{"id":25682,"date":"2012-01-19T14:33:24","date_gmt":"2012-01-19T19:33:24","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=25682"},"modified":"2012-07-11T13:22:14","modified_gmt":"2012-07-11T17:22:14","slug":"long-and-sluggish-lines","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/","title":{"rendered":"Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-25721\" title=\"Winter.\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg\" alt=\"\" width=\"300\" height=\"400\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish-225x300.jpg 225w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a>Reading these long and sluggish lines, I can see Wallace Stevens at work in his quiet office, looking out of the window at a cold, sunny winter day much like today. He sees smoke leaving the neighbor\u2019s chimney. Someone has made a fire. But I find the most indelible phrase of this poem to be the \u201cbabyishness of forsythia\u201d\u2014as Stevens writes, it\u2019s \u201ca snatch of belief.\u201d It\u2019s the line that helps get me through winter, as I suspect it did Stevens. I\u2019ve never been able to see the wooden branches of a forsythia bush again, bursting into yellow, without thinking of his words.<\/p>\n<blockquote>\n<p>It makes so little difference, at so much more<br \/> Than seventy, where one looks, one has been there before. <!--more--><\/p>\n<p>Wood-smoke rises through the trees, is caught in an upper flow<br \/> Of air and whirled away. But it has been often so.<\/p>\n<p>The trees have a look as if they bore sad names<br \/> And kept saying over and over one same, same thing,<\/p>\n<p>In a kind of uproar, because an opposite, a contradiction,<br \/> Has enraged them and made them want to talk it down.<\/p>\n<p>What opposite? Could it be that yellow patch, the side<br \/> Of a house, that makes one think the house is laughing;<\/p>\n<p>Or these\u2013escent\u2013issant pre-personae: first fly,<br \/> A comic infanta among the tragic drapings,<\/p>\n<p>Babyishness of forsythia, a snatch of belief,<br \/> The spook and makings of the nude magnolia?<\/p>\n<p>&#8230; Wanderer, this is the pre-history of February.<br \/> The life of the poem in the mind has not yet begun.<\/p>\n<p>You were not born yet when the trees were crystal<br \/> Nor are you now, in this wakefulness inside a sleep.<\/p>\n<\/blockquote>\n<p><em>Eliza Griswold is a poet and reporter. She\u2019ll be <a href=\"http:\/\/www.poetryfoundation.org\/programs\/event\/1005\">speaking tonight at The Poetry Foundation<\/a> in Chicago.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reading these long and sluggish lines, I can see Wallace Stevens at work in his quiet office, looking out of the window at a cold, sunny winter day much like today. He sees smoke leaving the neighbor\u2019s chimney. Someone has made a fire. But I find the most indelible phrase of this poem to be [&hellip;]<\/p>\n","protected":false},"author":293,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4715],"tags":[5795,5794,792],"class_list":["post-25682","post","type-post","status-publish","format-standard","hentry","category-the-poem-stuck-in-my-head","tag-forsythia","tag-long-and-sluggish-lines","tag-wallace-stevens"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d by Eliza Griswold<\/title>\n<meta name=\"description\" content=\"January 19, 2012 \u2013 Reading these long and sluggish lines, I can see Wallace Stevens at work in his quiet office, looking out of the window at a cold, sunny winter day much\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d by Eliza Griswold\" \/>\n<meta property=\"og:description\" content=\"January 19, 2012 \u2013 Reading these long and sluggish lines, I can see Wallace Stevens at work in his quiet office, looking out of the window at a cold, sunny winter day much\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-01-19T19:33:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-07-11T17:22:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Eliza Griswold\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eliza Griswold\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/\"},\"author\":{\"name\":\"Eliza Griswold\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/1482e4012643f19ff6a37f2582aefbd2\"},\"headline\":\"Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d\",\"datePublished\":\"2012-01-19T19:33:24+00:00\",\"dateModified\":\"2012-07-11T17:22:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/\"},\"wordCount\":305,\"commentCount\":9,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg\",\"keywords\":[\"forsythia\",\"Long and Sluggish Lines\",\"Wallace Stevens\"],\"articleSection\":[\"The Poem Stuck in My Head\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/\",\"name\":\"Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d by Eliza Griswold\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg\",\"datePublished\":\"2012-01-19T19:33:24+00:00\",\"dateModified\":\"2012-07-11T17:22:14+00:00\",\"description\":\"January 19, 2012 \u2013 Reading these long and sluggish lines, I can see Wallace Stevens at work in his quiet office, looking out of the window at a cold, sunny winter day much\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/1482e4012643f19ff6a37f2582aefbd2\",\"name\":\"Eliza Griswold\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/339d5b3d65a496d22d711cc45bd81423c407409a5af34650b0d126998bb22572?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/339d5b3d65a496d22d711cc45bd81423c407409a5af34650b0d126998bb22572?s=96&d=mm&r=g\",\"caption\":\"Eliza Griswold\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/eliza-griswold\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d by Eliza Griswold","description":"January 19, 2012 \u2013 Reading these long and sluggish lines, I can see Wallace Stevens at work in his quiet office, looking out of the window at a cold, sunny winter day much","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/","og_locale":"en_US","og_type":"article","og_title":"Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d by Eliza Griswold","og_description":"January 19, 2012 \u2013 Reading these long and sluggish lines, I can see Wallace Stevens at work in his quiet office, looking out of the window at a cold, sunny winter day much","og_url":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2012-01-19T19:33:24+00:00","article_modified_time":"2012-07-11T17:22:14+00:00","og_image":[{"width":300,"height":400,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg","type":"image\/jpeg"}],"author":"Eliza Griswold","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Eliza Griswold","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/"},"author":{"name":"Eliza Griswold","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/1482e4012643f19ff6a37f2582aefbd2"},"headline":"Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d","datePublished":"2012-01-19T19:33:24+00:00","dateModified":"2012-07-11T17:22:14+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/"},"wordCount":305,"commentCount":9,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg","keywords":["forsythia","Long and Sluggish Lines","Wallace Stevens"],"articleSection":["The Poem Stuck in My Head"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/","url":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/","name":"Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d by Eliza Griswold","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg","datePublished":"2012-01-19T19:33:24+00:00","dateModified":"2012-07-11T17:22:14+00:00","description":"January 19, 2012 \u2013 Reading these long and sluggish lines, I can see Wallace Stevens at work in his quiet office, looking out of the window at a cold, sunny winter day much","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/sluggish.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/19\/long-and-sluggish-lines\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Wallace Stevens\u2019s \u201cLong and Sluggish Lines\u201d"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/1482e4012643f19ff6a37f2582aefbd2","name":"Eliza Griswold","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/339d5b3d65a496d22d711cc45bd81423c407409a5af34650b0d126998bb22572?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/339d5b3d65a496d22d711cc45bd81423c407409a5af34650b0d126998bb22572?s=96&d=mm&r=g","caption":"Eliza Griswold"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/eliza-griswold\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/25682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/293"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=25682"}],"version-history":[{"count":19,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/25682\/revisions"}],"predecessor-version":[{"id":35361,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/25682\/revisions\/35361"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=25682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=25682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=25682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}