{"id":49976,"date":"2013-04-04T15:45:08","date_gmt":"2013-04-04T19:45:08","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=49976"},"modified":"2013-04-04T15:54:19","modified_gmt":"2013-04-04T19:54:19","slug":"lady-liberty","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/04\/04\/lady-liberty\/","title":{"rendered":"Lady Liberty"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/04\/47_Betamax.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-49995\" alt=\"47_Betamax\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/04\/47_Betamax.jpg\" width=\"214\" height=\"135\" \/><\/a>Alexandra Socarides of The <em>Los Angeles Review of Books<\/em>\u2019s\u00a0 has <a href=\"http:\/\/lareviewofbooks.org\/article.php?id=1545\" target=\"_blank\">a lovely and informative piece<\/a> on \u201cNew Colossus,\u201d the Petrarchan Emma Lazarus sonnet that famously adorns the pedestal of the Statue of Liberty. We learn about the poet and the poem\u2019s formal and political import; Socarides frames \u201cNew Colossus\u201d as a bold statement for immigrant reform and tolerance, Lazarus herself as an engaging figure worthy of study.<\/p>\n<p>My own history with the iconic poem is less exalted. I remember distinctly the first time I heard it: I was three years old, in bed with one of the migraines that had arrived with the news of my mother\u2019s pregnancy with a new brother. My father read me the poem, his voice choked with emotion, explaining that it had heralded my great-grandparents\u2019 arrival in New York. Then he left me to sleep, drugged with pain and the red liquid children\u2019s Tylenol that always stained the sheets.<\/p>\n<p>When I woke up a few hours later, cautiously better, the words were still in my head. \u201cYearning to breathe free \u2026\u201d I thought.<\/p>\n<p>I wandered into the other room, where my parents were sitting on the bed with my new baby brother, hideous and red-haired. My father was making a videotape with his Betamax camera, not that the baby was doing anything interesting. I casually stripped off my cotton underpants, lay down on the bed, and began kicking my legs in the air.<\/p>\n<p>\u201cLook at me!\u201d I said. \u201cLook at me!\u201d<\/p>\n<p>\u201cSadie, put on your underpants,\u201d said my mother.<\/p>\n<p>\u201cBut, Mama!\u201d I cried. \u201cI\u2019m yearning to <i>breathe free<\/i>!\u201d<\/p>\n<p>The baby rolled or something.<\/p>\n<p>\u201cMY VAGINA IS YEARNING TO BREATHE FREE!\u201d I shouted, in case they\u2019d missed it.<\/p>\n<p>\u201cToday, Charlie is four months old,\u201d my dad was narrating. \u201cWe are on Seventy-Sixth Street. Sadie, would you like to say something to the camera?\u201d<\/p>\n<p>\u201cCamera!\u201d I screamed. \u201cMY VAGINA IS YEARNING TO BREATHE FREE!\u201d I waved my legs in the air vigorously.<\/p>\n<p>\u201cAnything else?\u201d<\/p>\n<p>\u201cMY VAGINA\u2014\u201d<\/p>\n<p>\u201cEnough with the vagina, Sades,\u201d said my dad.<\/p>\n<p>This is all on videotape. I recently saw it when I took a bunch of Beta tapes to be digitized. I apologize to Emma Lazarus.<\/p>\n<p><center>*<\/center><\/p>\n<p>Not like the brazen giant of Greek fame,<br \/> With conquering limbs astride from land to land;<br \/> Here at our sea-washed, sunset gates shall stand<br \/> A mighty woman with a torch, whose flame<br \/> Is the imprisoned lightning, and her name<br \/> Mother of Exiles. From her beacon-hand<br \/> Glows world-wide welcome; her mild eyes command<br \/> The air-bridged harbor that twin cities frame.<br \/> \u201cKeep, ancient lands, your storied pomp!\u201d cries she<br \/> With silent lips. \u201cGive me your tired, your poor,<br \/> Your huddled masses yearning to breathe free,<br \/> The wretched refuse of your teeming shore.<br \/> Send these, the homeless, tempest-tost to me,<br \/> I lift my lamp beside the golden door!\u201d<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alexandra Socarides of The Los Angeles Review of Books\u2019s\u00a0 has a lovely and informative piece on \u201cNew Colossus,\u201d the Petrarchan Emma Lazarus sonnet that famously adorns the pedestal of the Statue of Liberty. We learn about the poet and the poem\u2019s formal and political import; Socarides frames \u201cNew Colossus\u201d as a bold statement for immigrant [&hellip;]<\/p>\n","protected":false},"author":178,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[498],"tags":[10568,9489,10567,10569],"class_list":["post-49976","post","type-post","status-publish","format-standard","hentry","category-poetry-2","tag-new-colossus","tag-babies","tag-emma-lazarus","tag-statue-of-liberty"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Lady Liberty by Sadie Stein<\/title>\n<meta name=\"description\" content=\"April 4, 2013 \u2013 Alexandra Socarides of The Los Angeles Review of Books\u2019s\u00a0 has a lovely and informative piece on \u201cNew Colossus,\u201d the 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