{"id":28804,"date":"2012-03-30T08:00:45","date_gmt":"2012-03-30T12:00:45","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=28804"},"modified":"2012-03-30T15:17:04","modified_gmt":"2012-03-30T19:17:04","slug":"staff-picks-southern-gothic-horror","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2012\/03\/30\/staff-picks-southern-gothic-horror\/","title":{"rendered":"Staff Picks: Biennial Cataloguing, Southern Gothic Horror"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/03\/Shoah_film.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/03\/Shoah_film.png\" alt=\"\" title=\"Shoah\" width=\"255\" height=\"368\" class=\"alignleft size-full wp-image-28827\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/03\/Shoah_film.png 255w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/03\/Shoah_film-207x300.png 207w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>For the first time in its eighty-year history, the <a href=\"http:\/\/whitney.org\/Exhibitions\/2012Biennial\">Whitney Biennial <\/a>gives substantial space\u2014an entire floor of the museum, in fact\u2014to dance and performance. The <a href=\"http:\/\/www.shopwhitney.org\/whbi20.html\">catalogue<\/a>, typically a by-the-book affair (no pun intended), has matched the show\u2019s experiential adventure, allotting each of the roughy fifty artists six pages for original contributions that extend, rather than merely reflect, the work in the museum. Among others entries, I love <a href=\"http:\/\/whitney.org\/Exhibitions\/2012Biennial\/VincentFecteau\">Vincent Fecteau<\/a>\u2019s use of a quote from Dennis Cooper to accompany his sculptures, while Cooper\u2019s\u00a0<em><a href=\"http:\/\/whitney.org\/Exhibitions\/2012Biennial\/GiseleVienneDennisCooperStephenOMalleyAndPeterRehberg\">Last Spring<\/a><\/em> project appears a few pages back; and <a href=\"http:\/\/\">Nick Mauss<\/a>\u2019s description of room he built in a dream: \u201cjust like that Claus Oldenburg installation with the plush and the zebra, except that the bed is covered in a grid of baguettes standing\u00a0<em>en point<\/em> beneath a poster of the cover of\u00a0<em>Triste Tropiques<\/em>.\u201d \u2014<strong>Nicole Rudick<\/strong><\/p>\n<p>It feels redundant to recommend something as canonical as <em><a href=\"http:\/\/www.bam.org\/view.aspx?pid=4094\">Shoah<\/a><\/em>, but until this past weekend, when I devoted a day to it at BAM, I\u2019d never actually seen Claude Lanzmann\u2019s landmark documentary all the way through.\u00a0I must admit, I entered into the nine-hour experience with something of a sense of obligation. But it\u2019s okay. <em>Entertaining <\/em>is the wrong word\u2014wholly engrossing. I\u2019ll leave it to others to discuss its cinematic and historical import; all I know is that it stays with you. \u2014<strong>Sadie Stein<\/strong><\/p>\n<p><span>This week New Orleans held its annual\u00a0<a href=\"http:\/\/www.tennesseewilliams.net\/\" target=\"_blank\">Tennessee Williams Festival<\/a>, featuring copious mint juleps and a Stella shouting contest. I celebrated the occasion with <em>Sweet Bird of Youth<\/em>, the 1962 film adaptation of Williams\u2019s play. When tweaking and fame-hungry<\/span><span> Chance Wayne (Paul Newman) returns to his Florida hometown to win back his sweetheart with big Hollywood promises, <\/span><span>as always with dear Tennessee, heartbreak and histrionics ensue. <\/span><span>Geraldine Page as Alexandra del Lago, a boozy, washed-up film star, steals the show. \u2014<\/span><strong>Allison Bulger<\/strong><\/p>\n<p><span>Gothic thrillers are my guilty pleasure, but it\u2019s hard to find a really good one.\u00a0John Harwood\u2019s <\/span><em><a href=\"http:\/\/www.goodreads.com\/book\/show\/3218327-the-seance\">The S\u00e9ance<\/a> <\/em>is one of the best I\u2019ve come across lately, a creepy page-turner that manager to capture the flavor of nineteenth-century horror conventions without feeling mannered. \u2014<strong>S.S.<\/strong><\/p>\n<p>William K. Everson was the head of the Theodore Huff Memorial Film Society, which put on weekly retrospective film series in New York City from the fifties into the eighties. These screenings were attended by such luminaries as Stanley Kubrick and Susan Sontag. Everson wrote extensive notes for each show, and these legendary writings\u2014idiosyncratic as they are erudite\u2014are now\u00a0<a href=\"http:\/\/www.nyu.edu\/projects\/wke\/\" target=\"_blank\">available online through NYU<\/a>. <strong>\u2014Josh Anderson<\/strong><\/p>\n<p>Cultural narratives often contain the most distilled and revealing identifiers of a people and their imagination. The Met exhibition\u00a0\u201c<a href=\"http:\/\/www.metmuseum.org\/exhibitions\/listings\/2011\/storytelling-in-japanese-art\" target=\"_blank\">Storytelling in Japanese Art<\/a>\u201d is a beautiful instance of narrative revelation, a window into the world of Japanese storytelling from the twelfth to the nineteenth century. This collection of various media\u2014hand scrolls, folding screens, playing cards, textiles\u2014pairs narrative text and intricate illustration to showcase the rich and fascinating history of Japanese people, their spirt and their stories. \u2014<strong>Elizabeth Nelson<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the first time in its eighty-year history, the Whitney Biennial gives substantial space\u2014an entire floor of the museum, in fact\u2014to dance and performance. The catalogue, typically a by-the-book affair (no pun intended), has matched the show\u2019s experiential adventure, allotting each of the roughy fifty artists six pages for original contributions that extend, rather than [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[6990,1006,6988,6735,6991,6993,6989,1754,6992,4290],"class_list":["post-28804","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-claude-lanzmann","tag-claude-levi-strauss","tag-claus-oldenburg","tag-gothic","tag-john-harwood","tag-nyu","tag-shoah","tag-tennessee-williams","tag-theodore-huff-memorial-society","tag-whitney-biennial"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ 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