{"id":50907,"date":"2013-04-19T11:12:35","date_gmt":"2013-04-19T15:12:35","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=50907"},"modified":"2013-05-06T16:37:08","modified_gmt":"2013-05-06T20:37:08","slug":"what-were-loving-works-that-work","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/04\/19\/what-were-loving-works-that-work\/","title":{"rendered":"What We\u2019re Loving: Works That Work"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/04\/nightattheopera.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/04\/nightattheopera-300x259.jpg\" alt=\"nightattheopera\" width=\"300\" height=\"259\" class=\"alignleft size-medium wp-image-50924\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/04\/nightattheopera-300x259.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/04\/nightattheopera.jpg 555w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a>Yesterday I was handed the first issue of a Dutch magazine that bills itself as \u201ca kind of <em>National Geographic<\/em> of design.\u201d Oddly, the design of <em>Works That Work<\/em> (in print) leaves much to be desired: it\u2019s the size and shape of a puffy playbill. But there is<a href=\"https:\/\/worksthatwork.com\/\" target=\"_blank\"> an online edition<\/a>, and the features range from an interview with the translator Linda Asher to an article on battlefield cooking to an investigation of that crowd-management fad, the fly in the urinal. (Yes, it\u2019s published in English.) <strong>\u2014Lorin Stein<\/strong><\/p>\n<p>Every now and then, I go back to my copy of <a href=\"http:\/\/www.amazon.com\/gp\/product\/0932716237\/ref=as_li_tf_tl?ie=UTF8&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0932716237&#038;linkCode=as2&#038;tag=theparrev0f-20\" target=\"_blank\"><em>Musicality<\/em><\/a>, a collaboration between Barbara Guest and June Felter, and this week was one of those times (maybe it&#8217;s the advent\u2014finally!\u2014of spring that drew me to the book).\u00a0Published in 1988 by Kelsey St. Press, it combines a single poem by Guest interspersed among pages of Felter\u2019s pencil drawings of rural landscapes\u2014scribbled trees, grasses, and hillocks; knotted loops for clouds; and the simplest geometry to describe farmhouses. Guest\u2019s lines likewise employ the smallest marks, the slightest movements to render nature\u2019s, well, musicality: \u201cHanging apples      half notes \/ in the rhythmic \u00a0 \u00a0 ceiling \u00a0 \u00a0red flagged \/ rag clefs \/ notational margins \/ the unfinished \/ cloudburst \/ a barrel cloud fallen from the cyclone truck \/ they hid under a table the cloud \/ with menacing disc \/ Leafs ripple in the dry cyclonic.\u201d\u00a0It doesn\u2019t hurt that the book\u2019s cover stock has a very pleasing, toothy texture (Fabriano Artistico, for you paper fiends out there), so it\u2019s doubly nice to pick up.\u00a0<strong>\u2014Nicole Rudick<\/strong> <!--more--><\/p>\n<p>I only began reading Aleksandar Hemon\u2019s fiction after chancing upon one of his personal essays. I came across the piece, entitled\u00a0\u201c<a href=\"http:\/\/www.newyorker.com\/reporting\/2009\/06\/08\/090608fa_fact_hemon\" target=\"_blank\">The Magic Mountain<\/a>,\u201d after having conducted a Google search for strategies to finish Thomas Mann\u2019s novel of the same name (at 400 pages in, I was losing steam fast). Though I never finished Mann\u2019s opus, I did become a fast fan of Hemon\u2019s. His most recent title,\u00a0<a href=\"http:\/\/www.amazon.com\/gp\/product\/0374115737\/ref=as_li_tf_tl?ie=UTF8&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0374115737&#038;linkCode=as2&#038;tag=theparrev0f-20\" target=\"_blank\"><em>The Book of My Lives<\/em><\/a>, is a collection of previously published personal pieces. Some essays made me laugh out loud, and the writing on Chicago caused me to long for my former hometown, but it is Hemon\u2019s ability to communicate sadness\u2014the despair of displacement, the horror of war, the incomprehensible loss of a child\u2014that most compels me to recommend this collection. <strong>\u2014Brenna\u00a0Scheving<\/strong><\/p>\n<p>Last week, a friend found an early edition of <em>Zbigniew Herbert: Selected Poems<\/em> at a fire sale in the basement of our alma mater\u2019s library. The librarian who discarded it should have thought twice. An inscription on the title page reads, \u201cTo Louis Simpson, with gratitude. Peter Dale Scott.\u201d Even if these names hadn\u2019t meant anything at first glance, the eager shelf-culler could at least have directed his or her eyes further up the page to notice one of them in the translation credit line. Said friend didn\u2019t question his luck and took the book silently to the checkout counter. I am now benefitting from his good fortune\u2014the volume arrived in my mailbox on Saturday. <strong>\u2014Clare Fentress<\/strong><\/p>\n<p>\u201cFilm Forum, Jr.\u201d is, as the name implies, a film series aimed at young viewers. I must confess I often go, even without a young friend; the movies are great and it\u2019s so much fun to watch small children experience, say, \u201cMake \u2019Em Laugh\u201d for the first time. And after this week, I\u2019m seriously looking forward to <a href=\"http:\/\/www.filmforum.org\/now_playing\" target=\"_blank\"><em>A Night at the Opera<\/em><\/a> this Sunday. A little inspired lunacy and the joy of discovery might be just what the doctor ordered. (And two eggs.) <strong>\u2014Sadie Stein<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yesterday I was handed the first issue of a Dutch magazine that bills itself as \u201ca kind of National Geographic of design.\u201d Oddly, the design of Works That Work (in print) leaves much to be desired: it\u2019s the size and shape of a puffy playbill. But there is an online edition, and the features range [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[7182,10676,216,10677,10674,269,10680,10679,4660,10675,10678],"class_list":["post-50907","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-aleksandar-hemon","tag-barbara-guest","tag-design","tag-june-felter","tag-linda-asher","tag-magazines","tag-night-at-the-opera","tag-peter-dale-scott","tag-the-marx-brothers","tag-works-that-work","tag-zbigniew-herbert"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>What We\u2019re Loving: Works That Work by The Paris Review<\/title>\n<meta name=\"description\" content=\"April 19, 2013 \u2013 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