{"id":21721,"date":"2011-09-30T15:42:03","date_gmt":"2011-09-30T19:42:03","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=21721"},"modified":"2011-09-30T16:20:49","modified_gmt":"2011-09-30T20:20:49","slug":"doc-at-anthology-film-archives","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/","title":{"rendered":"&#8216;DOC&#8217; at Anthology Film Archives"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-21226\" title=\"Harold &quot;Doc&quot; Humes\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg\" alt=\"\" width=\"300\" height=\"432\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC-208x300.jpg 208w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>The weekend looks rainy, but Doc is prepared, and you can be, too. See the <em>Paris Review<\/em> founding editor in action this weekend in his daughter Immy\u2019s documentary about his madcap life as a filmmaker, novelist, architect, and Renaissance man. <em><a href=\"http:\/\/www.dochumes.com\/doc,afilmaboutdochumes\">DOC<\/a><\/em> plays at the <a href=\"http:\/\/anthologyfilmarchives.org\/film_screenings\/calendar?view=list&amp;month=10&amp;year=2011#showing-37993\">Anthology Film Archives<\/a> on Saturday, October 1 at 7:30 <small>P.M.<\/small> and Sunday, October 2 at 6:00 <small>P.M.<\/small> and 8:45 <small>P.M<\/small>. (As a bonus, it will be shown with Don Drasin\u2019s\u00a0<em>Sunday<\/em> and excerpts from Humes\u2019s own unfinished\u00a0<em>Don Peyote<\/em>.) We\u2019ll be there with t-shirts and other <em>Paris Review<\/em> goodies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The weekend looks rainy, but Doc is prepared, and you can be, too. See the Paris Review founding editor in action this weekend in his daughter Immy\u2019s documentary about his madcap life as a filmmaker, novelist, architect, and Renaissance man. DOC plays at the Anthology Film Archives on Saturday, October 1 at 7:30 P.M. and [&hellip;]<\/p>\n","protected":false},"author":211,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[4181,4179,4182,4184,4178,4180,4183],"class_list":["post-21721","post","type-post","status-publish","format-standard","hentry","category-events","tag-anthology-film-archives","tag-doc","tag-don-draisin","tag-don-peyote","tag-harold-humes","tag-immy-humes","tag-sunday"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;DOC&#039; at Anthology Film Archives by Deirdre Foley-Mendelssohn<\/title>\n<meta name=\"description\" content=\"September 30, 2011 \u2013 The weekend looks rainy, but Doc is prepared, and you can be, too. See the Paris Review founding editor in action this weekend in his daughter Immy\u2019s\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&#039;DOC&#039; at Anthology Film Archives by Deirdre Foley-Mendelssohn\" \/>\n<meta property=\"og:description\" content=\"September 30, 2011 \u2013 The weekend looks rainy, but Doc is prepared, and you can be, too. See the Paris Review founding editor in action this weekend in his daughter Immy\u2019s\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2011-09-30T19:42:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2011-09-30T20:20:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"432\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Deirdre Foley-Mendelssohn\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Deirdre Foley-Mendelssohn\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/\"},\"author\":{\"name\":\"Deirdre Foley-Mendelssohn\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/587d6ac28f6285bf6274291da660eb14\"},\"headline\":\"&#8216;DOC&#8217; at Anthology Film Archives\",\"datePublished\":\"2011-09-30T19:42:03+00:00\",\"dateModified\":\"2011-09-30T20:20:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/\"},\"wordCount\":100,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg\",\"keywords\":[\"Anthology Film Archives\",\"Doc\",\"Don Draisin\",\"Don Peyote\",\"Harold Humes\",\"Immy Humes\",\"Sunday\"],\"articleSection\":[\"Events\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/\",\"name\":\"'DOC' at Anthology Film Archives by Deirdre Foley-Mendelssohn\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg\",\"datePublished\":\"2011-09-30T19:42:03+00:00\",\"dateModified\":\"2011-09-30T20:20:49+00:00\",\"description\":\"September 30, 2011 \u2013 The weekend looks rainy, but Doc is prepared, and you can be, too. See the Paris Review founding editor in action this weekend in his daughter Immy\u2019s\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"&#8216;DOC&#8217; at Anthology Film Archives\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/587d6ac28f6285bf6274291da660eb14\",\"name\":\"Deirdre Foley-Mendelssohn\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/ed80f8028253c2e88e23b9506e4332eed1b0a803eb64285440e8e3383c200b98?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/ed80f8028253c2e88e23b9506e4332eed1b0a803eb64285440e8e3383c200b98?s=96&d=mm&r=g\",\"caption\":\"Deirdre Foley-Mendelssohn\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dfoleymendelssohn\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"'DOC' at Anthology Film Archives by Deirdre Foley-Mendelssohn","description":"September 30, 2011 \u2013 The weekend looks rainy, but Doc is prepared, and you can be, too. See the Paris Review founding editor in action this weekend in his daughter Immy\u2019s","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/","og_locale":"en_US","og_type":"article","og_title":"'DOC' at Anthology Film Archives by Deirdre Foley-Mendelssohn","og_description":"September 30, 2011 \u2013 The weekend looks rainy, but Doc is prepared, and you can be, too. See the Paris Review founding editor in action this weekend in his daughter Immy\u2019s","og_url":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2011-09-30T19:42:03+00:00","article_modified_time":"2011-09-30T20:20:49+00:00","og_image":[{"width":300,"height":432,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg","type":"image\/jpeg"}],"author":"Deirdre Foley-Mendelssohn","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Deirdre Foley-Mendelssohn"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/"},"author":{"name":"Deirdre Foley-Mendelssohn","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/587d6ac28f6285bf6274291da660eb14"},"headline":"&#8216;DOC&#8217; at Anthology Film Archives","datePublished":"2011-09-30T19:42:03+00:00","dateModified":"2011-09-30T20:20:49+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/"},"wordCount":100,"commentCount":0,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg","keywords":["Anthology Film Archives","Doc","Don Draisin","Don Peyote","Harold Humes","Immy Humes","Sunday"],"articleSection":["Events"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/","url":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/","name":"'DOC' at Anthology Film Archives by Deirdre Foley-Mendelssohn","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg","datePublished":"2011-09-30T19:42:03+00:00","dateModified":"2011-09-30T20:20:49+00:00","description":"September 30, 2011 \u2013 The weekend looks rainy, but Doc is prepared, and you can be, too. See the Paris Review founding editor in action this weekend in his daughter Immy\u2019s","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/DOC.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/30\/doc-at-anthology-film-archives\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"&#8216;DOC&#8217; at Anthology Film Archives"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/587d6ac28f6285bf6274291da660eb14","name":"Deirdre Foley-Mendelssohn","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/ed80f8028253c2e88e23b9506e4332eed1b0a803eb64285440e8e3383c200b98?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/ed80f8028253c2e88e23b9506e4332eed1b0a803eb64285440e8e3383c200b98?s=96&d=mm&r=g","caption":"Deirdre Foley-Mendelssohn"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dfoleymendelssohn\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/21721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/211"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=21721"}],"version-history":[{"count":14,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/21721\/revisions"}],"predecessor-version":[{"id":21738,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/21721\/revisions\/21738"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=21721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=21721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=21721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}