{"id":27400,"date":"2012-03-01T15:40:11","date_gmt":"2012-03-01T20:40:11","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=27400"},"modified":"2016-04-03T18:04:14","modified_gmt":"2016-04-03T22:04:14","slug":"on-press-with-the-paris-review","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2012\/03\/01\/on-press-with-the-paris-review\/","title":{"rendered":"On Press with <em>The Paris Review<\/em>"},"content":{"rendered":"<p>How good is our two-hundredth issue? It\u2019s\u00a0good enough that Matt, an operator at the Sheridan Press, accidentally let about five hundred sheets slip from one of the presses after he sat down\u2014get this\u2014to read a few pages from our interview with Bret Easton Ellis. \u201cI grabbed a sheet from the stack and forgot to look up,\u201d he explained. \u201cI didn\u2019t know he\u2019d written so many books!\u201d<\/p>\n<p>(We can\u2019t blame you, Matt. It\u2019s a damn fine interview.)<\/p>\n<p>Managing editor Nicole Rudick and I are in Hanover, Pennsylvania, on our quarterly trip to Sheridan, where our latest issue is running hot off the presses. We usually hole up for the day in the \u201cLibrary\u201d\u2014it\u2019s far enough away from the actual printers that we can\u2019t cause much trouble\u2014but this time Todd, Sheridan\u2019s prepress manager, was kind enough to take us around for a tour.<\/p>\n<p><center><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/OtsMZX7DCMc\" width=\"574\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/><small>A Heidelberg press printing the cover of issue 200.<\/small><\/center><\/p>\n<p><!--more--><\/p>\n<p>The Sheridan Press houses some of the most advanced printers in the world, including an eight-color Heidelberg (which, in spite a print speed of ten thousand sheets per hour, somehow manages to flip the paper midway through its print cycle) and an eight-color, bi-level Komori. (The Komori is <em>huge<\/em>; it\u2019s easily as big as an RV. Sheridan had to dig a hole in its foundation just to fit it in the building.) But that doesn\u2019t mean the operators aren\u2019t well-versed in the ways of old. In front of the Heidelberg press, Bob, its operator, displayed a <a href=\"http:\/\/en.wikipedia.org\/wiki\/California_Job_Case\">California job case<\/a> he\u2019d recently purchased at an antique house (\u201cfor a dollar,\u201d he added).<\/p>\n<p>In addition to the presses themselves, Sheridan has machines that fold, bind, cut, and wrap the issues. Shown below is the folding machine; it takes a flat sixteen- or thirty-two-page signature and folds it to create one of the ten (or so) packets which, when stacked and bound, make up a complete <em>Paris Review<\/em>.<\/p>\n<p><center><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/EoESX6ORs-E\" width=\"574\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/center><\/p>\n<p>Watching Todd, Bob, Matt, and their coworkers run the presses (and the folders and the binders and the cutters and the wrappers) leaves me with a feeling similar, I would imagine, to what <em>The Paris Review<\/em>\u2019s founding editor George Plimpton must have felt at the end of one of his participatory forays: namely, that I spend so much time thinking about <em>words<\/em>\u2014and so little time thinking about everything else\u2014that I stand in awe when confronted by people whose skills seem so much more tangible, so much more <em>useful<\/em>.<\/p>\n<p><center><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/N-Vm_j0VGrY\" width=\"574\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/><small>Matt (white shirt) operates a black-and-white press while Todd and Nicole look on.<\/small><\/center><\/p>\n<p>Nicole and I are just about done with our part in the process, but the folks at Sheridan will be here all through the night to finish the printing for our two-hundredth issue. Over the next few days, all twenty thousand copies will be folded, bound, cut, wrapped, and shipped\u2014to be delivered to you, dear subscriber, in the next week or two. (Of course, if you aren\u2019t on our list, it\u2019s not too late to <a href=\"https:\/\/www.theparisreview.org\/subscribe\">join<\/a>.)<\/p>\n<div id=\"attachment_27421\" style=\"width: 586px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/03\/2012-03-01_08-58-22_602.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-27421\" class=\"size-full wp-image-27421\" title=\"2012-03-01_08-58-22_602\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/03\/2012-03-01_08-58-22_602-e1330628018905.jpg\" alt=\"\" width=\"576\" height=\"430\" \/><\/a><p id=\"caption-attachment-27421\" class=\"wp-caption-text\">A stack of <em>Paris Review<\/em> covers awaits the bindery.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>How good is our two-hundredth issue? It\u2019s\u00a0good enough that Matt, an operator at the Sheridan Press, accidentally let about five hundred sheets slip from one of the presses after he sat down\u2014get this\u2014to read a few pages from our interview with Bret Easton Ellis. \u201cI grabbed a sheet from the stack and forgot to look [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[6566,828,14,6575,6435,6576,6594,21779,6593],"class_list":["post-27400","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-6566","tag-bret-easton-ellis","tag-george-plimpton","tag-hanover","tag-issue-200","tag-pennsylvania","tag-printer","tag-stephen-hiltner","tag-the-sheridan-press"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>On Press with The Paris Review by Stephen Hiltner<\/title>\n<meta name=\"description\" content=\"March 1, 2012 \u2013 How good is our two-hundredth issue? 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