{"id":33535,"date":"2012-06-15T12:00:14","date_gmt":"2012-06-15T16:00:14","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=33535"},"modified":"2012-06-15T12:32:28","modified_gmt":"2012-06-15T16:32:28","slug":"what-we%e2%80%99re-loving-gardens-riches-and-kidneys","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2012\/06\/15\/what-we%e2%80%99re-loving-gardens-riches-and-kidneys\/","title":{"rendered":"What We\u2019re Loving: Gardens, Riches, and Kidneys"},"content":{"rendered":"

\"\"<\/a>The classical novel exists, in large part, to teach us how to imagine money\u2014the more than we\u2019ll ever have, the more than we\u2019ll ever lose. Nobody today writes more convincingly about lucre than Jonathan Dee. You glance up from The Privileges<\/em><\/a> thinking, Sure, I can imagine how it would feel to be that level of mega-filthy, godalmighty rich\u2014it\u2019s like grasping some exotic theorem\u2014then you dive back in to watch the Moreys make even more. (For <\/a>a round-up of moneycentric novels<\/a>, check out Christian Lorentzen in the new Bookforum<\/em>.) \u2014Lorin Stein<\/strong><\/p>\n

I\u2019m not a gardener\u2014I can hardly tell tulips from forget-me-nots\u2014but I have many friends who are, and I\u2019ve just come across the perfect book for them. James Fenton\u2019s A Garden from a Hundred Packets of Seed<\/em><\/a> is short, witty, and useful. If you were starting a flower garden from scratch, Fenton asks, what flowers would you choose to grow in it? The names themselves are a pleasure to read: the Shoo-Fly Plant (also known as the Apple of Peru), the Pheasant\u2019s Eye, the Iceland Poppy, the Blue Pygmy. Fenton also gives sound advice: \u201cWhen handling seedlings, always hold them by the leaves, not by the stem\u201d; and, \u201cForcefully remind your cat about the difference between seed trays and litter boxes.\u201d \u2014Robyn Creswell<\/strong><\/p>\n

<\/p>\n

Every June, in anticipation of Bloomsday, I consider rereading Ulysses<\/em>; often I get as far as flipping through and pausing on favorite passages (and the accompanying college-era marginalia). A few years ago I even toyed with throwing a Bloomsday party, the menu composed exclusively from the novel\u2019s food descriptions. But at the time, still a vegetarian being slowly wooed by the scent of bacon, I wasn\u2019t ready for \u201cinner organs of beasts and fowls \u2026 thick giblet soup, nutty gizzards, a stuffed roast heart, liver slices fried with crustcrumbs, fried hencod’s roes \u2026 grilled mutton kidneys\u201d with their \u201cfine tang of faintly scented urine.\u201d \u2014Emily Cole-Kelly<\/strong><\/p>\n

While historians may not always have the time to pause and take a proper look at history\u2019s B hits, the rest of us do. This collection of design records<\/a> for non-ceramic Victorian household items, part of an online exhibition put on by the National Archives, has some excellent examples of quotidian bits of history, systematically organized with only the gentlest curatorial touch. Who knew that there was such demand for novel umbrella\/parasol\/sunshade\/walking-stick strap designs<\/a> in mid-nineteenth century Britain? Or impossibly uncomfortable shoes<\/a>? And what the hell is a spherical sweetmeat<\/a>? These bits of historical marginalia only survived the ages by sheer chance. But the point is that they did survive, and for that we should be grateful. \u2014Arthur Holland Michel <\/strong><\/p>\n

With the government\u2019s counterterrorism agenda increasingly under discussion, we\u2019ve seen a recent focus on the ethical ramifications of drone attacks\u2014and rightly so. But Francine Prose\u2019s recent blog post for the New York Review of Books<\/em>, \u201cGetting Them Dead<\/a>,\u201d takes on the topic from a less-discussed angle by examining the significance of the language<\/em> with which these policies are discussed. Though Orwell\u2019s famous statement that \u201cpolitical speech and writing are largely the defense of the indefensible\u201d is perhaps too strong for the current context, his point\u2014and Prose\u2019s\u2014is nonetheless increasingly relevant: euphemistic doublespeak in all its forms distorts not only our language but our thinking, and in the messy business of politics and national security, it is precision\u2014in word and in deed\u2014that we need most. \u2014Anna Hadfield<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The classical novel exists, in large part, to teach us how to imagine money\u2014the more than we\u2019ll ever have, the more than we\u2019ll ever lose. Nobody today writes more convincingly about lucre than Jonathan Dee. You glance up from The Privileges thinking, Sure, I can imagine how it would feel to be that level of […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[2672,7866,7869,568,7470,4840,7518,947,7863,758,7864,946],"class_list":["post-33535","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-bloomsday","tag-bookforum","tag-christian-lorentzen","tag-francine-prose","tag-gardening","tag-george-orwell","tag-james-fenton","tag-james-joyce","tag-jonathan-dee","tag-new-york-review-of-books","tag-the-privileges","tag-ulysses"],"acf":[],"yoast_head":"\nWhat We\u2019re Loving: Gardens, Riches, and Kidneys by The Paris Review<\/title>\n<meta name=\"description\" content=\"June 15, 2012 \u2013 The classical novel exists, in large part, to teach us how to imagine money\u2014the more than we\u2019ll ever have, the more than we\u2019ll ever lose. 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