{"id":165487,"date":"2023-09-19T11:33:06","date_gmt":"2023-09-19T15:33:06","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=165487"},"modified":"2023-09-19T11:33:06","modified_gmt":"2023-09-19T15:33:06","slug":"the-cat-book","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2023\/09\/19\/the-cat-book\/","title":{"rendered":"The Cat Book"},"content":{"rendered":"<div id=\"attachment_165488\" style=\"width: 682px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-165488\" class=\"wp-image-165488\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2023\/09\/cat-playing.jpg\" alt=\"\" width=\"672\" height=\"831\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2023\/09\/cat-playing.jpg 404w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2023\/09\/cat-playing-242x300.jpg 242w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-165488\" class=\"wp-caption-text\"><em>Cat Playing<\/em> by Oliver Herford. Public Domain, Courtesy of <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Cat_Playing.jpg\">Wikimedia Commons.<\/a><\/p><\/div>\n<p>What\u2019s your favorite Dawn Powell book? I\u2019m beginning this way because critical essays on Dawn Powell always emphasize her obscurity, her failure to achieve fame or fortune in her lifetime (1896\u20131965) despite her enormous output. Just once, I want to skip that part. Let\u2019s pretend I\u2019m writing this from a parallel universe where Dawn Powell is the literary legend she deserves to be, where everyone knows the story of the Ohio-born New Yorker whose sparkling, lacerating fiction distilled the spirit of the city. And maybe you really do have a favorite Dawn Powell book. Mine is <em>A Time to Be Born<\/em> (1942), no question\u2014the other day I was rereading it in the park and attracting stares because I kept laughing at its farcical scenes and snappy one-liners (\u201cThey couldn\u2019t have disliked each other more if they\u2019d been brothers\u201d). But you might instead be partial to <em>The Locusts Have No King <\/em>(1948), or to her luminous short-story collection, <em>Sunday, Monday, and Always <\/em>(1952). Or maybe you prefer <em>The Diaries of Dawn Powell, 1931\u20131965<\/em>, which weren\u2019t even written for publication (they weren\u2019t printed until 1995) but rank among her funniest work. If you love those diaries and have a trollish sense of humor (which, if you love Dawn, you probably do), you might give me a joke answer: Your favorite Dawn Powell book is <em>Yow<\/em>.<\/p>\n<p><em>Yow<\/em> was Dawn Powell\u2019s first and only children\u2019s book project\u2014as she put it in her diary, \u201ca story to be read aloud.\u201d All its characters were cats; the conceit was \u201ca complete cat-world with humans as pets.\u201d She wrote it in 1950. No, 1952. Actually, 1954. Make that 1955. Okay, 1956. Just kidding. <em>Yow<\/em> doesn\u2019t exist. Or, rather, it exists only in the diaries, as a project that Powell is constantly on the verge of starting. She spent the final sixteen years of her life resolving over and over\u2014for real this time!\u2014to write \u201cthe cat book.\u201d Even on her deathbed, Powell refused to give up on <em>Yow<\/em>. \u201cDrying up, weak, no appetite,\u201d she wrote in one of her last entries ever. \u201cWill take liquid opium plus pills I guess. God how wonderful if I could get some writing done\u2014if, for instance, I could knock off the cat book just for fun.\u201d<!--more--><\/p>\n<p>Heaven knows it\u2019s not unusual for writers to have ideas and not follow through on them. (You should see <em>my<\/em> diaries.) But it fascinates me that Powell was so utterly defeated by a kids\u2019 book about kitty cats, because writing usually came so easily to her. From the twenties onward, she published a new novel every other year, in addition to ten plays and around a hundred short stories in her lifetime. On the side, for extra cash, she churned out book reviews and the occasional Hollywood screenplay. She did all this while managing her institutionalized son\u2019s medical care, her husband\u2019s alcoholism, and her highly active social life in New York City (and, relatedly, her own borderline alcoholism). Powell had many problems, but writer\u2019s block was never one of them. On February 14, 1962, she recorded the death of her husband: \u201cJoe died at about 2:30.\u201d Five days later, she wrote: \u201cFatigued, numb, brainfogged yet must reassemble novel. \u2026 Must have it done by Monday.\u201d And she did.<\/p>\n<p>Yet <em>Yow<\/em> wouldn\u2019t come. Hubris, it appears, was at least partly her downfall: she assumed that a children\u2019s book would be easy to write, a mindless hack job. Her diaries are full of self-reminders to get <em>Yow<\/em> over with, as if it were a dental cleaning. On April 2, 1950: \u201cRemember to do cat book for Julia Ellsworth Ford juvenile prize.\u201d July 15, 1954: \u201cPlan to finish Eva story, also \u2018Yow\u2019 story over weekend, maybe.\u201d December 16, 1961: \u201cWill do the Scrubwoman story and \u2018Yow.\u2019\u00a0\u201d March 15, 1965: \u201cGetting excited and clarified on novel. Would like to rush it\u2014also do the lovely play and the \u2018Summer Rose\u2019 one and the cat one.\u201d Even in that deathbed entry, \u201cthe cat book\u201d isn\u2019t a grand plan; it\u2019s something she hopes to \u201cknock off.\u201d<\/p>\n<p>Perhaps a lesson here is that writing a children\u2019s book is much harder than it looks. But it really is a loss for children\u2019s literature that Powell never got the hang of it, for she understood children as very few writers do. She may not have been particularly fond of them (March 23, 1952: \u201cThe Child Dictatorship. Visiting parents must use language and ideas suitable for children. \u2026 Censor is present. Revolt possible\u201d), but enjoying the company of children is not necessary for understanding them. <em>A Time to Be Born<\/em> contains a throwaway observation about childhood that knocked the wind out of me the first time I read it:<\/p>\n<blockquote><p>For some reason women, flouted in love, invariably find an incomprehensibly satisfying revenge in soaring socially. \u201cI will give a white-tie dinner for eighteen,\u201d they promise themselves. \u201cHow he will burn up when he hears about it.\u201d \u2026 The idea that the defaulting lover will be hopelessly chagrined by this social soaring (no matter how he may abhor such a formal life) is as fixed in the female mind as is the child\u2019s dream of avenging itself on Teacher by slowly flying around the room with smiling ease.<\/p><\/blockquote>\n<p>It\u2019s so casual, so tossed off, and yet this turn toward childhood fantasy is so vivid. Had she had traveled through time and read my fourth-grade diary, in which I detailed this exact fantasy? No, she simply remembered\u2014genuinely, viscerally <em>remembered<\/em>\u2014what it feels like to be little.<\/p>\n<p>She remembered it well enough, in fact, that she got an entire novel out of it, the autobiographical <em>My Home Is Far Away <\/em>(1944)\u2014my second-favorite of her books. As the novel recounts in lightly fictionalized form, Powell was seven when her mother died, and her traveling-salesman father remarried a monstrously abusive woman. A precocious child, Powell kept diaries and wrote stories even then; when she was twelve, her wicked stepmother burned them all as a punishment. In response, Powell ran away from home to live with her favorite aunt. One could easily imagine a version of this as a novel for children, but Powell rendered it as adult literary fiction. As she wrote in a 1945 diary entry, \u201cThis book must not be merely the story of an \u2018interesting child.\u2019 It must show the adult which is already in this child and her impatience with the delay.\u201d It\u2019s a view of childhood that echoes another one of my favorite passages from <em>A Time to Be Born<\/em>:<\/p>\n<blockquote><p>As a child she could not remember having any child feelings, but only a sense of outrage at the indignity of a superior person, a full-grown princess, like herself being doomed by some mean witch to what seemed endless imprisonment in the form of a child, suffering all the humiliations of smallness, dependence, tumbles, and discipline. It disgusted her to be buttoned into leggings on some one\u2019s lap and to be afraid alone in the dark and to hurt when she fell down when her mental inferiors, namely her parents, suffered none of these things.<\/p><\/blockquote>\n<p>It\u2019s a classic Powell cocktail of comedy and empathy, and it hints at what might have blocked her from writing <em>Yow<\/em>. Powell was a cat person, and her diary is quite sweet on the subject of her cat, Perkins. Named after Powell\u2019s editor, Maxwell Perkins, she was the only pet Powell ever had; when the cat died in 1945, Powell declared, \u201cI cannot have another pet\u2014it would be unfaithful to my little dear who liked no one but me, knew no other cats, no mice, no love but mine.\u201d Her obituary for Perkins is one of her most charming character sketches: \u201cVery dainty from the start, she waited like a modest bride till I was in bed with the lights out, then washed herself and leapt softly onto the bed, tucked herself in my neck and nuzzled off to sleep.\u201d But sweetness and charm were not what animated Powell as a novelist, and maybe cats weren\u2019t complex enough to sustain the attention of an author whose interest was human beings in all their undainty immodesty. To put it another way: Powell <em>liked<\/em> cats, but she <em>loved<\/em> people. \u201cThe artist who really loves people,\u201d she wrote in a 1948 entry, \u201cloves them so well the way they are he sees no need to disguise their characteristics\u2014he loves them whole, without retouching. Yet the word always used for this unqualifying affection is \u2018cynicism.\u2019\u00a0\u201d<\/p>\n<p>I won\u2019t speculate that the name Dawn Powell would be better known if she\u2019d succeeded at writing for children. It would be greedy, in any case, to wish for more than the treasure trove of work she gave to us. Still, I\u2019m a little obsessed with the slender empty space on the bookshelf where <em>Yow<\/em> should be. You\u2019d think the cat book would have been easy to write. You never know what\u2019s possible and what isn\u2019t, in the span of a lifetime, until you try, and try, and try, and try, and try.<\/p>\n<p>&nbsp;<\/p>\n<p><em>James Frankie Thomas is the author of the novel<\/em> Idlewild.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cWill take liquid opium plus pills I guess. God how wonderful if I could get some writing done\u2014if, for instance, I could knock off the cat book just for fun.\u201d<\/p>\n","protected":false},"author":2410,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[68717],"tags":[3618,1871,67827,45140],"class_list":["post-165487","post","type-post","status-publish","format-standard","hentry","category-on-childrens-books","tag-childrens-books","tag-dawn-powell","tag-featured","tag-the-diaries-of-dawn-powell"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Cat Book by James Frankie Thomas<\/title>\n<meta name=\"description\" content=\"September 19, 2023 \u2013 \u201cWill take liquid opium plus pills I guess. 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