{"id":47435,"date":"2013-02-27T11:20:00","date_gmt":"2013-02-27T16:20:00","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=47435"},"modified":"2013-02-28T10:24:12","modified_gmt":"2013-02-28T15:24:12","slug":"introducing-our-sixtieth-anniversary-issue","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2013\/02\/27\/introducing-our-sixtieth-anniversary-issue\/","title":{"rendered":"Introducing Our Sixtieth-Anniversary Issue!"},"content":{"rendered":"

\"-1\"<\/a>If you happened to be in Paris this past month, and walked past the public toilets at the corner of rue Alexandre Dumas and boulevard de Charonne, you may have noticed a giant picture of George Plimpton\u2019s face gazing out over the 11th arrondissement with great benignancy and just the slightest possible suggestion of a gueule de bois<\/i>.\u00a0This illegal memorial to our founding editor, by the poster artist JR, celebrates the sixtieth birthday of The Paris Review<\/i> in the city of her birth.\u00a0<\/p>\n

It happens also to be the cover of our special anniversary issue<\/a>.<\/p>\n

In which:<\/p>\n

Deborah Eisenberg talks failure and perseverance with Catherine Steindler\u2014<\/p>\n

\n

You write something and there\u2019s no reality to it. You can\u2019t inject it with any kind of reality. You have to be patient and keep going, and then, one day, you can feel something signaling to you from the innermost recesses. Like a little person trapped under the rubble of an earthquake. And very, very, very slowly you find your way toward the little bit of living impulse.<\/p>\n<\/blockquote>\n

Mark Leyner talks process with Sam Lipsyte\u2014<\/p>\n

\n

When I was at Brandeis, I met this girl named Rachel Horowitz, and we really loved reggae music. This was in 1970. We decided, Why don\u2019t we go to Jamaica? So we went and we got some really nifty little bungalow place in Montego Bay\u2014very cheap, because we couldn\u2019t afford much then. And it had a little pool for the couple of bungalows and a little kitchen. And I\u2019d never really stayed in place like this on my own, with a girlfriend. I mean, nothing quite like that. I had been away the year before with another girl, took a trip to Israel and in Europe and things, but I\u2019d never been in a groovy tropical place like this. And we had a car, so one day we drove into town and got some stuff, because we had a refrigerator and a pantry. We also got some Red Stripe. And this guy at Brandeis had given me some acid to bring to Jamaica. This guy was like the Johnny Appleseed of acid. He would take a load of acid and explain an album cover to you for just hours<\/em>. He would take a Hot Tuna album that you had seen a trillion times and he would begin to examine it with these long lectures that were like Fidel Castro giving a lecture at the Sorbonne. He also once set his hand on fire and watched it for quite a while because he was so high. That really impressed me. Anyway, this guy had given me some acid and one night, when Rachel and I were just hanging out in the hotel, I said, You wanna take some? She said no. I said, Okay, I think I\u2019m going to. So I took it, and it comes on, and then I want a beer and I go into the little kitchen, and by now the acid\u2019s full<\/em> on and this guy, this big flying cockroach, like a palmetto bug\u2014you know those things?\u2014it crawls out of the six-pack, and to me, at the time, it was like a pterodactyl, in some Raquel Welch movie set in prehistoric times. According to Rachel, I batted this thing in the little kitchen for, like, five hours. She heard pans and things breaking and she said I emerged with a torn shirt, sweaty\u2014and victorious. That\u2019s what my experience of writing The Sugar Frosted Nutsack<\/em> was like. Battling this pterodactyl in the closet with a pan. At a certain point, of course, the book attained a mind of its own, a subjectivity or an autocatalytic, machinelike quality.<\/p>\n<\/blockquote>\n

And Willa Kim shows us her store of Paris Review<\/em> erotica.<\/p>\n

Plus, fiction\u00a0by Adelaide Docx, David Gates, Mark Leyner, Ottessa Moshfegh, Adam O\u2019Fallon Price, and Tess Wheelwright. Poetry by\u00a0Sylvie Baumgartel, Peter Cole, Stephen Dunn, John Freeman, Tony Hoagland, Melcion Mateu, Ange Mlinko, Frederick Seidel, and Kevin Young. Essays by Vivian Gornick and David Searcy.\u00a0<\/p>\n

On newsstands March 15. Subscribe now!<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

If you happened to be in Paris this past month, and walked past the public toilets at the corner of rue Alexandre Dumas and boulevard de Charonne, you may have noticed a giant picture of George Plimpton\u2019s face gazing out over the 11th arrondissement with great benignancy and just the slightest possible suggestion of a […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2559],"tags":[10193,10209,10198,5007,2278,10207,10195,712,14,90,10204,4011,10196,1862,10197,10206,10199,270,1988,516,1852,10203,10202,10201,10205,3756,10208],"class_list":["post-47435","post","type-post","status-publish","format-standard","hentry","category-bulletin","tag-60th-anniversary","tag-adam-ofallon-price","tag-adelaide-docx","tag-ange-mlinko","tag-david-gates","tag-david-searcy","tag-deborah-eisenberg","tag-frederick-seidel","tag-george-plimpton","tag-issue-193","tag-john-freeman","tag-jr","tag-katherine-steindler","tag-kevin-young","tag-mark-leynder","tag-melcion-mateu","tag-ottessa-moshfegh","tag-paris","tag-peter-cole","tag-sam-lipsyte","tag-spring-issue","tag-stephen-dunn","tag-sylvie-baumgartel","tag-tess-wheelwright","tag-tony-hoagland","tag-vivian-gornick","tag-willa-kim"],"acf":[],"yoast_head":"\nIntroducing Our Sixtieth-Anniversary Issue! 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