{"id":52530,"date":"2013-05-17T12:41:42","date_gmt":"2013-05-17T16:41:42","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=52530"},"modified":"2013-05-17T14:12:27","modified_gmt":"2013-05-17T18:12:27","slug":"what-were-loving-rilke-revolution-and-wild-places","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/05\/17\/what-were-loving-rilke-revolution-and-wild-places\/","title":{"rendered":"What We\u2019re Loving: Rilke, Revolution, and Wild Places"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/05\/rilke-studiolarge.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-52534\" alt=\"rilke-studiolarge\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/05\/rilke-studiolarge.jpg\" width=\"600\" height=\"467\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/05\/rilke-studiolarge.jpg 600w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/05\/rilke-studiolarge-300x233.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>Even if you\u2019ve been reading Janet Malcolm for years, the critical appreciations collected in <a href=\"http:\/\/www.amazon.com\/gp\/product\/0374157693\/ref=as_li_tf_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0374157693&amp;linkCode=as2&amp;tag=theparrev0f-20\" target=\"_blank\"><em>Forty-one False Starts<\/em><\/a> may surprise you. The title essay is (or pretends to be) a series of scrapped beginnings to her profile of the painter David Salle, a giant of the art world in vulnerable mid-career. If you want to write magazine prose, this alone should make you buy the book. Ranging from Bloomsbury to Edward Weston to J.D. Salinger, the entire book is full of stylistic daring, fine distinctions, and bold judgments set down at the speed of thought. <strong>\u2014Lorin Stein<\/strong><\/p>\n<p><a href=\"http:\/\/www.amazon.com\/gp\/product\/081122127X\/ref=as_li_tf_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=081122127X&amp;linkCode=as2&amp;tag=theparrev0f-20\" target=\"_blank\"><em>The Emperor\u2019s Tomb<\/em><\/a> was the last novel Joseph Roth wrote. Michael Hofmann, whose versions of Roth are all unsettlingly good\u2014more like inhabitations than translations\u2014calls it a \u201cvaledictory repertoire of Rothian tropes and characters\u201d: Viennese caf\u00e9s, feckless and frivolous young men, the call-up to war, the end of Empire, the never-ending nostalgia for Empire. If you\u2019ve read Roth before, you\u2019ll enjoy the new variations on old themes; if you haven\u2019t read Roth, start with <em>The Radetsky March<\/em>. You won\u2019t want it to end and when it does, reading <em>The Emperor\u2019s Tomb<\/em> will bring it all back. <strong>\u2014Robyn Creswell<\/strong> <!--more--><\/p>\n<p>I haven\u2019t been sleeping well lately\u2014allergy season\u2014which always leads me to explore the depths of my bookcases. The other night, I picked out Robert Macfarlane\u2019s <a href=\"http:\/\/www.indiebound.org\/book\/9780143113935?aff=theparisreview\" target=\"_blank\"><em>The Wild Places<\/em><\/a> (purchased while waiting for a bus in Montpelier, Vermont). MacFarlane celebrates places that shouldn\u2019t exist: wild islands of the Atlantic littoral to which thousands of <em>peregrini<\/em> traveled in the fifth and sixth century to build places of worship; the summit of Ben Hope, where one could spend a clear night and never lose sight of the sun. Macfarlane entwines history and landscape just as well as Sebald and Chejfec and evokes, to borrow from George Bernard Shaw\u2019s description of the Skelligs, a part of our dream world. <strong>\u2014Justin Alvarez<\/strong><\/p>\n<p>If you have ever been part of a protest, you know that much of\u00a0the excitement arises from the feeling that you are part of the\u00a0vanguard: while theory and history may inform your stand, in the moment <i>this<\/i> protest is <i>the<\/i> protest, and no one has done this before.\u00a0Olivier Assayas\u2019s <a href=\"http:\/\/www.ifccenter.com\/films\/something-in-the-air\/\" target=\"_blank\"><i>Something in the Air<\/i><\/a> captures beautifully\u00a0that feeling\u2014the idealism, romance, chauvinism, sex, alienation, myopia. Set in the years after the May 1968 uprisings, it tracks a group of high school students who commit themselves to <em>la r\u00e9volution<\/em>. But the\u00a0film is less about revolution than it is about what young people do when they believe in something that is always\u00a0beyond their reach. After the Arab Spring and the Occupy Movement, it\u2019s good to be reminded that protest isn\u2019t just a political tool; it\u2019s a social game, a rite of passage.\u00a0<strong>\u2014Olivia Walton<\/strong><\/p>\n<p>On Wednesday, I had the luck to hear Lewis Hyde, Sarah Manguso, and Leigh Stein speak at the\u00a0<a href=\"http:\/\/powerhousearena.com\/\" target=\"_blank\">powerHouse Arena<\/a>\u00a0about a <a href=\"http:\/\/www.powells.com\/biblio\/62-9780143107149-0\" target=\"_blank\">new translation<\/a> of Rainer Maria Rilke\u2019s\u00a0<i>Letters to a Young Poet<\/i>. I\u00a0was moved to purchase my own copy\u2014and until night\u2019s quietest hour, lay awake, reading this latest illumination of Rilke\u2019s advice on sex, love, writing, and suffering. <strong>\u2014Brenna Scheving<\/strong><\/p>\n<p>My friend titled <a href=\"http:\/\/nickholmes.tumblr.com\/post\/50428597798\/moose-love-a-restitution-picnic\" target=\"_blank\">this image<\/a> \u201cRecreational Activities Featuring Moose and Van.\u201d The Internet is strange territory, wherein moose can lounge in paddling pools while cars explode. If anyone can explain how this is possible, please do. <strong>\u2014O.\u2009W.<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even if you\u2019ve been reading Janet Malcolm for years, the critical appreciations collected in Forty-one False Starts may surprise you. The title essay is (or pretends to be) a series of scrapped beginnings to her profile of the painter David Salle, a giant of the art world in vulnerable mid-career. If you want to write [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[1531,7005,910,42,2213,7933,1768,10904,160,7502,2363,969],"class_list":["post-52530","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-david-salle","tag-edith-wharton","tag-j-d-salinger","tag-janet-malcolm","tag-joseph-roth","tag-lewis-hyde","tag-michael-hofmann","tag-olivier-assayas","tag-rainer-maria-rilke","tag-robert-macfarlane","tag-sarah-manguso","tag-virginia-woolf"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>What We\u2019re Loving: Rilke, Revolution, and Wild Places by The Paris Review<\/title>\n<meta name=\"description\" content=\"May 17, 2013 \u2013 Even if you\u2019ve been reading Janet Malcolm for years, the critical appreciations collected in Forty-one False Starts may surprise you. 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