{"id":172484,"date":"2025-12-17T11:00:40","date_gmt":"2025-12-17T16:00:40","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=172484"},"modified":"2025-12-17T16:46:29","modified_gmt":"2025-12-17T21:46:29","slug":"eve-babitzs-photographs","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2025\/12\/17\/eve-babitzs-photographs\/","title":{"rendered":"Eve Babitz\u2019s Photographs"},"content":{"rendered":"<div id=\"attachment_172485\" style=\"width: 871px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-172485\" class=\"wp-image-172485 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-6.jpg\" alt=\"\" width=\"861\" height=\"576\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-6.jpg 861w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-6-300x201.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-6-768x514.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-172485\" class=\"wp-caption-text\">Hollywood, California. Photographs courtesy of the Huntington Library.<\/p><\/div>\n<p>In 1969, five years before Eve Babitz published her first book, <em>Eve\u2019s Hollywood<\/em>, she kept a journal\u2014her only surviving diary\u2014in which she honed the voice that would make her the consummate chronicler of seventies Los Angeles. A <a href=\"https:\/\/www.theparisreview.org\/letters-essays\/8449\/journal-1969-1970-eve-babitz?utm_source=The+Paris+Review+Newsletter&amp;utm_campaign=cf1b1d8f07-TPRMailchimp_20251217_ISSUE_254-Babitz&amp;utm_medium=email&amp;utm_term=0_-660513641d-&amp;mc_cid=cf1b1d8f07&amp;mc_eid=UNIQID\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.theparisreview.org\/letters-essays\/8449\/journal-1969-1970-eve-babitz?utm_source%3DThe%2BParis%2BReview%2BNewsletter%26utm_campaign%3Dcf1b1d8f07-TPRMailchimp_20251217_ISSUE_254-Babitz%26utm_medium%3Demail%26utm_term%3D0_-660513641d-%26mc_cid%3Dcf1b1d8f07%26mc_eid%3DUNIQID&amp;source=gmail&amp;ust=1766009388753000&amp;usg=AOvVaw2D1AfpdpkazZ9ABVPY-p3u\">selection<\/a> of entries appears in our new Winter issue.<\/p>\n<p>In the journal, Babitz also detailed her experiments with several other art forms, including collage and photography. \u201cI got a camera for $7.98\u2014a Brownie,\u201d she notes on December 21, 1969, \u201cand have been taking pictures of palm trees which are turning out very well.\u201d The Huntington Library, which acquired Babitz\u2019s archive in 2021, is currently displaying several of those photographs in an <a href=\"https:\/\/www.huntington.org\/exhibitions\/stories-library-bronte-butler?utm_source=The+Paris+Review+Newsletter&amp;utm_campaign=cf1b1d8f07-TPRMailchimp_20251217_ISSUE_254-Babitz&amp;utm_medium=email&amp;utm_term=0_-660513641d-&amp;mc_cid=cf1b1d8f07&amp;mc_eid=UNIQID\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.huntington.org\/exhibitions\/stories-library-bronte-butler?utm_source%3DThe%2BParis%2BReview%2BNewsletter%26utm_campaign%3Dcf1b1d8f07-TPRMailchimp_20251217_ISSUE_254-Babitz%26utm_medium%3Demail%26utm_term%3D0_-660513641d-%26mc_cid%3Dcf1b1d8f07%26mc_eid%3DUNIQID&amp;source=gmail&amp;ust=1766009388753000&amp;usg=AOvVaw1_SvBYCcg_PH4rHjr6q1y1\">exhibition<\/a> that features, among other subjects, those very same palm trees near Babitz\u2019s Hollywood home, and members of her family and her famous circle of friends: Babitz\u2019s father, Sol, a former violinist for the 20th Century\u2013Fox studio orchestra, a bespectacled Annie Leibovitz, and Linda Ronstadt, swaddled in furs.<\/p>\n<div id=\"attachment_172486\" style=\"width: 702px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-172486\" class=\"wp-image-172486 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-7.jpg\" alt=\"\" width=\"692\" height=\"697\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-7.jpg 692w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-7-298x300.jpg 298w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-7-150x150.jpg 150w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-172486\" class=\"wp-caption-text\">Annie Leibovitz.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_172487\" style=\"width: 700px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-172487\" class=\"size-full wp-image-172487\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-8.jpg\" alt=\"\" width=\"690\" height=\"696\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-8.jpg 690w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-8-297x300.jpg 297w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-8-150x150.jpg 150w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-172487\" class=\"wp-caption-text\">Linda Ronstadt.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_172488\" style=\"width: 713px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-172488\" class=\"wp-image-172488 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-9.jpg\" alt=\"\" width=\"703\" height=\"700\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-9.jpg 703w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-9-300x300.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-9-150x150.jpg 150w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-172488\" class=\"wp-caption-text\">Sol Babitz.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_172489\" style=\"width: 706px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-172489\" class=\"wp-image-172489 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-10.jpg\" alt=\"\" width=\"696\" height=\"678\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-10.jpg 696w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-10-300x292.jpg 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-172489\" class=\"wp-caption-text\">Linda Ronstadt.<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_172490\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-172490\" class=\"wp-image-172490 size-large\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-11-1024x846.jpg\" alt=\"\" width=\"1024\" height=\"846\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-11-1024x846.jpg 1024w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-11-300x248.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-11-768x634.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/12\/unnamed-11.jpg 1200w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-172490\" class=\"wp-caption-text\">Eve Babitz&#8217;s brownie camera.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201c \u2018I got a camera for $7.98\u2014a Brownie,\u2019 Babitz notes on December 21, 1969, \u2018and have been taking pictures of palm trees which are turning out very well.\u2019 \u201d<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30918],"tags":[67827],"class_list":["post-172484","post","type-post","status-publish","format-standard","hentry","category-on-photography","tag-featured"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Eve Babitz\u2019s Photographs by The Paris Review<\/title>\n<meta name=\"description\" content=\"December 17, 2025 \u2013 \u201c \u2018I got a camera for $7.98\u2014a Brownie,\u2019 Babitz notes on December 21, 1969, \u2018and have been taking pictures of palm trees which are turning out very well.\u2019 \u201d\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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