{"id":2957,"date":"2010-07-27T10:19:25","date_gmt":"2010-07-27T14:19:25","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=2957"},"modified":"2011-01-11T15:40:04","modified_gmt":"2011-01-11T20:40:04","slug":"the-things-we-carried","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/","title":{"rendered":"The Things We Carried"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Foxhole.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Foxhole-e1294777749426.jpg\" alt=\"\" title=\"Foxhole\" width=\"574\" height=\"405\" class=\"aligncenter size-full wp-image-2963\" \/><\/a><\/p>\n<p>Otto Dix went to war voluntarily. A good part of his WWI duty on team Germany was as a machine-gunner, which provided Dix with front row seats to the Battle of Somme and other horrifying displays of anatomy, brutally exposed. He was entrenched in gore. He was repeatedly wounded, once near-fatally. Things around him were about as violent as is conceivable\u2014and Dix, like others who thrilled to the front, spent those years cultivating a conception of violence. Which is shitty and all, except that that was his motive from the get go: Dix was eager for the terribleness, volunteering, he once explained, \u201cto experience how someone beside me suddenly falls over and is dead and the bullet has hit him squarely. I had to experience that quite directly. I wanted it.\u201d <\/p>\n<p>He got it. And for the next near-decade, Dix stored the sought-after experience of those war years in the sick, fragmented cinema of the brain where we keep all the worst of what we\u2019ve seen, that asylum for repression from which broken imagery escapes into our nightmares and peripheral vision. Then, in 1924, Dix produced <em>Der Krieg<\/em> (The War), a cycle of fifty-one demented and harrowing prints that document his experience in battle: exposed brains; eviscerated youth; abstractions that, upon reflection, reveal themselves to be piles of disembowelment; blood blood blood. The series acts as sort of post-traumatic stress exorcism modeled after Francisco Goya\u2019s <em>Los Desastres de la Guerra<\/em>. Loose translation: \u201cI\u2019ve seen shit you can\u2019t even imagine and these artworks will only give you a fraction of an idea of how awful my daydreaming mind has forever become.\u201d<br \/>\n<!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Nocturnal_Encournter_with_a_Lunatic.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Nocturnal_Encournter_with_a_Lunatic-e1294777713786.jpg\" alt=\"\" title=\"Nocturnal Encounter with a Lunatic\" width=\"574\" height=\"793\" class=\"aligncenter size-full wp-image-2966\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Machine-Gun_Squad_Advances.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Machine-Gun_Squad_Advances-e1294777790430.jpg\" alt=\"\" title=\"Machine-Gun Squad Advances\" width=\"574\" height=\"480\" class=\"aligncenter size-full wp-image-2962\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Screen-shot-2010-07-27-at-10.09.28-AM.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Screen-shot-2010-07-27-at-10.09.28-AM-e1294777819481.png\" alt=\"\" title=\"Crater Fields near Dontrien Lit by Flares\" width=\"574\" height=\"429\" class=\"aligncenter size-full wp-image-3069\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Screen-shot-2010-07-27-at-10.08.49-AM.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Screen-shot-2010-07-27-at-10.08.49-AM-e1294777852432.png\" alt=\"\" title=\"The Second Company Will be Relieved Tonight\" width=\"574\" height=\"434\" class=\"aligncenter size-full wp-image-3068\" \/><\/a><\/p>\n<p><em>The Neue Gallerie in Manhattan is currently exhibiting a retrospective of Dix\u2019s work, the first of its kind in North America.<br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Otto Dix went to war voluntarily. A good part of his WWI duty on team Germany was as a machine-gunner, which provided Dix with front row seats to the Battle of Somme and other horrifying displays of anatomy, brutally exposed. He was entrenched in gore. He was repeatedly wounded, once near-fatally. Things around him were [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[1649,508,509,510,511,507],"class_list":["post-2957","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-art-photography-portfolio","tag-der-krieg","tag-francisco-goya","tag-los-desastres-de-la-guerra","tag-neue-gallerie","tag-otto-dix"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Otto Dix at the Neue Gallerie<\/title>\n<meta name=\"description\" content=\"July 27, 2010 \u2013 Otto Dix went to war voluntarily. A good part of his WWI duty on team Germany was as a machine-gunner, which provided Dix with front row seats to the\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Things We Carried by Elliott David\" \/>\n<meta property=\"og:description\" content=\"July 27, 2010 \u2013 Otto Dix went to war voluntarily. A good part of his WWI duty on team Germany was as a machine-gunner, which provided Dix with front row seats to the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2010-07-27T14:19:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2011-01-11T20:40:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Foxhole-e1294777749426.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"574\" \/>\n\t<meta property=\"og:image:height\" content=\"405\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Elliott David\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Elliott David\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/\"},\"author\":{\"name\":\"Elliott David\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/0a522dfd2150cefc6d1e1d425566ef7f\"},\"headline\":\"The Things We Carried\",\"datePublished\":\"2010-07-27T14:19:25+00:00\",\"dateModified\":\"2011-01-11T20:40:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/\"},\"wordCount\":300,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Foxhole-e1294777749426.jpg\",\"keywords\":[\"art &amp; photography portfolio\",\"Der Krieg\",\"Francisco Goya\",\"Los Desastres de la Guerra\",\"Neue Gallerie\",\"Otto Dix\"],\"articleSection\":[\"Arts &amp; Culture\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/\",\"name\":\"Otto Dix at the Neue Gallerie\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/27\/the-things-we-carried\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/Foxhole-e1294777749426.jpg\",\"datePublished\":\"2010-07-27T14:19:25+00:00\",\"dateModified\":\"2011-01-11T20:40:04+00:00\",\"description\":\"July 27, 2010 \u2013 Otto Dix went to war voluntarily. 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