard Shaw, among others, revolutionized the study of Bloomsbury and Edwardian literary history.<\/p>\n

MICHAEL HOLROYD<\/strong><\/center><\/p>\n

I am a great believer in private life, which is quite unfashionable now\u2014to be a celebrity is the thing, or you are nothing. But I believe in private life for the living, and I think that when one is dead one should be a little bit bolder, so that the rest of us may have some record of how things actually were. Otherwise we will be left with well-meant lies, which add to the difficulties of life and lead to real misunderstanding.<\/p>\n<\/blockquote>\n

Hermione Lee\u2019s biographies of Virginia Woolf, Willa Cather, and Edith Wharton are just as influential.<\/p>\n

INTERVIEWER<\/strong><\/center><\/p>\n

What is it like to write a death scene?<\/p>\n

HERMIONE LEE<\/strong><\/center><\/p>\n

It depends how they died. Some cynical biographer said to me, Make sure it\u2019s a good death. Make sure you\u2019re not picking someone who just declined.\u00a0<\/p>\n<\/blockquote>\n

Finally, we have an Art of Fiction interview with the Nobel laureate Imre Kert\u00e9sz. It is, according to Kert\u00e9sz, the last interview he will ever give. Luisa Zielinski\u2019s probing, sensitive questions explore the reasons that Kert\u00e9sz\u2014ten years after he survived the Holocaust\u2014decided he had to write.<\/p>\n

IMRE KERT\u00c9SZ<\/strong><\/center><\/p>\n

Look, I don\u2019t want to deny that I was a prisoner at Auschwitz and that I now have a Nobel Prize. What should I make of that? And what should I make of the fact that I survived, and continue to survive? At least I feel that I experienced something extraordinary, because not only did I live through those horrors, but I also managed to describe them, in a way that is bearable, acceptable, and nonetheless part of [a] radical tradition\u2009\u2026\u2009Perhaps I\u2019m being impertinent, but I feel that my work has a rare quality\u2014I tried to depict the human face of this history, I wanted to write a book that people would actually want to read.<\/p>\n<\/blockquote>\n

Subscribe now! <\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The proofs of our Summer issue just arrived at Twenty-Seventh Street from the printer. This afternoon is our last chance to catch any mistakes. You always find a few typos\u2014and we have more names to spell-check than usual, because this issue contains more stories, poems, and interviews than any in recent memory.\u00a0 Some of these […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2559],"tags":[3263,2278,7005,10964,5410,7511,10965,10017,10968,576,6595,10967,10966,2283,969,1725,7557],"class_list":["post-53197","post","type-post","status-publish","format-standard","hentry","category-bulletin","tag-ben-lerner","tag-david-gates","tag-edith-wharton","tag-emma-cline","tag-franz-kafka","tag-george-bernard-shaw","tag-gillian-linden","tag-hermione-lee","tag-imre-kertesz","tag-lydia-davis","tag-lytton-strachey","tag-michael-holroyd","tag-patrizia-cavalli","tag-robert-walser","tag-virginia-woolf","tag-walter-benjamin","tag-willa-cather"],"acf":[],"yoast_head":"\nAnnouncing Our Summer Issue! by Lorin Stein<\/title>\n<meta name=\"description\" content=\"May 28, 2013 \u2013 The proofs of our Summer issue just arrived at Twenty-Seventh Street from the printer. 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