{"id":47555,"date":"2013-02-28T11:48:48","date_gmt":"2013-02-28T16:48:48","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=47555"},"modified":"2013-02-28T11:48:48","modified_gmt":"2013-02-28T16:48:48","slug":"literary-vinyl","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/02\/28\/literary-vinyl\/","title":{"rendered":"Literary Vinyl"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/02\/6a00d83451da9669e2017c37089525970b-400wi.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-47556\" alt=\"6a00d83451da9669e2017c37089525970b-400wi\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/02\/6a00d83451da9669e2017c37089525970b-400wi-300x300.jpg\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/02\/6a00d83451da9669e2017c37089525970b-400wi-300x300.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/02\/6a00d83451da9669e2017c37089525970b-400wi-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/02\/6a00d83451da9669e2017c37089525970b-400wi.jpg 400w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a>This is a niche we can get behind: so-called literary vinyl, defined by the<a href=\"http:\/\/timescolumns.typepad.com\/stothard\/2013\/02\/literary-vinyl.html\" target=\"_blank\"><em> Times Literary Supplement<\/em> blog <\/a>as \u201cspoken word LPs, singles, and those oddly appealing 10-inch discs.\u201d Collector Greg Gatenby is selling off his 1,700-strong collection for $80,000. But for those of us who grew up listening to 78s of <em>A Child\u2019s Christmas in Wales\u00a0<\/em>and <em>Bread and Jam for Frances<\/em>, the memories are, as the credit-card commercials would say, priceless. <\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a niche we can get behind: so-called literary vinyl, defined by the Times Literary Supplement blog as \u201cspoken word LPs, singles, and those oddly appealing 10-inch discs.\u201d Collector Greg Gatenby is selling off his 1,700-strong collection for $80,000. But for those of us who grew up listening to 78s of A Child\u2019s Christmas [&hellip;]<\/p>\n","protected":false},"author":178,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[2453,10220,10221,46,1718],"class_list":["post-47555","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-dylan-thomas","tag-greg-gatency","tag-literary-vinyl","tag-music","tag-records"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Literary Vinyl by Sadie Stein<\/title>\n<meta name=\"description\" content=\"February 28, 2013 \u2013 This is a niche we can get behind: so-called literary vinyl, defined by the Times Literary Supplement blog as \u201cspoken word LPs, singles, and those oddly\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2013\/02\/28\/literary-vinyl\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Literary Vinyl by Sadie Stein\" \/>\n<meta property=\"og:description\" content=\"February 28, 2013 \u2013 This is a niche we can get behind: so-called literary vinyl, defined by the Times Literary Supplement blog as \u201cspoken word LPs, singles, and those oddly\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2013\/02\/28\/literary-vinyl\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2013-02-28T16:48:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/02\/6a00d83451da9669e2017c37089525970b-400wi.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sadie Stein\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sadie Stein\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2013\/02\/28\/literary-vinyl\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2013\/02\/28\/literary-vinyl\/\"},\"author\":{\"name\":\"Sadie Stein\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\"},\"headline\":\"Literary Vinyl\",\"datePublished\":\"2013-02-28T16:48:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2013\/02\/28\/literary-vinyl\/\"},\"wordCount\":76,\"commentCount\":2,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2013\/02\/28\/literary-vinyl\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2013\/02\/6a00d83451da9669e2017c37089525970b-400wi-300x300.jpg\",\"keywords\":[\"Dylan Thomas\",\"Greg Gatency\",\"literary vinyl\",\"music\",\"records\"],\"articleSection\":[\"Arts &amp; 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