{"id":21522,"date":"2011-09-29T14:03:16","date_gmt":"2011-09-29T18:03:16","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=21522"},"modified":"2011-09-29T16:21:29","modified_gmt":"2011-09-29T20:21:29","slug":"echo-in-madison-square-park","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/09\/29\/echo-in-madison-square-park\/","title":{"rendered":"\u2018Echo\u2019 in Madison Square Park"},"content":{"rendered":"<div id=\"attachment_21529\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/Echo_JamesEwing.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-21529\" class=\"size-full wp-image-21529\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/Echo_JamesEwing.jpg\" alt=\"\" width=\"574\" height=\"382\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/Echo_JamesEwing.jpg 574w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/09\/Echo_JamesEwing-300x199.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-21529\" class=\"wp-caption-text\">Jaume Plensa, <em>Echo<\/em>, 2011, white resin and marble dust. Installation view in Madison Square Park, New York. Photograph by James Ewing.<\/p><\/div>\n<p>\u201cA poem is never finished, it is abandoned,\u201d said the sculptor Jaume Plensa, quoting Paul Val\u00e9ry on a sunny September morning in New York City, as he watched <em>Echo<\/em>, his forty-four-foot sculpture of a female head, being dismantled piece by piece.<\/p>\n<p>My husband Jonathan Wells and I are Flatiron residents. We had lived alongside <em>Echo<\/em> since she arrived in May and, for Jonathan, she had become an object of fascination and reverence. He had been working on a poem about her for months but found himself unable to conclude it. He had refamiliarized himself with the myth of Narcissus and Echo; he had learned all he could about Plensa and the nine-year-old neighbor in Barcelona who had inspired the piece, a child who had taken shape in the statue with the timelessness and serenity of a Buddha. On this, the statue\u2019s last morning, Jonathan recognized the Catalan sculptor standing between the cranes and the crew.<\/p>\n<p>\u201cI always hoped my work would inspire other artists,\u201d Plensa told my husband, as they discussed myth, marble dust, art collectors, and teaching schedules. \u201cPlease send me your poem.\u201d After watching Echo come apart, Jonathan knew he had an ending. Here is what he sent to Plensa:<\/p>\n<p><strong>Echo<\/strong><\/p>\n<p>White as x ray bone she rises through<br \/> The trees in stone as if she were sublime,<br \/> As if she knew what this grace was<br \/> And she was only nine, framed<br \/> Between her errands and her games.<br \/> Her nymph\u2019s body surges underground<br \/> Not knowing what this buried love<br \/> Is for.<\/p>\n<p>Beneath her neighbors play Frisbee<br \/> On the grass and strangers take her<br \/> Photograph. The final sun pours<br \/> Into her sealed eyes and mouth as though<br \/> She were the saint of radiant stillness<br \/> Who says this marble flesh is a prison<br \/> Stone yet the mind flies with<br \/> The confetti of birds, soars into<br \/> The beliefs of summer.<br \/> Silence succumbs to air and the blossoms<br \/> Sail down, the clocktower\u2019s fretted hands<br \/> Notched against her ribs.<\/p>\n<p>Questions flood her blood<br \/> And darkness, flee and then she\u2019s gone,<br \/> Taken from our vanquished arms but<br \/> She still speaks in the autumn leaves,<br \/> In the furrowed bark, in the singsong<br \/> Of the childrens\u2019 swings.<\/p>\n<p><em>Jonathan Wells\u2019s collection, <\/em><a href=\"http:\/\/www.amazon.com\/Train-Dance-Jonathan-Wells\/dp\/1935536141\">Train Dance<\/a><em>, will be published by Four Way Books in October.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cA poem is never finished, it is abandoned,\u201d said the sculptor Jaume Plensa, quoting Paul Val\u00e9ry on a sunny September morning in New York City, as he watched Echo, his forty-four-foot sculpture of a female head, being dismantled piece by piece. My husband Jonathan Wells and I are Flatiron residents. We had lived alongside Echo [&hellip;]<\/p>\n","protected":false},"author":247,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[498],"tags":[3415,4147,1673,4144,4146,4145],"class_list":["post-21522","post","type-post","status-publish","format-standard","hentry","category-poetry-2","tag-barcelona","tag-echo","tag-flatiron","tag-jaume-plensa","tag-narcissus","tag-paul-valery"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u2018Echo\u2019 in Madison Square Park by Jane and Jonathan Wells<\/title>\n<meta name=\"description\" content=\"September 29, 2011 \u2013 \u201cA poem is never finished, it is abandoned,\u201d said the sculptor Jaume Plensa, quoting Paul Val\u00e9ry on a sunny September morning in New York City, as he\" \/>\n<meta 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