{"id":27343,"date":"2012-02-29T14:00:57","date_gmt":"2012-02-29T19:00:57","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=27343"},"modified":"2012-02-29T13:40:24","modified_gmt":"2012-02-29T18:40:24","slug":"on-the-shelf-37","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/","title":{"rendered":"On the Shelf"},"content":{"rendered":"<p><em><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-27349\" title=\"Pulp Novels.\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg\" alt=\"\" width=\"270\" height=\"465\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg 270w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp-174x300.jpg 174w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a>A cultural news roundup. <\/em><\/p>\n<li>R.I.P. <a href=\"http:\/\/www.npr.org\/2012\/02\/28\/147590615\/jan-berenstain-co-creator-of-childrens-book-series-dies?ft=1&amp;f=1032\">Jan Berenstain<\/a>. <\/li>\n<li><a href=\"http:\/\/cityroom.blogs.nytimes.com\/2012\/02\/27\/want-to-be-a-pulp-fiction-writer-heres-your-chance\/?partner=rss&amp;emc=rss\">Pulp fiction<\/a>.<\/li>\n<li><a href=\"http:\/\/www.huffingtonpost.com\/2012\/02\/28\/bad-book-blurbs_n_1304724.html?ref=books\">Bad blurbs<\/a>.<\/li>\n<li><a href=\"http:\/\/blogs.publishersweekly.com\/blogs\/PWxyz\/2012\/02\/23\/on-reading-forgetfulness-and-attention\/\">Retaining reading<\/a>.<\/li>\n<li><a href=\"http:\/\/cityroom.blogs.nytimes.com\/2012\/02\/27\/want-to-be-a-pulp-fiction-writer-heres-your-chance\/?partner=rss&amp;emc=rss\"><\/a>The case of the <a href=\"http:\/\/lunch.publishersmarketplace.com\/2012\/02\/controlling-share-in-agatha-christie-estate-sold-to-acorn-media\/\">Agatha Christie estate<\/a>.<\/li>\n<li><em><a href=\"http:\/\/oxfordamerican.org\/articles\/2012\/feb\/23\/gg-me-buccellati-silver-spoon\/\">Garden &#038; Gun<\/a><\/em><a href=\"http:\/\/oxfordamerican.org\/articles\/2012\/feb\/23\/gg-me-buccellati-silver-spoon\/\"> vs. <\/a><em><a href=\"http:\/\/oxfordamerican.org\/articles\/2012\/feb\/23\/gg-me-buccellati-silver-spoon\/\">The Oxford American<\/a><\/em>. <\/li>\n<li><a href=\"http:\/\/www.guardian.co.uk\/books\/2012\/feb\/29\/jackie-collins-self-publishing-the-bitch\">Jackie Collins<\/a> takes matters into her own hands. <\/li>\n<li><a href=\"http:\/\/www.lrb.co.uk\/v34\/n05\/charlotte-bronte\/lingratitude\">Gillian Anderson<\/a> takes on the <a href=\"http:\/\/www.telegraph.co.uk\/culture\/culturenews\/9111930\/Lost-Charlotte-Bronte-short-story-to-be-published.html\">lost Bront\u00eb<\/a><em>.<\/em><\/li>\n<li>\u201c<a href=\"http:\/\/www.thebookseller.com\/news\/diagram-prize-shortlist-revealed.html\">A guide to Estonian socks, an examination of the role of the fungus in Christian art, and a celebration of the humble office chair\u201d<\/a> are just a few of the entries in the Diagram Prize for Oddest Book Title of the Year.<\/li>\n<li><a href=\"http:\/\/marksarvas.blogs.com\/elegvar\/2012\/02\/fact-checking-graham-greene.html\">Our man in Vienna<\/a>. <\/li>\n<li><a href=\"http:\/\/www.newyorker.com\/online\/blogs\/photobooth\/2012\/02\/leap-day.html\">Levity for Leap Day<\/a>!<\/li>\n<li><a href=\"http:\/\/online.wsj.com\/article\/APbe1d265ac9834f5eb1b76506dc608b2a.html\">Barney Rosset <\/a>to get the posthumous treatment? <\/li>\n<li><a href=\"http:\/\/www.vidaweb.org\/the-2011-count\">A man\u2019s world<\/a>? <\/li>\n","protected":false},"excerpt":{"rendered":"<p>A cultural news roundup. R.I.P. Jan Berenstain. Pulp fiction. Bad blurbs. Retaining reading. The case of the Agatha Christie estate. Garden &#038; Gun vs. The Oxford American. Jackie Collins takes matters into her own hands. Gillian Anderson takes on the lost Bront\u00eb. \u201cA guide to Estonian socks, an examination of the role of the fungus [&hellip;]<\/p>\n","protected":false},"author":178,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[6567,6475,4217,6569,6568,6570,1470,100,6571,6572],"class_list":["post-27343","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-agatha-christie","tag-barney-rosset","tag-charlotte-bronte","tag-gillian-anderson","tag-jackie-collins","tag-jan-barenstein","tag-orson-welles","tag-photography","tag-the-barenstein-bears","tag-vidaweb"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>On the Shelf by Sadie Stein<\/title>\n<meta name=\"description\" content=\"February 29, 2012 \u2013 A cultural news roundup. R.I.P. Jan Berenstain. Pulp fiction. Bad blurbs. Retaining reading. The case of the Agatha Christie estate. Garden &amp; Gun vs. The\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"On the Shelf by Sadie Stein\" \/>\n<meta property=\"og:description\" content=\"February 29, 2012 \u2013 A cultural news roundup. R.I.P. Jan Berenstain. Pulp fiction. Bad blurbs. Retaining reading. The case of the Agatha Christie estate. Garden &amp; Gun vs. The\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-02-29T19:00:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"270\" \/>\n\t<meta property=\"og:image:height\" content=\"465\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sadie Stein\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sadie Stein\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/\"},\"author\":{\"name\":\"Sadie Stein\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\"},\"headline\":\"On the Shelf\",\"datePublished\":\"2012-02-29T19:00:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/\"},\"wordCount\":107,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg\",\"keywords\":[\"Agatha Christie\",\"Barney Rosset\",\"Charlotte Bronte\",\"Gillian Anderson\",\"Jackie Collins\",\"Jan Barenstein\",\"Orson Welles\",\"photography\",\"The Barenstein Bears\",\"Vidaweb\"],\"articleSection\":[\"Arts &amp; Culture\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/\",\"name\":\"On the Shelf by Sadie Stein\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg\",\"datePublished\":\"2012-02-29T19:00:57+00:00\",\"description\":\"February 29, 2012 \u2013 A cultural news roundup. R.I.P. Jan Berenstain. Pulp fiction. Bad blurbs. Retaining reading. The case of the Agatha Christie estate. Garden & Gun vs. The\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"On the Shelf\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9\",\"name\":\"Sadie Stein\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g\",\"caption\":\"Sadie Stein\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/sstein\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"On the Shelf by Sadie Stein","description":"February 29, 2012 \u2013 A cultural news roundup. R.I.P. Jan Berenstain. Pulp fiction. Bad blurbs. Retaining reading. The case of the Agatha Christie estate. Garden & Gun vs. The","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/","og_locale":"en_US","og_type":"article","og_title":"On the Shelf by Sadie Stein","og_description":"February 29, 2012 \u2013 A cultural news roundup. R.I.P. Jan Berenstain. Pulp fiction. Bad blurbs. Retaining reading. The case of the Agatha Christie estate. Garden & Gun vs. The","og_url":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2012-02-29T19:00:57+00:00","og_image":[{"width":270,"height":465,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg","type":"image\/jpeg"}],"author":"Sadie Stein","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Sadie Stein","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/"},"author":{"name":"Sadie Stein","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9"},"headline":"On the Shelf","datePublished":"2012-02-29T19:00:57+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/"},"wordCount":107,"commentCount":1,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg","keywords":["Agatha Christie","Barney Rosset","Charlotte Bronte","Gillian Anderson","Jackie Collins","Jan Barenstein","Orson Welles","photography","The Barenstein Bears","Vidaweb"],"articleSection":["Arts &amp; Culture"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/","url":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/","name":"On the Shelf by Sadie Stein","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg","datePublished":"2012-02-29T19:00:57+00:00","description":"February 29, 2012 \u2013 A cultural news roundup. R.I.P. Jan Berenstain. Pulp fiction. Bad blurbs. Retaining reading. The case of the Agatha Christie estate. Garden & Gun vs. The","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/02\/pulp.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/02\/29\/on-the-shelf-37\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"On the Shelf"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/a1aef49f81bfc540a37e03590f3bb4d9","name":"Sadie Stein","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/147299ffa10db51f1ff44a626a9211650a1c11f8fc07d102ab48e63ab3be037b?s=96&d=mm&r=g","caption":"Sadie Stein"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/sstein\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/27343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=27343"}],"version-history":[{"count":12,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/27343\/revisions"}],"predecessor-version":[{"id":27357,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/27343\/revisions\/27357"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=27343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=27343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=27343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}