{"id":51435,"date":"2013-04-26T12:30:04","date_gmt":"2013-04-26T16:30:04","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=51435"},"modified":"2013-04-26T14:59:04","modified_gmt":"2013-04-26T18:59:04","slug":"what-were-loving-lawyers-and-criminals","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/04\/26\/what-were-loving-lawyers-and-criminals\/","title":{"rendered":"What We\u2019re Loving: Lawyers and Criminals"},"content":{"rendered":"

\"\"<\/p>\n

\"Albertine<\/a>

Albertine Sarrazin<\/p><\/div>\n

In spring of 1971 the New York Times<\/i> got hold of a top-secret, seven-thousand-page history of the Vietnam War. When the Times<\/i> ran a series based on the Pentagon Papers, it sparked one of the biggest First Amendment battles of the last century. Leading the Times<\/i>\u2019s defense was the young lawyer James Goodale.\u00a0In his new memoir,\u00a0Fighting for the Press<\/i><\/a>, Goodale gives\u00a0a fascinating blow-by-blow account of the legal arguments, personal rivalries, and inspired teamwork behind that famous defense, which started from the principle that there is nothing inherently illegal about publishing classified information. \u201cMy philosophy as a publishing lawyer,\u201d Goodale writes, \u201cwas that anything could be published. I had always found that if you took a word out here and there, shifted a paragraph here and there, anything was possible.\u201d In later years, Goodale worked his way up to become house counsel for The Paris Review<\/i>: we look forward to volume two. \u2014Lorin Stein<\/strong><\/p>\n

When Albertine Sarrazin\u2019s L\u2019astragale\u00a0<\/em>was published in 1965, the autobiographical novel, about a young woman who escapes reform school and embarks on a life of prostitution and petty crime, became an overnight sensation. The fact that the glamorous, enigmatic author died at the height of her fame, at only twenty-nine, has only added to the book\u2019s mystique. In her introduction to a fresh edition<\/a> from New Directions, Patti Smith describes the book as her youthful talisman and Sarrazin as \u201cmy guide through the nights of one hundred sleeps.\u201d I think it is a book to read when you are young; in some ways I am too old to have just discovered it. But even knowing this, I reveled in its entertaining, gritty weirdness. It bears mentioning, too, that the translator is Patsy Southgate, writer and fellow traveler of the Paris Review<\/em>. \u2014Sadie Stein<\/strong><\/p>\n

<\/p>\n

I\u2019ve been spending this week with The Mirador<\/em><\/a>, \u00c9lisabeth Gille’s engrossing account of the life of her mother, the writer Ir\u00e8ne N\u00e9mirovsky. When Gille was five years old, in 1942, N\u00e9mirovsky, along with Gille\u2019s father, was taken from the family\u2019s home in France to Auschwitz. Neither parent returned. The Mirador<\/i> is told in N\u00e9mirovsky\u2019s voice, narrating her beginnings as the only child of a wealthy Jewish couple in Kiev up through her later life and eventual arrest. The scraps of N\u00e9mirovsky\u2019s biography are stitched together with imagined anecdotes, chronologies, and emotions to create a shimmering and tender remembrance of a life cut short. \u2014Clare Fentress<\/strong><\/p>\n

I had previously read Jonathan Rosenbaum\u2019s excellent essay<\/a> on S\u00e1t\u00e1ntang\u00f3<\/em>\u00a0(both L\u00e1szl\u00f3 Krasznahorkai\u2019s novel and B\u00e9la Tarr\u2019s radical film adaptation) online, so I was excited to finally get my hands on Music & Literature<\/em><\/a>\u2019s second issue\u2014and it doesn\u2019t disappoint. Featuring, for the first time in English, an extensive selection of Krasznahorkai\u2019s fiction and art criticism, along with collaborator Max Neumann\u2019s haunting artwork and set stills from Tarr\u2019s film, it is a celebration of Krasznahorkai\u2019s apocalyptic world, one the issue begs you to further explore. \u2014Justin Alvarez<\/strong><\/p>\n

The Believer<\/em>\u2019s tenth-anniversary edition is a trove of good reading, but I especially enjoyed Paul La Farge\u2019s \u201cNoise-Canceling Headphones<\/a>.\u201d By examining Charles Marville\u2019s 1852 photographs of Paris\u2014a city that would soon give way to Haussmann\u2019s boulevards\u2014and Kafka\u2019s The Burrow<\/i>, La Farge employs mid-nineteenth-century Paris as a kind of portal into the anxieties surrounding the modern novel. (Yes, there are some headphones in there, too.) \u2014Olivia Walton<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

In spring of 1971 the New York Times got hold of a top-secret, seven-thousand-page history of the Vietnam War. When the Times ran a series based on the Pentagon Papers, it sparked one of the biggest First Amendment battles of the last century. Leading the Times\u2019s defense was the young lawyer James Goodale.\u00a0In his new […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[10748,4826,10751,10749,10752,10747,9800,10754,10750,852,10755,10753,10746],"class_list":["post-51435","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-albertine-sarrazin","tag-bela-tarr","tag-elisabeth-gille","tag-graham-foust","tag-irene-nemirovsky","tag-james-goodale","tag-laszlo-krasznahorkai","tag-max-neumann","tag-patsy-southgate","tag-patti-smith","tag-paul-la-farge","tag-satantango","tag-the-pentagon-papers"],"acf":[],"yoast_head":"\nWhat We\u2019re Loving: Lawyers and Criminals by The Paris Review<\/title>\n<meta name=\"description\" content=\"April 26, 2013 \u2013 In spring of 1971 the New York Times got hold of a top-secret, seven-thousand-page history of the Vietnam War. 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