{"id":166752,"date":"2024-02-08T11:15:18","date_gmt":"2024-02-08T16:15:18","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=166752"},"modified":"2024-02-09T08:04:31","modified_gmt":"2024-02-09T13:04:31","slug":"a-winter-dispatch-from-the-reviews-poetry-editor","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2024\/02\/08\/a-winter-dispatch-from-the-reviews-poetry-editor\/","title":{"rendered":"A Winter Dispatch from the Review<\/em>\u2019s Poetry Editor"},"content":{"rendered":"
\"\"

Illustration by Na Kim.<\/p><\/div>\n

In her Art of Poetry<\/a> interview in our new Winter issue, Louise Gl\u00fcck expertly captures the psychodynamics between older poets and their perennially youthful students: \u201cThe younger person is reminding the older one of the early ferocity of their vocation,\u201d she observes like a practiced analyst, while \u201cthe older person is a representative of stubbornness and persistence and sometimes a kind of majestic fatigue.\u201d<\/p>\n

Gl\u00fcck may not have assumed an air of majestic fatigue when I was her student in college three decades ago, but my classmates and I certainly all vied, often without success, to impress her with our ferocity. She was wry, unfazed by the world\u2019s peculiarities\u2014as I imagine she was in the first workshop she ever taught, at Goddard College in the sixties. \u201cGoddard had a naked dorm and the class was held there,\u201d she tells her interviewer, Henri Cole, \u201cwhich didn\u2019t mean my students were naked, but that the students who lived there were. When my class met, we would keep our clothes on, but it was weird to see these naked bodies going back and forth, not all of them fabulously beautiful, I might add, though they were all young.\u201d I like to imagine the future Nobel laureate looking up from a page where some student had bared their soul to see others baring their bottoms out the window.<\/p>\n

You can eavesdrop on the kind of advice Gl\u00fcck would give young writers, at once metaphysical and down-to-earth, in this issue: \u201cAlways, one thing to do, if you\u2019re stuck, is to ask a ques\u00adtion in the poem,\u201d she reminds us. \u201cA question shifts the mechanism of the poem.\u201d For more insights into how poems happen, you can read our Making of a Poem feature with Farid Matuk<\/a>, whose poem \u201cCrease\u201d you\u2019ll also find in the issue. (\u201cThat near rhyme of\u00a0love<\/em>\u00a0and\u00a0of<\/em>\u00a0was tricky for me,\u201d Matuk confides.) Or check out our Making of a Poem with the translator Aimee Chor<\/a>, who brought Nadja K\u00fcchenmeister\u2019s \u201cfeathers and planets<\/a>\u201d to our pages: \u201cThe English is in some ways very unlike the German,\u201d Chor notes.\u00a0\u201cW\u00e4schest\u00e4nder<\/em>\u00a0does not sound like\u00a0laundry rack<\/em>, and quark is not really the same thing as cream.\u201d<\/p>\n

Also in our Winter poetry mix: more laundry, in Alice Notley\u2019s \u201cThe Answer Is Awe<\/a>\u201d; three poems<\/a> by Callie Siskel, another student of Gl\u00fcck\u2019s;\u00a0\u201cdefective goods\u201d in Zheng Xiaoqiong\u2019s \u201cWater Becomes Water<\/a>,\u201d translated by Eleanor Goodman; a dead bird on a doorstep<\/a> with \u201csomething \/ Moving inside of it,\u201d brought to us by Dorothea Lasky; leporine fisticuffs<\/a>, courtesy of Angela Ball; and an unsettling posthumous contract<\/a> signed by Harryette Mullen, which concludes (hint hint) with the speaker\u2019s promise \u201cto pay tribute with offerings that confirm my commitment and extend my status as a faithful subscriber.\u201d<\/p>\n

 <\/p>\n

Srikanth \u201cChicu\u201d Reddy is the poetry editor of<\/em> The Paris Review.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cYou can eavesdrop on the kind of advice Gl\u00fcck would give young writers, at once metaphysical and down-to-earth, in this issue.\u201d<\/p>\n","protected":false},"author":2310,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[26],"tags":[24555,67827,68455],"class_list":["post-166752","post","type-post","status-publish","format-standard","hentry","category-a-letter-from-the-editor","tag-about-poetry","tag-featured","tag-letter-from-the-editor"],"acf":[],"yoast_head":"\nA Winter Dispatch from the Review\u2019s Poetry Editor by Srikanth Reddy<\/title>\n<meta name=\"description\" content=\"February 8, 2024 \u2013 \u201cYou can eavesdrop on the kind of advice Gl\u00fcck would give young writers, at once metaphysical and down-to-earth, in this issue.\u201d\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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