{"id":25469,"date":"2012-01-13T08:00:03","date_gmt":"2012-01-13T13:00:03","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=25469"},"modified":"2012-01-18T17:20:47","modified_gmt":"2012-01-18T22:20:47","slug":"staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/","title":{"rendered":"Staff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019"},"content":{"rendered":"

\"\"<\/a>I could spend days nosing around the Guggenheim\u2019s online publication archive<\/a>. The museum has digitized a number of its rare and out-of-print publications and made them available for free. What bounty! Even in black and white, the abstract compositions in the 1940 catalogue for \u201cArt of Tomorrow,\u201d<\/a> one of the Guggenheim\u2019s first shows, still look revolutionary. \u2014Nicole Rudick<\/strong><\/p>\n

Of the many books I received over the holidays, the only one I have read cover to cover is the new edition of Keith Haring\u2019s Journals<\/em><\/a>. Self-analytical but never narcissistic, the artist writes insightfully about art, death, and his generation: \u201cIt\u2019s not an easy time to be alive and maybe an even more difficult time to die.\u201d \u2014Artie Niederhoffer<\/strong><\/p>\n

I moved to Berlin when I was twenty-one, just out of college, and I laughed aloud in recognition when Gideon Lewis-Kraus, in his forthcoming A Sense of Direction<\/em><\/a>, described living in the city as \u201can infinitely long weekend with your parents out of town \u2026 The old crimes licensed you to ignore the claims of the past; the low cost of living licensed you to ignore the demands of the present; and the future was something that would happen when we moved back to New York, where many of us would once more live in uncomfortable proximity to our actual parents.\u201d \u2014Deirdre Foley-Mendelssohn<\/strong><\/p>\n

I\u2019ve been reading\u00a0Tom Clark\u2019s blogging on Vanitas<\/a>\u2014check out \u201cClean.\u201d \u2014Sadie Stein <\/strong><\/p>\n

I can\u2019t help but admire Trong G. Nguyen\u2019s\u00a0Library<\/a>.<\/em> Since 2007, the New York\u2013based artist has been rewriting books, word for word, on individual grains of rice. Very little is lost in translation. \u2014Eliza Martin<\/strong><\/p>\n

I\u2019ve been very distracted by Letterheady<\/a> today. Gertrude Stein and Ray Bradbury both had particularly appealing stationery. \u2014Emma del Valle<\/strong><\/p>\n

<\/strong>If you\u2019re interested in multifaceted companies, read Interview Magazine<\/em>\u2019s chat with Jean Touitou<\/a>, the founder of A. P. C. clothing. Touitou is a sharp man, and he sheds light on his journey to the top. He began his career in fashion at age twenty-six, about which he says: \u201cBasically a man at twenty-six is like a woman at sixteen … An adolescent.\u201d \u2014Jessica Calderon<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

I could spend days nosing around the Guggenheim\u2019s online publication archive. The museum has digitized a number of its rare and out-of-print publications and made them available for free. What bounty! Even in black and white, the abstract compositions in the 1940 catalogue for \u201cArt of Tomorrow,\u201d one of the Guggenheim\u2019s first shows, still look […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[5721,5702,5705,5722,3477,5703,5704,5706,4531,5708,1082,5710,5720,5707,5719],"class_list":["post-25469","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-a-sense-of-direction","tag-a-p-c","tag-art-of-tomorrow","tag-gideon-lewis-kraus","tag-guggenheim","tag-interview-magazine","tag-jean-touitou","tag-journals","tag-keith-haring","tag-letterheady","tag-library","tag-the-prophet","tag-tom-clark","tag-trong-g-nguyen","tag-vanitas"],"acf":[],"yoast_head":"\nStaff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019 by The Paris Review<\/title>\n<meta name=\"description\" content=\"January 13, 2012 \u2013 I could spend days nosing around the Guggenheim\u2019s online publication archive. The museum has digitized a number of its rare and out-of-print publications\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring\u2019s-journals-\u2018the-prophet\u2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019 by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"January 13, 2012 \u2013 I could spend days nosing around the Guggenheim\u2019s online publication archive. The museum has digitized a number of its rare and out-of-print publications\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring\u2019s-journals-\u2018the-prophet\u2019\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-01-13T13:00:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-01-18T22:20:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/gugg.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"392\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Staff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019\",\"datePublished\":\"2012-01-13T13:00:03+00:00\",\"dateModified\":\"2012-01-18T22:20:47+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/\"},\"wordCount\":367,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/gugg.jpg\",\"keywords\":[\"A Sense of Direction\",\"A.P.C\",\"Art of Tomorrow\",\"Gideon Lewis-Kraus\",\"Guggenheim\",\"Interview Magazine\",\"Jean Touitou\",\"Journals\",\"Keith Haring\",\"Letterheady\",\"library\",\"The Prophet\",\"Tom Clark\",\"Trong G. Nguyen\",\"Vanitas\"],\"articleSection\":[\"This Week\u2019s Reading\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/\",\"name\":\"Staff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019 by The Paris Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/gugg.jpg\",\"datePublished\":\"2012-01-13T13:00:03+00:00\",\"dateModified\":\"2012-01-18T22:20:47+00:00\",\"description\":\"January 13, 2012 \u2013 I could spend days nosing around the Guggenheim\u2019s online publication archive. The museum has digitized a number of its rare and out-of-print publications\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/gugg.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/gugg.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Staff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Staff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019 by The Paris Review","description":"January 13, 2012 \u2013 I could spend days nosing around the Guggenheim\u2019s online publication archive. The museum has digitized a number of its rare and out-of-print publications","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring\u2019s-journals-\u2018the-prophet\u2019\/","og_locale":"en_US","og_type":"article","og_title":"Staff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019 by The Paris Review","og_description":"January 13, 2012 \u2013 I could spend days nosing around the Guggenheim\u2019s online publication archive. The museum has digitized a number of its rare and out-of-print publications","og_url":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring\u2019s-journals-\u2018the-prophet\u2019\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2012-01-13T13:00:03+00:00","article_modified_time":"2012-01-18T22:20:47+00:00","og_image":[{"width":300,"height":392,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/gugg.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Staff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019","datePublished":"2012-01-13T13:00:03+00:00","dateModified":"2012-01-18T22:20:47+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/"},"wordCount":367,"commentCount":0,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/gugg.jpg","keywords":["A Sense of Direction","A.P.C","Art of Tomorrow","Gideon Lewis-Kraus","Guggenheim","Interview Magazine","Jean Touitou","Journals","Keith Haring","Letterheady","library","The Prophet","Tom Clark","Trong G. Nguyen","Vanitas"],"articleSection":["This Week\u2019s Reading"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/","url":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/","name":"Staff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019 by The Paris Review","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/gugg.jpg","datePublished":"2012-01-13T13:00:03+00:00","dateModified":"2012-01-18T22:20:47+00:00","description":"January 13, 2012 \u2013 I could spend days nosing around the Guggenheim\u2019s online publication archive. The museum has digitized a number of its rare and out-of-print publications","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/gugg.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2012\/01\/gugg.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2012\/01\/13\/staff-picks-keith-haring%e2%80%99s-journals-%e2%80%98the-prophet%e2%80%99\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Staff Picks: Keith Haring\u2019s Journals, \u2018Library\u2019"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/25469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=25469"}],"version-history":[{"count":25,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/25469\/revisions"}],"predecessor-version":[{"id":25517,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/25469\/revisions\/25517"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=25469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=25469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=25469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}