{"id":17531,"date":"2011-06-24T11:55:12","date_gmt":"2011-06-24T15:55:12","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=17531"},"modified":"2011-06-24T12:10:37","modified_gmt":"2011-06-24T16:10:37","slug":"portfolio-a-moveable-feast","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/","title":{"rendered":"Portfolio: A Moveable Feast"},"content":{"rendered":"<p><em>Graphic designer Yann Legendre created these portraits of writers who lived and wrote in Paris in the nineteenth and twentieth centuries. Legendre\u2019s illustrations are excerpted from the anthology <a href=\"http:\/\/www.inculte.fr\/Paris-au-pied-de-la-lettre\"><em>Paris au pied de la lettre<\/em><\/a>, by Mathilde Helleu.<\/em><\/p>\n<div id=\"attachment_17532\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17532\" class=\"size-full wp-image-17532\" title=\"Yann Legendre, Ernest Hemingway\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg\" alt=\"\" width=\"574\" height=\"787\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg 750w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway-218x300.jpg 218w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway-747x1024.jpg 747w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-17532\" class=\"wp-caption-text\">Ernest Hemingway. <\/p><\/div>\n<p>\u201cIf you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life it stays with you, for Paris is a moveable feast.\u201d \u2014Ernest Hemingway, <em>A Moveable Feast<\/em><\/p>\n<p><!--more--><div id=\"attachment_17534\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOGverlaine_1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17534\" class=\"size-full wp-image-17534\" title=\"Yann Legendre, Paul Verlaine.\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOGverlaine_1.jpg\" alt=\"\" width=\"574\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOGverlaine_1.jpg 750w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOGverlaine_1-258x300.jpg 258w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-17534\" class=\"wp-caption-text\">Paul Verlaine.<\/p><\/div><br \/>\n\u201cAnd I go \/ Where the winds know, \/ Broken and brief, \/ To and fro, \/ As the winds blow \/ A dead leaf.\u201d \u2014Paul Verlaine, \u201cChanson d&#8217;Automne\u201d<\/p>\n<div id=\"attachment_17539\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_Blog_Baudelaire.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17539\" class=\"size-full wp-image-17539\" title=\"Yann Legendre, Charles Baudelaire. \" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_Blog_Baudelaire.jpg\" alt=\"\" width=\"574\" height=\"796\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_Blog_Baudelaire.jpg 750w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_Blog_Baudelaire-216x300.jpg 216w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_Blog_Baudelaire-738x1024.jpg 738w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-17539\" class=\"wp-caption-text\">Charles Baudelaire. <\/p><\/div>\n<p>\u201cAnd so, before the Louvre, to vex my soul, \/ The image came of my majestic swan \/ With his mad gestures, foolish and sublime, \/ As of an exile whom one great desire \/ Gnaws with no truce.\u201d \u2014Charles Baudelaire, \u201cThe Swan\u201d<\/p>\n<div id=\"attachment_17541\" style=\"width: 584px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_Blog_Miller.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-17541\" class=\"size-full wp-image-17541\" title=\"Yann Legendre, Henry Miller. \" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_Blog_Miller.jpg\" alt=\"\" width=\"574\" height=\"706\" <\/a srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_Blog_Miller.jpg 750w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_Blog_Miller-244x300.jpg 244w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-17541\" class=\"wp-caption-text\">Henry Miller. <\/p><\/div>\n<p>\u201cI have no money, no resources, no hopes. I am the happiest man alive.\u201d \u2014Henry Miller, <em>The Tropic of Cancer<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Graphic designer Yann Legendre created these portraits of writers who lived and wrote in Paris in the nineteenth and twentieth centuries. Legendre\u2019s illustrations are excerpted from the anthology Paris au pied de la lettre, by Mathilde Helleu. \u201cIf you are lucky enough to have lived in Paris as a young man, then wherever you go [&hellip;]<\/p>\n","protected":false},"author":201,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[2654,2652,571,2655,2651,270,2650,2653,2629,2649],"class_list":["post-17531","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-charles-baudelaire","tag-city","tag-ernest-hemingway","tag-henry-miller","tag-mathilde-helleu","tag-paris","tag-paris-au-pied-de-la-lettre","tag-paul-verlaine","tag-walking","tag-yann-legendre"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Portfolio: A Moveable Feast by Yann Legendre<\/title>\n<meta name=\"description\" content=\"June 24, 2011 \u2013 Graphic designer Yann Legendre created these portraits of writers who lived and wrote in Paris in the nineteenth and twentieth centuries. Legendre\u2019s\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portfolio: A Moveable Feast by Yann Legendre\" \/>\n<meta property=\"og:description\" content=\"June 24, 2011 \u2013 Graphic designer Yann Legendre created these portraits of writers who lived and wrote in Paris in the nineteenth and twentieth centuries. Legendre\u2019s\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2011-06-24T15:55:12+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2011-06-24T16:10:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"750\" \/>\n\t<meta property=\"og:image:height\" content=\"1028\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Yann Legendre\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Yann Legendre\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/\"},\"author\":{\"name\":\"Yann Legendre\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/8fe2e3d1aa7b30c39a26f791374a9879\"},\"headline\":\"Portfolio: A Moveable Feast\",\"datePublished\":\"2011-06-24T15:55:12+00:00\",\"dateModified\":\"2011-06-24T16:10:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/\"},\"wordCount\":183,\"commentCount\":6,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg\",\"keywords\":[\"Charles Baudelaire\",\"city\",\"Ernest Hemingway\",\"Henry Miller\",\"Mathilde Helleu\",\"Paris\",\"Paris au pied de la lettre\",\"Paul Verlaine\",\"walking\",\"Yann Legendre\"],\"articleSection\":[\"Arts &amp; Culture\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/\",\"name\":\"Portfolio: A Moveable Feast by Yann Legendre\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg\",\"datePublished\":\"2011-06-24T15:55:12+00:00\",\"dateModified\":\"2011-06-24T16:10:37+00:00\",\"description\":\"June 24, 2011 \u2013 Graphic designer Yann Legendre created these portraits of writers who lived and wrote in Paris in the nineteenth and twentieth centuries. Legendre\u2019s\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Portfolio: A Moveable Feast\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/8fe2e3d1aa7b30c39a26f791374a9879\",\"name\":\"Yann Legendre\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/68fde218b49cb380b4c2d5d74107fceba7a3f6948fd09eb1af92a7f1e9f72f3d?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/68fde218b49cb380b4c2d5d74107fceba7a3f6948fd09eb1af92a7f1e9f72f3d?s=96&d=mm&r=g\",\"caption\":\"Yann Legendre\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/ylegendre\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Portfolio: A Moveable Feast by Yann Legendre","description":"June 24, 2011 \u2013 Graphic designer Yann Legendre created these portraits of writers who lived and wrote in Paris in the nineteenth and twentieth centuries. Legendre\u2019s","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/","og_locale":"en_US","og_type":"article","og_title":"Portfolio: A Moveable Feast by Yann Legendre","og_description":"June 24, 2011 \u2013 Graphic designer Yann Legendre created these portraits of writers who lived and wrote in Paris in the nineteenth and twentieth centuries. Legendre\u2019s","og_url":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2011-06-24T15:55:12+00:00","article_modified_time":"2011-06-24T16:10:37+00:00","og_image":[{"width":750,"height":1028,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg","type":"image\/jpeg"}],"author":"Yann Legendre","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Yann Legendre","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/"},"author":{"name":"Yann Legendre","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/8fe2e3d1aa7b30c39a26f791374a9879"},"headline":"Portfolio: A Moveable Feast","datePublished":"2011-06-24T15:55:12+00:00","dateModified":"2011-06-24T16:10:37+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/"},"wordCount":183,"commentCount":6,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg","keywords":["Charles Baudelaire","city","Ernest Hemingway","Henry Miller","Mathilde Helleu","Paris","Paris au pied de la lettre","Paul Verlaine","walking","Yann Legendre"],"articleSection":["Arts &amp; Culture"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/","url":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/","name":"Portfolio: A Moveable Feast by Yann Legendre","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg","datePublished":"2011-06-24T15:55:12+00:00","dateModified":"2011-06-24T16:10:37+00:00","description":"June 24, 2011 \u2013 Graphic designer Yann Legendre created these portraits of writers who lived and wrote in Paris in the nineteenth and twentieth centuries. Legendre\u2019s","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/06\/YannL_BLOG_hemingway.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/06\/24\/portfolio-a-moveable-feast\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Portfolio: A Moveable Feast"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/8fe2e3d1aa7b30c39a26f791374a9879","name":"Yann Legendre","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/68fde218b49cb380b4c2d5d74107fceba7a3f6948fd09eb1af92a7f1e9f72f3d?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/68fde218b49cb380b4c2d5d74107fceba7a3f6948fd09eb1af92a7f1e9f72f3d?s=96&d=mm&r=g","caption":"Yann Legendre"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/ylegendre\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/17531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/201"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=17531"}],"version-history":[{"count":27,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/17531\/revisions"}],"predecessor-version":[{"id":17576,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/17531\/revisions\/17576"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=17531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=17531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=17531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}