{"id":37800,"date":"2012-08-29T09:00:18","date_gmt":"2012-08-29T13:00:18","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=37800"},"modified":"2012-08-29T10:29:10","modified_gmt":"2012-08-29T14:29:10","slug":"bradbury%e2%80%99s-file-the-unified-field","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/","title":{"rendered":"Bradbury\u2019s File, The Unified Field"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-37808\" title=\"raybradbury\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury-150x150.jpg 150w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<li>Seattle band Fleet Foxes is launching an arts and literary journal, <a href=\"http:\/\/www.thelmagazine.com\/TheMeasure\/archives\/2012\/08\/24\/a-fleet-foxes-afflilated-liteary-journal-to-launch-in-september\" target=\"_blank\"><em>The Unified Field<\/em><\/a>. Quoth the <em>L<\/em>, \u201cRound one features a journal entry penned by recently freed West Memphis 3 member Damien Echols on adjusting to life after eighteen years on death row, an excerpt from Gloria Steinem\u2019s forthcoming book, a photo essay on adolescence by noted rock photographer Autumn de Wilde, a contribution from <em>SPIN<\/em>\u2019s Charles Aaron, and another from Animal Collective sister\/visual collaborator Abby Portner, among 30-plus other pieces.\u201d Proceeds benefit nonprofit <a href=\"http:\/\/826national.org\/\" target=\"_blank\">826 National<\/a>. <\/li>\n<li>During the sixties, the FBI kept a file on <a href=\"http:\/\/www.huffingtonpost.com\/2012\/08\/28\/ray-bradbury-fbi-file-_n_1837199.html?utm_hp_ref=books\" target=\"_blank\">suspected communist sympathizer Ray Bradbury<\/a>. According to the bureau\u2019s then-source, \u201csome of Bradbury\u2019s stories have been definitely slanted against the United States and its capitalistic form of governmental.\u201d <\/li>\n<li>Kindles don\u2019t have a <a href=\"http:\/\/www.latimes.com\/features\/books\/jacketcopy\/la-jc-sleep-book-backlit-melatonin-20120828,0,6070486.story\" target=\"_blank\">soporific effect<\/a> according to one study: \u201ca two-hour exposure to light from self-luminous electronic displays can suppress melatonin by about 22 percent \u2026 Stimulating the human circadian system to this level may affect sleep in those using the devices prior to bedtime.\u201d <\/li>\n<li><em>The Marriage Plot<\/em> <a href=\"http:\/\/www.youtube.com\/watch?v=gfL4i_8L_-I&lt;\/li&gt; &lt;p&gt;\" target=\"_blank\">hits the small screen<\/a>.<\/li>\n<li>Across languages,\u00a0\u201c<a href=\"http:\/\/www.prospectmagazine.co.uk\/magazine\/riddled-with-irregularity\/\" target=\"_blank\">the fundamental colour hierarchy<\/a>, at least in the early stages (black\/white, red, yellow\/green, blue) remains generally accepted. The problem is that no one could explain why this ordering of colour exists. Why, for example, does the blue of sky and sea, or the green of foliage, not occur as a word before the far less common red?\u201d<\/li>\n<p>[tweetbutton]<\/p>\n<p>[facebook_ilike]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seattle band Fleet Foxes is launching an arts and literary journal, The Unified Field. Quoth the L, \u201cRound one features a journal entry penned by recently freed West Memphis 3 member Damien Echols on adjusting to life after eighteen years on death row, an excerpt from Gloria Steinem\u2019s forthcoming book, a photo essay on adolescence [&hellip;]<\/p>\n","protected":false},"author":178,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[8513,6119,8533,1244,149,20543,5029,7723,4877],"class_list":["post-37800","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-color","tag-fbi","tag-fleet-foxes","tag-kindle","tag-news","tag-on-the-shelf","tag-ray-bradbury","tag-roundup","tag-the-marriage-plot"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bradbury\u2019s File, The Unified Field by Sadie Stein<\/title>\n<meta name=\"description\" content=\"August 29, 2012 \u2013 Seattle band Fleet Foxes is launching an arts and literary journal, The Unified Field. Quoth the L, \u201cRound one features a journal entry penned by recently\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury\u2019s-file-the-unified-field\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bradbury\u2019s File, The Unified Field by Sadie Stein\" \/>\n<meta property=\"og:description\" content=\"August 29, 2012 \u2013 Seattle band Fleet Foxes is launching an arts and literary journal, The Unified Field. Quoth the L, \u201cRound one features a journal entry penned by recently\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury\u2019s-file-the-unified-field\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-08-29T13:00:18+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-08-29T14:29:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sadie Stein\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sadie Stein\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/\"},\"author\":{\"name\":\"Sadie Stein\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\"},\"headline\":\"Bradbury\u2019s File, The Unified Field\",\"datePublished\":\"2012-08-29T13:00:18+00:00\",\"dateModified\":\"2012-08-29T14:29:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/\"},\"wordCount\":248,\"commentCount\":2,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg\",\"keywords\":[\"color\",\"FBI\",\"Fleet Foxes\",\"Kindle\",\"news\",\"On the Shelf\",\"Ray Bradbury\",\"roundup\",\"The Marriage Plot\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/\",\"name\":\"Bradbury\u2019s File, The Unified Field by Sadie Stein\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg\",\"datePublished\":\"2012-08-29T13:00:18+00:00\",\"dateModified\":\"2012-08-29T14:29:10+00:00\",\"description\":\"August 29, 2012 \u2013 Seattle band Fleet Foxes is launching an arts and literary journal, The Unified Field. Quoth the L, \u201cRound one features a journal entry penned by recently\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Bradbury\u2019s File, The Unified Field\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\",\"name\":\"Sadie Stein\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g\",\"caption\":\"Sadie Stein\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/sstein\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Bradbury\u2019s File, The Unified Field by Sadie Stein","description":"August 29, 2012 \u2013 Seattle band Fleet Foxes is launching an arts and literary journal, The Unified Field. Quoth the L, \u201cRound one features a journal entry penned by recently","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury\u2019s-file-the-unified-field\/","og_locale":"en_US","og_type":"article","og_title":"Bradbury\u2019s File, The Unified Field by Sadie Stein","og_description":"August 29, 2012 \u2013 Seattle band Fleet Foxes is launching an arts and literary journal, The Unified Field. Quoth the L, \u201cRound one features a journal entry penned by recently","og_url":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury\u2019s-file-the-unified-field\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2012-08-29T13:00:18+00:00","article_modified_time":"2012-08-29T14:29:10+00:00","og_image":[{"width":300,"height":300,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg","type":"image\/jpeg"}],"author":"Sadie Stein","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Sadie Stein","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/"},"author":{"name":"Sadie Stein","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9"},"headline":"Bradbury\u2019s File, The Unified Field","datePublished":"2012-08-29T13:00:18+00:00","dateModified":"2012-08-29T14:29:10+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/"},"wordCount":248,"commentCount":2,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg","keywords":["color","FBI","Fleet Foxes","Kindle","news","On the Shelf","Ray Bradbury","roundup","The Marriage Plot"],"articleSection":["On the Shelf"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/","url":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/","name":"Bradbury\u2019s File, The Unified Field by Sadie Stein","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg","datePublished":"2012-08-29T13:00:18+00:00","dateModified":"2012-08-29T14:29:10+00:00","description":"August 29, 2012 \u2013 Seattle band Fleet Foxes is launching an arts and literary journal, The Unified Field. Quoth the L, \u201cRound one features a journal entry penned by recently","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/08\/raybradbury.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/08\/29\/bradbury%e2%80%99s-file-the-unified-field\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Bradbury\u2019s File, The Unified Field"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9","name":"Sadie Stein","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g","caption":"Sadie Stein"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/sstein\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/37800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=37800"}],"version-history":[{"count":16,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/37800\/revisions"}],"predecessor-version":[{"id":37819,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/37800\/revisions\/37819"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=37800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=37800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=37800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}