{"id":23498,"date":"2011-11-18T08:00:37","date_gmt":"2011-11-18T13:00:37","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=23498"},"modified":"2011-11-26T20:51:52","modified_gmt":"2011-11-27T01:51:52","slug":"staff-picks-%e2%80%98the-doll%e2%80%99-minaudiere","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/11\/18\/staff-picks-%e2%80%98the-doll%e2%80%99-minaudiere\/","title":{"rendered":"Staff Picks: \u2018The Doll,\u2019 Minaudi\u00e8res"},"content":{"rendered":"<div id=\"attachment_23522\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/11\/DuMaurier.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-23522\" class=\"size-full wp-image-23522\" title=\"Du Maurier.\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/11\/DuMaurier.jpg\" alt=\"\" width=\"300\" height=\"441\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/11\/DuMaurier.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/11\/DuMaurier-204x300.jpg 204w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-23522\" class=\"wp-caption-text\">Daphne du Maurier.<\/p><\/div>\n<p>I was thrilled when a copy of <a href=\"http:\/\/www.amazon.com\/Doll-Lost-Short-Stories\/dp\/0062080342\/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321559846&amp;sr=1-1\"><em>The Doll<\/em><\/a>\u2014Daphne du Maurier\u2019s early short stories, some \u201clost\u201d\u2014arrived in the office. They\u2019re not all amazing, but when she\u2019s good, she\u2019s great. There\u2019s the same sense of cold dread that pervades <em>Don\u2019t Look Now<\/em> and <em>Rebecca<\/em>, and the title story presages the latter\u2019s themes of obsession. (Not to mention, the object of obsession is named &#8230; Rebecca.)\u00a0\u2014<strong>Sadie Stein<\/strong><\/p>\n<p><a href=\"http:\/\/www.olympialetan.com\/index.cfm\">Olympia Le-Tan\u2019s<\/a> world! I dream of carrying my MetroCard and keys inside one of her handmade books, or <em>minaudi\u00e8res<\/em>, as they say in France.\u00a0\u2014<strong>Jessica Calderon<\/strong><\/p>\n<p>\u201cI often feel that the scenes in Edward Hopper paintings are scenes from my own past\u201d writes Mark Strand in <a href=\"http:\/\/www.amazon.com\/Hopper-Mark-Strand\/dp\/0307701247\/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1321559752&amp;sr=1-1\"><em>Hopper<\/em><\/a>, which pairs the artist\u2019s paintings with Strand\u2019s prose ruminations on them. It\u2019s a little like meandering through a gallery with the poet. In it, \u201cwe feel the presence of what is hidden, of what surely exists but is not revealed \u2026 It weighs on us like solitude.\u201d \u2014<strong>Deirdre Foley-Mendelssohn<\/strong><\/p>\n<p>I\u2019ve been reading and rereading the lovely long poem \u201cThe Blue Book\u201d from Anna Moschovakis\u2019s <em><a href=\"http:\/\/www.amazon.com\/gp\/product\/1885586493\/qid=1151418967\/sr=1-1\/ref=sr_1_1\/102-8213150-9240145?s=books&amp;v=glance&amp;n=283155\">I Have Not Been Able to Get Through to Everyone<\/a><\/em>. Its circuitous logic, in which one line feeds off the one before it, is mesmerizing. Each section describes the progression of an idea as a kind of mathematical equation, proving itself even as it calls itself into question. <strong>\u2014Nicole Rudick<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I was thrilled when a copy of The Doll\u2014Daphne du Maurier\u2019s early short stories, some \u201clost\u201d\u2014arrived in the office. They\u2019re not all amazing, but when she\u2019s good, she\u2019s great. There\u2019s the same sense of cold dread that pervades Don\u2019t Look Now and Rebecca, and the title story presages the latter\u2019s themes of obsession. (Not to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[5003,2842,4390,4991,4993,4992,4986,4985,165,2843,4984],"class_list":["post-23498","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-anna-moschovakis","tag-daphne-du-maurier","tag-dont-look-now","tag-edward-hopper","tag-hopper","tag-mark-strand","tag-minaudiere","tag-olympia-le-tan","tag-poetry","tag-rebecca","tag-the-doll"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Staff Picks: \u2018The Doll,\u2019 Minaudi\u00e8res by The Paris Review<\/title>\n<meta name=\"description\" content=\"November 18, 2011 \u2013 I was thrilled when a copy of The Doll\u2014Daphne du Maurier\u2019s early short stories, some \u201clost\u201d\u2014arrived in the office. 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