{"id":2607,"date":"2010-07-15T12:14:56","date_gmt":"2010-07-15T16:14:56","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=2607"},"modified":"2010-07-15T22:44:54","modified_gmt":"2010-07-16T02:44:54","slug":"charlotte-strick-paris-reviews-art-editor","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/","title":{"rendered":"Charlotte Strick, Paris Review&#8217;s Art Editor"},"content":{"rendered":"\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-2607 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/franzenfreedom-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/franzenfreedom-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/attachment\/2666\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/2666-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/davis-collected-stories\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/davis-collected-stories-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/express_bouillier_03\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/EXPRESS_Bouillier_03-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/samlipsytetheask\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/samlipsytetheask-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/alexrossrestisnoise\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/alexrossrestisnoise-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>In the middle of redesigning <em>The Paris Review<\/em> (stay tuned!) our new art editor, Charlotte Strick, takes time out to discuss how she got into the design business. (She&#8217;s also responsible for the gallery of book jackets you see above.) Read more on FSG&#8217;s new blog, <a href=\"http:\/\/www.fsgworkinprogress.com\/?p=34\">Work in Progress<\/a>.<\/p>\n<blockquote><p>I&#8217;ve wanted to be a fashion designer since the age of three, because my mom had been a fashion designer in England. I grew up with her talking about what London was like after the war, how it was this burst of color after so much gray. Carnaby Street, and Mary Quant . . . I just thought, wow. That\u2019s what I want to do. Of course, that scene had long since passed when I became an adult. But that was my dream, and I grew up drawing, making little fashion magazines. I made a logo for myself. And I grew up with my father pointing out typography to me, because he had been very involved in the Calligrapher\u2019s Workshop that\u2019s now part of the AIGA. I remember at the age of five, him pointing out, \u201cLook at that sign! That\u2019s a terrible letter j!\u201d I got quite snobby about stuff like that. I wanted to go to art school, I wanted to go to RISD. But my family said, \u201cGo to liberal arts school, be a fine arts major, but study all these other subjects. Then you can go to art school if you really want to.\u201d I went sort of frustrated. I did a lot of painting, I took art history classes. All the time I was drawing and trying to teach myself to sew.<\/p>\n<p>I came out and I was working for Elie Tahari. At the time they were just branding Theory, which is huge now. There was a girl a few years older than me, who had gone to design school, and she was given the task of designing the Theory logo. I looked over her shoulder and thought, \u201cWhat is she doing?\u201d I hadn\u2019t been on a computer much at that point . . .<\/p><\/blockquote>\n<p> <!--more--><\/p>\n<p>And here, Strick explains how she got her gig at FSG: <\/p>\n<blockquote><p>And Parsons had an interesting [postgraduate] program which allowed me to work and go to school. I worked part-time for all these people in fashion. I thought, maybe I\u2019ll work at a fashion magazine and combine my interests with graphic design. But the more that I got into typography and design I thought, I don\u2019t want to use the same three typefaces everyday, in the same column grids.<\/p>\n<p>My dad had been a book publisher. He was one of the first people to bring trade paperbacks to this country. So I ended up in my dad\u2019s field instead of my mom\u2019s. I\u2019d had an internship interview with Rodrigo Corral, who was then in the position that I\u2019m in now. We got along well, I thought FSG was a really cool place, but I had already worked for a few years before going back to school. I really didn\u2019t want an internship. A few weeks went by. I called Rodrigo up. I said, \u201cI was just curious if you filled that internship.\u201d He said, \u201cOh yeah, we filled it.\u201d I was just about to say thanks and hang up. Then fate grabbed my hand and I asked, \u201cDo you mind if I ask why you didn\u2019t hire me?\u201d He said, \u201cWell, I could tell you didn\u2019t want the job.\u201d He said, \u201cWhy don\u2019t you come in and do a freelance job for me.\u201d So I started that, and when he left, Susan was shopping around for a designer. I came on. And I\u2019ve been here ten years.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>In the middle of redesigning The Paris Review (stay tuned!) our new art editor, Charlotte Strick, takes time out to discuss how she got into the design business. (She&#8217;s also responsible for the gallery of book jackets you see above.) Read more on FSG&#8217;s new blog, Work in Progress. I&#8217;ve wanted to be a fashion [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[35,435,434,216,437,436],"class_list":["post-2607","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-art","tag-book-covers","tag-charlotte-strick","tag-design","tag-farrar-straus-giroux","tag-typography"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Charlotte Strick, Paris Review&#039;s Art Editor by Thessaly La Force<\/title>\n<meta name=\"description\" content=\"July 15, 2010 \u2013 In the middle of redesigning The Paris Review (stay tuned!) our new art editor, Charlotte Strick, takes time out to discuss how she got into the design\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Charlotte Strick, Paris Review&#039;s Art Editor by Thessaly La Force\" \/>\n<meta property=\"og:description\" content=\"July 15, 2010 \u2013 In the middle of redesigning The Paris Review (stay tuned!) our new art editor, Charlotte Strick, takes time out to discuss how she got into the design\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2010-07-15T16:14:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2010-07-16T02:44:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2010\/07\/franzenfreedom-150x150.jpg\" \/>\n<meta name=\"author\" content=\"Thessaly La Force\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Thessaly La Force\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/\"},\"author\":{\"name\":\"Thessaly La Force\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/fe886cd28f24e6684c57915a05ba24a2\"},\"headline\":\"Charlotte Strick, Paris Review&#8217;s Art Editor\",\"datePublished\":\"2010-07-15T16:14:56+00:00\",\"dateModified\":\"2010-07-16T02:44:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2010\/07\/15\/charlotte-strick-paris-reviews-art-editor\/\"},\"wordCount\":633,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"keywords\":[\"art\",\"book covers\",\"Charlotte Strick\",\"design\",\"Farrar Straus &amp; 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