{"id":30471,"date":"2012-05-02T12:47:25","date_gmt":"2012-05-02T16:47:25","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=30471"},"modified":"2012-05-03T10:57:08","modified_gmt":"2012-05-03T14:57:08","slug":"literary-paint-chips-gallery-2","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/","title":{"rendered":"Literary Paint Chips: Gallery 2"},"content":{"rendered":"<p><em>Paint Samples, suitable for the home, sourced from colors in literature. As seen in <a href=\"https:\/\/www.theparisreview.org\/back-issues\/200\">our two-hundredth issue<\/a>. See Gallery 1 <a href=\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/26\/literary-paint-chips-gallery-1\/\">here<\/a>.<\/em><\/p>\n<table border=\"0\" width=\"560\">\n<tbody>\n<tr>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30478\" title=\"Havisham\u2019s Complexion\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/scarletsash.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30483\" title=\"Anti-Sex Scarlet\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/scarletsash.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/socks2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30529\" title=\"Plum Purple\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/socks2.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/eyelid.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30484\" title=\"Closed Eyelid\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/eyelid.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Havisham\u2019s Complexion<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Anti-Sex Scarlet<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Plum Purple<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Closed Eyelid<\/span><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/munro.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30486\" title=\"Green Paste\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/munro.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/davis.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30530\" title=\"Rain Stone\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/davis.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/notblue.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30488\" title=\"Nothing\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/notblue.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/plath.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30489\" title=\"Esther's Sauce\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/plath.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Green Paste<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Rain Stone<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Nothing<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Esther\u2019s Sauce<\/span><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/brazier.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30490\" title=\"Anthracite Brazier\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/brazier.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/dovegrey.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30492\" title=\"Dove\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/dovegrey.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/usher.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30493\" title=\"Encrimsoned\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/usher.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/foul.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30494\" title=\"Foul Mood\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/foul.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Anthracite Brazier<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Dove<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Encrimsoned<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Foul Mood<\/span><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/snot.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30495\" title=\"Snot\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/snot.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/eye.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30496\" title=\"Eyes\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/eye.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/venice.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30533\" title=\"Aschenbach's Youth\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/venice.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/Saffron.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30497\" title=\"Saffron Silk\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/Saffron.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Snot<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Eyes<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Aschenbach\u2019s Youth<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Saffron Silk<\/span><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/brideshead.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30534\" title=\"Elm Shadow\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/brideshead.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/paris.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30499\" title=\"Paris\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/paris.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/yellowsmell.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30500\" title=\"Paper Smell\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/yellowsmell.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/barnes.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30501\" title=\"England\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/barnes.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Elm Shadow<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Paris<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Paper Smell<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">England<\/span><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/brownair.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30535\" title=\"Rat Brown\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/brownair.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/undersea.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30536\" title=\"20,000\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/undersea.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/dorianlips.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30525\" title=\"Dorian Scarlet\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/dorianlips.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/chekhov.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30526\" title=\"Lilac Ocean\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/chekhov.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Rat Brown<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">20,000<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Dorian Scarlet<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Lilac Ocean<\/span><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/baskingpears.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30517\" title=\"Basking Pear\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/baskingpears.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/marchmorn.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30518\" title=\"March Morning\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/marchmorn.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/sourapple.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30520\" title=\"Sour Apple\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/sourapple.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<td align=\"center\" valign=\"top\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/gulag.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30522\" title=\"Gulag\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/gulag.jpg\" alt=\"\" width=\"130\" height=\"91\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Basking Pear<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">March Morning<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Sour Apple<\/span><\/td>\n<td align=\"center\" valign=\"top\"><span class=\"annotation\">Gulag<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Paint Samples, suitable for the home, sourced from colors in literature. As seen in our two-hundredth issue. See Gallery 1 here. Havisham\u2019s Complexion Anti-Sex Scarlet Plum Purple Closed Eyelid Green Paste Rain Stone Nothing Esther\u2019s Sauce Anthracite Brazier Dove Encrimsoned Foul Mood Snot Eyes Aschenbach\u2019s Youth Saffron Silk Elm Shadow Paris Paper Smell England Rat [&hellip;]<\/p>\n","protected":false},"author":335,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[7351,262,5945,4738,7346,1203,7347,7349,154,7350,1759,7345,5764,2894,4840,5637,2081,3990,7348,4446,576,5033,1435,3259,2824,2704,1073,3829,969],"class_list":["post-30471","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-aleksandr-solzhenitsyn","tag-alice-munro","tag-annie-proulx","tag-anton-chekhov","tag-aristophanes","tag-charles-dickens","tag-charlotte-perkins-gilman","tag-christina-rossetti","tag-david-foster-wallace","tag-dorothy-van-doren","tag-edgar-allan-poe","tag-edna-obrien","tag-evelyn-waugh","tag-francoise-sagan","tag-george-orwell","tag-great-expectations","tag-haruki-murakami","tag-ian-mcewan","tag-jules-verne","tag-julian-barnes","tag-lydia-davis","tag-mordecai-richler","tag-oscar-wilde","tag-p-g-wodehouse","tag-sheila-heti","tag-sylvia-plath","tag-thomas-mann","tag-toni-morrison","tag-virginia-woolf"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Literary Paint Chips: Gallery 2 by Leanne Shapton and Ben Schott<\/title>\n<meta name=\"description\" content=\"May 2, 2012 \u2013 Paint Samples, suitable for the home, sourced from colors in literature. As seen in our two-hundredth issue. See Gallery 1 here. Havisham\u2019s Complexion\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Literary Paint Chips: Gallery 2 by Leanne Shapton and Ben Schott\" \/>\n<meta property=\"og:description\" content=\"May 2, 2012 \u2013 Paint Samples, suitable for the home, sourced from colors in literature. As seen in our two-hundredth issue. See Gallery 1 here. Havisham\u2019s Complexion\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-05-02T16:47:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-05-03T14:57:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"130\" \/>\n\t<meta property=\"og:image:height\" content=\"91\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Leanne Shapton and Ben Schott\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Leanne Shapton and Ben Schott\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/\"},\"author\":{\"name\":\"Leanne Shapton and Ben Schott\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/baf57801a26233b131d60dd5b9e3ef87\"},\"headline\":\"Literary Paint Chips: Gallery 2\",\"datePublished\":\"2012-05-02T16:47:25+00:00\",\"dateModified\":\"2012-05-03T14:57:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/\"},\"wordCount\":73,\"commentCount\":5,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg\",\"keywords\":[\"Aleksandr Solzhenitsyn\",\"Alice Munro\",\"Annie Proulx\",\"Anton Chekhov\",\"Aristophanes\",\"Charles Dickens\",\"Charlotte Perkins Gilman.\",\"Christina Rossetti\",\"David Foster Wallace\",\"Dorothy Van Doren\",\"Edgar Allan Poe\",\"Edna O'Brien\",\"Evelyn Waugh\",\"Francoise Sagan\",\"George Orwell\",\"Great Expectations\",\"Haruki Murakami\",\"Ian McEwan\",\"Jules Verne\",\"Julian Barnes\",\"Lydia Davis\",\"Mordecai Richler\",\"Oscar Wilde\",\"P.G. Wodehouse\",\"Sheila Heti\",\"sylvia plath\",\"Thomas Mann\",\"Toni Morrison\",\"Virginia Woolf\"],\"articleSection\":[\"Arts &amp; Culture\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/\",\"name\":\"Literary Paint Chips: Gallery 2 by Leanne Shapton and Ben Schott\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg\",\"datePublished\":\"2012-05-02T16:47:25+00:00\",\"dateModified\":\"2012-05-03T14:57:08+00:00\",\"description\":\"May 2, 2012 \u2013 Paint Samples, suitable for the home, sourced from colors in literature. As seen in our two-hundredth issue. See Gallery 1 here. Havisham\u2019s Complexion\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Literary Paint Chips: Gallery 2\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/baf57801a26233b131d60dd5b9e3ef87\",\"name\":\"Leanne Shapton and Ben Schott\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5bb7f0c761a8a2e4c9624a63e2a861fc707d8e8b80ef463b241709c51948219b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5bb7f0c761a8a2e4c9624a63e2a861fc707d8e8b80ef463b241709c51948219b?s=96&d=mm&r=g\",\"caption\":\"Leanne Shapton and Ben Schott\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/lschott\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Literary Paint Chips: Gallery 2 by Leanne Shapton and Ben Schott","description":"May 2, 2012 \u2013 Paint Samples, suitable for the home, sourced from colors in literature. As seen in our two-hundredth issue. See Gallery 1 here. Havisham\u2019s Complexion","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/","og_locale":"en_US","og_type":"article","og_title":"Literary Paint Chips: Gallery 2 by Leanne Shapton and Ben Schott","og_description":"May 2, 2012 \u2013 Paint Samples, suitable for the home, sourced from colors in literature. As seen in our two-hundredth issue. See Gallery 1 here. Havisham\u2019s Complexion","og_url":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2012-05-02T16:47:25+00:00","article_modified_time":"2012-05-03T14:57:08+00:00","og_image":[{"width":130,"height":91,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg","type":"image\/jpeg"}],"author":"Leanne Shapton and Ben Schott","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Leanne Shapton and Ben Schott"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/"},"author":{"name":"Leanne Shapton and Ben Schott","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/baf57801a26233b131d60dd5b9e3ef87"},"headline":"Literary Paint Chips: Gallery 2","datePublished":"2012-05-02T16:47:25+00:00","dateModified":"2012-05-03T14:57:08+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/"},"wordCount":73,"commentCount":5,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg","keywords":["Aleksandr Solzhenitsyn","Alice Munro","Annie Proulx","Anton Chekhov","Aristophanes","Charles Dickens","Charlotte Perkins Gilman.","Christina Rossetti","David Foster Wallace","Dorothy Van Doren","Edgar Allan Poe","Edna O'Brien","Evelyn Waugh","Francoise Sagan","George Orwell","Great Expectations","Haruki Murakami","Ian McEwan","Jules Verne","Julian Barnes","Lydia Davis","Mordecai Richler","Oscar Wilde","P.G. Wodehouse","Sheila Heti","sylvia plath","Thomas Mann","Toni Morrison","Virginia Woolf"],"articleSection":["Arts &amp; Culture"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/","url":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/","name":"Literary Paint Chips: Gallery 2 by Leanne Shapton and Ben Schott","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg","datePublished":"2012-05-02T16:47:25+00:00","dateModified":"2012-05-03T14:57:08+00:00","description":"May 2, 2012 \u2013 Paint Samples, suitable for the home, sourced from colors in literature. As seen in our two-hundredth issue. See Gallery 1 here. Havisham\u2019s Complexion","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/havisham.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/05\/02\/literary-paint-chips-gallery-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Literary Paint Chips: Gallery 2"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/baf57801a26233b131d60dd5b9e3ef87","name":"Leanne Shapton and Ben Schott","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5bb7f0c761a8a2e4c9624a63e2a861fc707d8e8b80ef463b241709c51948219b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5bb7f0c761a8a2e4c9624a63e2a861fc707d8e8b80ef463b241709c51948219b?s=96&d=mm&r=g","caption":"Leanne Shapton and Ben Schott"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/lschott\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/30471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/335"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=30471"}],"version-history":[{"count":23,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/30471\/revisions"}],"predecessor-version":[{"id":30913,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/30471\/revisions\/30913"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=30471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=30471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=30471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}