{"id":33833,"date":"2012-06-22T10:03:57","date_gmt":"2012-06-22T14:03:57","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=33833"},"modified":"2013-01-29T10:45:20","modified_gmt":"2013-01-29T15:45:20","slug":"gloriana","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2012\/06\/22\/gloriana\/","title":{"rendered":"Gloriana"},"content":{"rendered":"<p><em>In <a href=\"http:\/\/www.usscatastrophe.com\/kh\/\" target=\"_blank\">Kevin Huizenga<\/a>\u2019s new book, <\/em><a href=\"http:\/\/www.drawnandquarterly.com\/shopCatalogLong.php?st=art&amp;art=a412a2f9ef2545\" target=\"_blank\">Gloriana<\/a><em>, the character Glenn Ganges describes a magnificent sunset witnessed from his carrel at the library\u2014or rather, he begins to tell the story, and then he begins again and again and again. With each successive retelling, Glenn\u2019s perspective becomes increasingly abstract and frenetic\u2014focusing now on shelves of books, now on a patron\u2019s feet, now on a book flopping open\u2014until the tale explodes. The story loses its temporal thread; objects and figures reject the panels\u2019 prescriptive limits. The result is a panoptic narrative, in which not just actions but also thoughts and impressions occur at once. That page, originally a fold-out in <\/em>Supermonster<em> no. 14, is reproduced here.<\/em><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/06\/GLORIANApg113-e1340116728941.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-33835\" title=\"Kevin Huizenga, Gloriana\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/06\/GLORIANApg113-e1340116728941.jpg\" alt=\"\" width=\"595\" height=\"782\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/06\/GLORIANApg113-e1340116728941.jpg 1403w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/06\/GLORIANApg113-e1340116728941-228x300.jpg 228w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/06\/GLORIANApg113-e1340116728941-779x1024.jpg 779w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Kevin Huizenga\u2019s new book, Gloriana, the character Glenn Ganges describes a magnificent sunset witnessed from his carrel at the library\u2014or rather, he begins to tell the story, and then he begins again and again and again. With each successive retelling, Glenn\u2019s perspective becomes increasingly abstract and frenetic\u2014focusing now on shelves of books, now on [&hellip;]<\/p>\n","protected":false},"author":361,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[131,1461,7895],"class_list":["post-33833","post","type-post","status-publish","format-standard","hentry","category-look","tag-comics","tag-drawn-quarterly","tag-kevin-huizenga"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gloriana by Kevin Huizenga<\/title>\n<meta name=\"description\" content=\"June 22, 2012 \u2013 In Kevin Huizenga\u2019s new book, Gloriana, the character Glenn Ganges describes a magnificent sunset witnessed from his carrel at the library\u2014or rather, he\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2012\/06\/22\/gloriana\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gloriana by Kevin Huizenga\" \/>\n<meta property=\"og:description\" content=\"June 22, 2012 \u2013 In Kevin Huizenga\u2019s new book, Gloriana, the character Glenn Ganges describes a magnificent sunset witnessed from his carrel at the library\u2014or rather, he\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2012\/06\/22\/gloriana\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-06-22T14:03:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-01-29T15:45:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/06\/GLORIANApg113-e1340116728941.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1403\" \/>\n\t<meta property=\"og:image:height\" content=\"1843\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Kevin Huizenga\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kevin Huizenga\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/06\/22\/gloriana\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/06\/22\/gloriana\/\"},\"author\":{\"name\":\"Kevin Huizenga\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/76230346bde72f3c6c7c9100dfeee3e9\"},\"headline\":\"Gloriana\",\"datePublished\":\"2012-06-22T14:03:57+00:00\",\"dateModified\":\"2013-01-29T15:45:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/06\/22\/gloriana\/\"},\"wordCount\":118,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/06\/22\/gloriana\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/06\/GLORIANApg113-e1340116728941.jpg\",\"keywords\":[\"comics\",\"Drawn &amp; 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