{"id":47707,"date":"2013-03-05T10:30:46","date_gmt":"2013-03-05T15:30:46","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=47707"},"modified":"2013-03-05T10:39:33","modified_gmt":"2013-03-05T15:39:33","slug":"cover-art","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/03\/05\/cover-art\/","title":{"rendered":"Cover Art"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/03\/204cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-47709\" alt=\"204cover\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/03\/204cover-198x300.jpg\" width=\"198\" height=\"300\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/03\/204cover-198x300.jpg 198w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/03\/204cover.jpg 423w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><em>What follows is the Editor\u2019s Note from <a href=\"http:\/\/store.theparisreview.org\/products\/the-paris-review-no-204-spring-2013\" target=\"_blank\">issue 204<\/a>.<\/em><\/p>\n<p>For the cover of our sixtieth-anniversary issue, we asked the French artist JR to make a giant poster of George Plimpton\u2019s face and paste it up on a wall in Paris, as a symbolic homecoming and a tribute to the <em>patrie<\/em>. Posters are what JR does. In Vevey, Switzerland, he covered one entire side of a clock tower with Man Ray\u2019s <em>Femme aux cheveux longs<\/em>. In Havana, Los Angeles, Shanghai, and Cartagena, Spain, he plastered headshots of elderly residents\u2014headshots many stories tall\u2014across the facades of old buildings. He called the project \u201cThe Wrinkles of the City.\u201d We love these pictures. We love the way they honor the desire behind any portrait\u2014to eternalize a particular face\u2014and at the same time welcome the wear and tear of weather, smog, graffiti: of life as it passes by.<\/p>\n<p>It\u2019s been ten years since George died in his sleep, after half a century at the helm of the <em>Review<\/em>. \u201cGeorge,\u201d we say, even those members of the staff who never met him. He looms large in our imaginations\u2014as large as that image gazing across the rue Alexandre Dumas\u2014because he invented the form of the <em>Review<\/em> and gave it his spirit. \u201cWhat we are doing that\u2019s new,\u201d he explained in a letter to his parents, \u201cis presenting a literary quarterly in which the emphasis is more on fiction than on criticism, the bane of present quarterlies. Also we are brightening up the issue with artwork.\u201d This from a man who was about to publish Samuel Beckett! George\u2019s magazine was blithely serious and seriously blithe. <!--more--><\/p>\n<div id=\"attachment_47720\" style=\"width: 543px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/03\/Screen-shot-2013-03-04-at-3.11.02-PM.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-47720\" class=\"size-full wp-image-47720\" alt=\"JR (right) and collaborator, 11th arrondissement, Paris.\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/03\/Screen-shot-2013-03-04-at-3.11.02-PM.png\" width=\"533\" height=\"314\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/03\/Screen-shot-2013-03-04-at-3.11.02-PM.png 533w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/03\/Screen-shot-2013-03-04-at-3.11.02-PM-300x176.png 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-47720\" class=\"wp-caption-text\"><em>JR (right) and collaborator, 11th arrondissement, Paris.<\/em><\/p><\/div>\n<p>One test of a founding editor is whether his magazine can survive him. This was a real question ten years ago, but it was soon answered by George\u2019s successor Philip Gourevitch. Since the beginning of Gourevitch\u2019s stewardship, the <em>Review<\/em> has grown faster than ever in its history. In the past decade, our circulation has doubled, from the respectable \u201chigh four figures\u201d of George\u2019s heyday, to nearly twenty thousand. We have won two National Magazine Awards (a prize that always eluded George, to his loud and justifiable chagrin). Then there are the vast and strange domains of the Internet. In the past month alone, our young Web gazette, <em>The Paris Review Daily<\/em>, reached 153,143 readers. Every day more than 270,000 people sample our interviews via Twitter (and every day that number grows). Heaven knows what George would make of these developments\u2014they\u2019re puzzling, even to us. Still, we trust he would approve.<\/p>\n<p>In the end, of course, a journal cannot be judged by numbers or awards. It can\u2019t be judged by its legacy either. A pedigree means nothing. Over the years, the <em>Review<\/em> has launched hundreds of writers, from Philip Roth and Adrienne Rich to Edward P. Jones and David Foster Wallace, but we are only as good as the issue in your hands. By the time the next one arrives, George\u2019s poster will have gone the way of Sitting Bull\u2019s; our hope is that his spirit will guide the <em>Review<\/em> as long as there is new writing for us to discover, and artwork to brighten it up.<\/p>\n<p>On newsstands March 15. <a href=\"https:\/\/www.theparisreview.org\/subscribe\">Subscribe now!<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What follows is the Editor\u2019s Note from issue 204. For the cover of our sixtieth-anniversary issue, we asked the French artist JR to make a giant poster of George Plimpton\u2019s face and paste it up on a wall in Paris, as a symbolic homecoming and a tribute to the patrie. Posters are what JR does. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[26],"tags":[154,10255,14,4011,10254,270,1787,99,10253],"class_list":["post-47707","post","type-post","status-publish","format-standard","hentry","category-a-letter-from-the-editor","tag-david-foster-wallace","tag-edward-p-jones","tag-george-plimpton","tag-jr","tag-man-ray","tag-paris","tag-philip-gourevitch","tag-philip-roth","tag-vevey"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cover Art by Lorin Stein<\/title>\n<meta name=\"description\" content=\"March 5, 2013 \u2013 What follows is the Editor\u2019s Note from issue 204. For the cover of our sixtieth-anniversary issue, we asked the French artist JR to make a giant poster of\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2013\/03\/05\/cover-art\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cover Art by Lorin Stein\" \/>\n<meta property=\"og:description\" content=\"March 5, 2013 \u2013 What follows is the Editor\u2019s Note from issue 204. 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