{"id":29407,"date":"2012-04-11T08:02:10","date_gmt":"2012-04-11T12:02:10","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=29407"},"modified":"2012-04-11T10:02:09","modified_gmt":"2012-04-11T14:02:09","slug":"on-the-shelf-411","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/","title":{"rendered":"Happy Birthday, Gatsby; Good-bye, Britannica"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby-300x204.jpg\" alt=\"\" title=\"GreatGatsby\" width=\"300\" height=\"204\" class=\"alignleft size-medium wp-image-29421\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby-300x204.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby.jpg 880w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<li>The eighth installment of <a href=\"http:\/\/hyperallergic.com\/49537\/comic-twist-the-new-kramers-ergot-reveals-a-turn-toward-genre\/\"><em>Kramers Ergot<\/em><\/a> moves toward (cerebral) genre.\n<li>Rule Britannia:<a href=\"http:\/\/www.guardian.co.uk\/books\/booksblog\/2012\/apr\/10\/encyclopedia-britannica-11th-edition\"> An appreciation<\/a> of the legendary eleventh edition of the Encyclopedia Britannica.\n<li>This <a href=\"http:\/\/www.rizzoliusa.com\/blog\/2012\/04\/06\/the-new-rizzoli-bookshop-at-saks-fifth-avenue-nyc\/\">Rizzoli boutique<\/a> is far more lovely than one would expect a department-store bookstore to be.\n<li><a href=\"http:\/\/www.quora.com\/What-are-the-most-frequently-shoplifted-books\">What are the most frequently shoplifted books<\/a>? Crowdsourcing the answer!\n<li>Guess who &#8220;enjoys working with Amazon&#8221;? <a href=\"http:\/\/www.mediabistro.com\/ebooknewser\/robert-gottlieb-i-enjoy-working-with-amazon_b21760\">Robert Gottlieb<\/a>, that&#8217;s who.\n<li>On the &#8220;Dark Lady of American Letters&#8221;: <a href=\"http:\/\/www.thenation.com\/article\/167179\/double-inheritance-margaret-fuller\">Margaret Fuller<\/a> was a divisive figure due to \u201cthe effect of her manners, which expressed an overweening sense of power, and slight esteem of others \u2026 The men thought she carried too many guns, and the women did not like one who despised them.\u201d\n<li><a href=\"http:\/\/bookriot.com\/2012\/02\/27\/bookish-wedding-the-pictures\/\">Bookish weddings. <\/a>\n<li>Happy belated birthday, <a href=\"http:\/\/www.vol1brooklyn.com\/2012\/04\/10\/happy-birthday-to-the-great-gatsby\/\"><em>Great Gatsby<\/em>.<\/a><br \/>\n","protected":false},"excerpt":{"rendered":"<p>The eighth installment of Kramers Ergot moves toward (cerebral) genre. Rule Britannia: An appreciation of the legendary eleventh edition of the Encyclopedia Britannica. This Rizzoli boutique is far more lovely than one would expect a department-store bookstore to be. What are the most frequently shoplifted books? Crowdsourcing the answer! Guess who &#8220;enjoys working with Amazon&#8221;? [&hellip;]<\/p>\n","protected":false},"author":178,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[6748,7071,7073,7072,3081],"class_list":["post-29407","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-encyclopedia-britannica","tag-kramers-ergot","tag-margaret-fuller","tag-rizzoli","tag-robert-gottlieb"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Happy Birthday, Gatsby; Good-bye, Britannica by Sadie Stein<\/title>\n<meta name=\"description\" content=\"April 11, 2012 \u2013 The eighth installment of Kramers Ergot moves toward (cerebral) genre. Rule Britannia: An appreciation of the legendary eleventh edition of the\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Happy Birthday, Gatsby; Good-bye, Britannica by Sadie Stein\" \/>\n<meta property=\"og:description\" content=\"April 11, 2012 \u2013 The eighth installment of Kramers Ergot moves toward (cerebral) genre. Rule Britannia: An appreciation of the legendary eleventh edition of the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-04-11T12:02:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-04-11T14:02:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"880\" \/>\n\t<meta property=\"og:image:height\" content=\"599\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sadie Stein\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sadie Stein\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/\"},\"author\":{\"name\":\"Sadie Stein\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\"},\"headline\":\"Happy Birthday, Gatsby; Good-bye, Britannica\",\"datePublished\":\"2012-04-11T12:02:10+00:00\",\"dateModified\":\"2012-04-11T14:02:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/\"},\"wordCount\":121,\"commentCount\":2,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby-300x204.jpg\",\"keywords\":[\"Encyclopedia Britannica\",\"Kramers Ergot\",\"Margaret Fuller\",\"Rizzoli\",\"Robert Gottlieb\"],\"articleSection\":[\"On the Shelf\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/\",\"name\":\"Happy Birthday, Gatsby; Good-bye, Britannica by Sadie Stein\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby-300x204.jpg\",\"datePublished\":\"2012-04-11T12:02:10+00:00\",\"dateModified\":\"2012-04-11T14:02:09+00:00\",\"description\":\"April 11, 2012 \u2013 The eighth installment of Kramers Ergot moves toward (cerebral) genre. Rule Britannia: An appreciation of the legendary eleventh edition of the\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby.jpg\",\"width\":\"880\",\"height\":\"599\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Happy Birthday, Gatsby; Good-bye, Britannica\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\",\"name\":\"Sadie Stein\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g\",\"caption\":\"Sadie Stein\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/sstein\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Happy Birthday, Gatsby; Good-bye, Britannica by Sadie Stein","description":"April 11, 2012 \u2013 The eighth installment of Kramers Ergot moves toward (cerebral) genre. Rule Britannia: An appreciation of the legendary eleventh edition of the","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/","og_locale":"en_US","og_type":"article","og_title":"Happy Birthday, Gatsby; Good-bye, Britannica by Sadie Stein","og_description":"April 11, 2012 \u2013 The eighth installment of Kramers Ergot moves toward (cerebral) genre. Rule Britannia: An appreciation of the legendary eleventh edition of the","og_url":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2012-04-11T12:02:10+00:00","article_modified_time":"2012-04-11T14:02:09+00:00","og_image":[{"width":880,"height":599,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby.jpg","type":"image\/jpeg"}],"author":"Sadie Stein","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Sadie Stein","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/"},"author":{"name":"Sadie Stein","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9"},"headline":"Happy Birthday, Gatsby; Good-bye, Britannica","datePublished":"2012-04-11T12:02:10+00:00","dateModified":"2012-04-11T14:02:09+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/"},"wordCount":121,"commentCount":2,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby-300x204.jpg","keywords":["Encyclopedia Britannica","Kramers Ergot","Margaret Fuller","Rizzoli","Robert Gottlieb"],"articleSection":["On the Shelf"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/","url":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/","name":"Happy Birthday, Gatsby; Good-bye, Britannica by Sadie Stein","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby-300x204.jpg","datePublished":"2012-04-11T12:02:10+00:00","dateModified":"2012-04-11T14:02:09+00:00","description":"April 11, 2012 \u2013 The eighth installment of Kramers Ergot moves toward (cerebral) genre. Rule Britannia: An appreciation of the legendary eleventh edition of the","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/04\/GreatGatsby.jpg","width":"880","height":"599"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/04\/11\/on-the-shelf-411\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Happy Birthday, Gatsby; Good-bye, Britannica"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9","name":"Sadie Stein","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g","caption":"Sadie Stein"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/sstein\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/29407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=29407"}],"version-history":[{"count":15,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/29407\/revisions"}],"predecessor-version":[{"id":29436,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/29407\/revisions\/29436"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=29407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=29407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=29407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}