{"id":18363,"date":"2011-07-15T12:41:07","date_gmt":"2011-07-15T16:41:07","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=18363"},"modified":"2011-07-15T12:55:41","modified_gmt":"2011-07-15T16:55:41","slug":"staff-picks-archaeologies-of-the-future-the-last-live-nude-girls","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/07\/15\/staff-picks-archaeologies-of-the-future-the-last-live-nude-girls\/","title":{"rendered":"Staff Picks: Archaeologies of the Future, the Last Live Nude Girls"},"content":{"rendered":"

\"\"As a supplement to our science-fiction issue, I\u2019ve been reading Fredric Jameson\u2019s super brainy Archaeologies of the Future<\/a><\/em>, his defense of SF as the last redoubt of utopianism. Jameson also makes some helpful distinctions between SF and fantasy, to the detriment of the latter (a nice antidote to Harry Potter mania). It has brought back memories of many childhood afternoons spent reading Asimov, Le Guin, and Frank Herbert\u2014books I thought I\u2019d forgotten but am happy to rediscover. \u2014Robyn Creswell<\/strong><\/p>\n

I\u2019ve been fully immersed in Sheila McClear\u2019s memoir\u00a0The Last of the Live Nude Girls<\/a><\/em>, about her time spent working in a Times Square peep show\u2014<\/em>eye-opening, gritty, and compelling. \u2014Sadie Stein<\/strong><\/p>\n

The theme of\u00a0the summer issue of <\/a>Lapham\u2019s Quarterly<\/a><\/em> is food, and by golly is it delicious! A taste of\u00a0the issue\u2019s\u00a0excerpt from Vasari\u2019s <\/a>Lives of the Painters, Sculptors, and Architects<\/a><\/em>: \u201cAndrea presented an octagonal church like San Giovanni, but resting on columns. The pavement was formed of jelly, resembling a variously colored mosaic; the columns, which looked like porphyry, were large sausages; the bases and capitals Parmesan cheese; the cornices were made of pastry and sugar, and the tribunes of quarters of marzipan. In the middle was a choir desk made of cold veal, with a book of lasagna, the letters and notes being formed of peppercorns.\u201d \u2014Clare Fentress<\/strong><\/strong><\/div>\n

<\/strong><\/strong><\/div>\n
Inspired by a book-cover painting by Leanne Shapton, I\u2019ve been reading a vintage Penguin edition<\/a> of Bonjour Tristesse<\/em>. If I can\u2019t be in the south of France … \u2014Thessaly La Force<\/strong><\/div>\n

I\u2019m contributing from the Palovista Ranch<\/a> this week,\u00a0where I\u2019ve been writing but also rereading one of my favorite novels,\u00a0Blood Meridian<\/a><\/em> and, for the first time,\u00a0Suttree<\/a><\/em>. As expected, Cormac McCarthy is the perfect companion for long walks around the desert. \u2014Natalie Jacoby<\/strong><\/p>\n

If you get a chance to see the documentary\u00a0Sholem Aleichem: Laughing in the Darkness<\/a><\/em>, be sure to: it\u2019s not just a portrait of the iconic Yiddish writer but also of a lost world. I found it deeply moving. \u2014S. S.<\/strong><\/p>\n

Dani Shapiro on the difference<\/a> having a child has on a memoirist: \u201cAfter all, one can\u2019t write with abandon if one is worrying about the consequences. And to have children is to always, always worry about the consequences.\u201d \u2014T. L. <\/strong><\/p>\n

I\u2019ve got a girl crush<\/a> on former\u00a0Paris Review<\/em> intern,\u00a0Believer <\/em>editor, and author\u00a0extraordinaire\u00a0Vendela Vida. Read her\u00a0Guardian <\/em>interview<\/a> on lying,\u00a0The Lovers<\/em>, and why she and Dave Eggers\u00a0don\u2019t\u00a0linger over dinner. \u2014Mackenzie Beer<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

As a supplement to our science-fiction issue, I\u2019ve been reading Fredric Jameson\u2019s super brainy Archaeologies of the Future, his defense of SF as the last redoubt of utopianism. Jameson also makes some helpful distinctions between SF and fantasy, to the detriment of the latter (a nice antidote to Harry Potter mania). It has brought back […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[2555,2896,2890,115,2894,2889,2893,2892,200,2891,2895,655],"class_list":["post-18363","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-cormac-mccarthy","tag-dani-shapiro","tag-fantasy","tag-food","tag-francoise-sagan","tag-fredric-jameson","tag-laphams-quarterly","tag-nude-girls","tag-science-fiction","tag-sheila-mcclear","tag-sholem-aleichem","tag-vendela-vida"],"acf":[],"yoast_head":"\nStaff Picks: Archaeologies of the Future, the Last Live Nude Girls by The Paris Review<\/title>\n<meta name=\"description\" content=\"July 15, 2011 \u2013 As a supplement to our science-fiction issue, I\u2019ve been reading Fredric Jameson\u2019s super brainy Archaeologies of the Future, his defense of SF as the 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