{"id":165353,"date":"2023-09-13T10:30:58","date_gmt":"2023-09-13T14:30:58","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=165353"},"modified":"2023-09-12T11:46:34","modified_gmt":"2023-09-12T15:46:34","slug":"two-strip-clubs-paris-and-new-hampshire","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2023\/09\/13\/two-strip-clubs-paris-and-new-hampshire\/","title":{"rendered":"Two Strip Clubs, Paris and New Hampshire"},"content":{"rendered":"
\"\"

Henri de Toulouse-Lautrec, La danse au Moulin Rouge<\/em>, 1890. Public domain, via Wikimedia Commons<\/a>.<\/p><\/div>\n

Every summer, my mother would take me and a friend to Salisbury Amusement Park to eat fried dough with cinnamon and powdered sugar and go on the roller coaster until we were sick and then get our minds blown by the 2001 Space Oddity dome, which spun us around in complete darkness while a narrator intoned about galaxies and time warps. But best of all: every hour, on the hour, the Solid Gold Dancers jogged out of a pit in the center of the fairgrounds and, sweating under the August sun in full gold lam\u00e9, would kick, spin, leap, and boogie for fifteen minutes while disco music boomed (those loudspeakers carried barely any treble, which made for a peculiar version of disco). Sunrays glinted off the sequins and I was hypnotized. It all jumbled together in my mind, the sensations, the nausea, the ecstasy. That gold-flecked feeling of 1979 faded away until thirty-five years later, when my French husband, Bruno, took me to the nightclub in Montmartre that started it all: the Moulin Rouge.<\/p>\n

I walked through red velvet curtains into the past and straight onto the set of the sweetest magical movie flop of my youth,\u00a0Xanadu<\/em>! Roller skates, a swimming pool rising up out of the stage where we could see women dancing underwater. In costumes made of diamonds and skin. I was in heaven. The show lasted two hours. It had everything: a fantastic light show and sound system, constantly changing sets\u2014a castle, a pirate ship, a circus, a London street corner at the turn of the century, a \u2026 a Chinese opium den?<\/p>\n

Even though the women had naked boobies, they still looked like angels. I think angels do<\/i> have naked boobies, now that I\u2019ve seen this show. And there were so many of them! A teeming flock or herd. Singing and kicking and dancing. Costume changes for every act. A personal favorite was the giant red-feather puffballs with legs sticking out. No arms, no head, just a big red puffball on legs. One act featured good-natured Siamese twins, another strongmen who balanced whole humans on a single elbow, wow! At the Moulin Rouge, clowns are bare-breasted along with the angels. And I shouldn\u2019t have been surprised that in France, one clown act per nightclub experience was not enough \u2026 there had to be two.
\n
\n 
\n

\"\"

Naked boobies in Versailles. Photograph by the author.<\/p><\/div>
\n 
\n\u201cMy husband is a clown,\u201d I told our table with pride, as they were American tourists, and perhaps did not know that, here, clowns are cool. \u201cHis clown name is Mikoto.\u201d Bruno\u2019s normal job was funeral director, which may explain the desire to go to clown school. He is obsessed with them. One time he made me watch a sad French-clown DVD that opened with one old clown trying to hang himself but there was another clown in giant shoes at the other end of the rope. Next came a giant foam phone and the clown just saved from death made a beeping sound and the entire audience in the DVD and Bruno cracked up. What the heck?<\/i> Except for the beeps, the clowns in the video didn\u2019t say a word, and they moved very slowly<\/i>. I could feel my face growing grimmer and grimmer as the audience and Bruno buoyed higher and higher on rare joy. Nearly everything in life seemed to elicit disdain from Bruno and his countrymen, and mimery is the exception? \u201cIt\u2019s poetry,\u201d Bruno tried to explain. \u201cExpressing emotions with the body. Slow, small, the void. I love things that come from nothing and go back to nothing. Leave no trace.\u201d<\/p>\n

There are few things in life I just cannot understand or stand, and my husband\u2019s passion for the sad clown is one, and it\u2019s such a big part of our life. On our second date, he took out his clown nose and put it on. He said, ominously, \u201cYou can say anything when you have this nose on.\u201d<\/p>\n

My clown name would be American McNasty.<\/p>\n

Upon my announcement that Bruno was a clown, there followed a shocked silence.<\/p>\n

\u201cI\u2019m afraid of clowns,\u201d the American husband at our table said.<\/p>\n

\u201cHe\u2019s afraid of clowns,\u201d the wife confirmed. \u201cI\u2019m drunk,\u201d she added, just giving information. Every table got an exquisite bottle of champagne, and she\u2019d chugged it while I\u2019d been transfixed by the beauty.<\/p>\n

For the final act, everyone came onstage: clowns, strongmen, mermaids, roller skaters, red puffball heads, turn-of-the-century London streetwalkers, and angels, arm-in-arm in a line, doing an increasingly frantic cancan as the music crescendoed along with our hearts until the moment we just couldn\u2019t handle any more, and the velvet curtain blessedly dropped. A collective sigh rose like a giant feather, and then came a thunderous applause and foot stomping. After which we filed dazedly, spent, out of the theater into the peculiarly light Parisian night.
\n 
\n

\"\"

A shaved tree in Versailles. Photograph by the author.<\/p><\/div>
\n 
\nBruno and I met on a Paris park bench when I was visiting the country. We fell instantly in love and got married, and when we were deciding where to live, there was only one answer, and it wasn\u2019t my country.<\/p>\n

Bruno didn\u2019t exactly hate America. Not like England, which he very exactly hated. From a teenage vacation to our shores forty-five years ago, he had formed this idea of us as made up of equal parts Coca-Cola, air-conditioning, white teeth, and \u201ceverybody friendly and excited\u201d\u2014that last bit said in the tone with which one would read medical symptoms off WebMD when trying to determine the nature of a family member\u2019s illness. It took two whole years to convince him to come experience my homeland with me.<\/p>\n

Wanting to give him the most American first day possible, I arranged for us to arrive on Halloween\u2014a holiday the French don\u2019t celebrate because it\u2019s \u201ccommercial.\u201d They prefer, say, Bastille Day, which features a parade to commemorate a bunch of people hundreds of years ago storming a prison and setting free the seven inmates, who all went on to get killed in a riot the following day. This time of year was also good because I wanted him to see the leaves changing colors, which happens in France, too, but the foliage in France is sparser, more \u2026 curated. The French plant their trees in rows and then sometimes they shave them into rectangles! Driving down the street in France in fall, you don\u2019t get the feeling you do in New England\u2014that you\u2019re Moses and God parted the sea for you except it\u2019s a sea of fire. A giant sea of fire.<\/p>\n

As we moved further away from the airport in Boston to New Hampshire down double-yellow-line roads encroached by trees of all different heights and widths and raggedyness, Bruno\u2019s normally squinty eyes got bigger and bigger. \u201cI feel like I\u2019m in every one of your American movies right now,\u201d he said. \u201cWild and free, like the legend. Soon a car following us will appear in the mirror, and there will be the chase, and then the big explosion.\u201d<\/p>\n

I had a similar sensation upon first arriving in Paris, except in reverse, and I was in a book instead of a movie. Everything was concentrated and old and unfriendly and tasteful and civilized and well done and planned\u2014even the doorknobs. Even the buttons! Everything tiny and tasty\u2014a tiny coffee from a tiny man at a tiny table, and it was the most perfect coffee you could ever imagine, and I was the only one who spilled, like a big dumb animal. And when I bent down to wipe up my mess, I saw that even the metal feet of the tiny table were pieces of art carved long ago that would last forever. One time I overheard a long and tortuous conversation where a Frenchman tried to convince another Frenchman that nothing exists, and my bulgy eyes got squinty.<\/p>\n

The first real American \u201cmeal\u201d I introduced Bruno to (not counting the gargantuan chocolate chip cookie wrapped in plastic we purchased at a gas station) was a Dunkin\u2019 Donut decorated with a black-frosting spider on an orange-frosting cobweb and a \u201cspooky\u201d drink with a curly straw adorned with a plastic goofy Dracula face on it. He sat seriously in his professorial sweater and his glasses and his, well, French face; he ate and drank it to the end, and then he gave his assessment. \u201cIt\u2019s more surprising than scaring. It\u2019s all the same texture, only the chemical sugar or the chemical salt changes the taste. It acts like food: I swallow it and I will shit it. But it is not food.\u201d<\/p>\n

Next I took him to a dive-bar strip club in Bedford, New Hampshire, which I first visited at the age of sixteen with my father. He had just gotten out of prison, where he learned how to do commercial refrigeration repair, which is what we were doing at the club. Bruno comes from a big family and old money, and I come from mostly just one sickly mom and no money. So it\u2019s a view into another class as well as another culture we offer each other. The Moulin Rouge called me back to the heaven I disappeared into in my youth to escape the rough edges\u2014any condition is bearable as long as you sing and dance it. But I\u2019m not ashamed of the rough edges. They gave me a sharp eye with which I can find innocence and a sort of maternal benevolence in people and things that may appear to be anything but. Cheap, creepy doughnuts and windowless buildings with (probably) cheap, creepy patrons felt like the pathway down which to lead Bruno into the strange beauty of my childhood.<\/p>\n

It was early afternoon, so it was just six girls in various Halloween getup, the bartender, and us. Bruno had never been to a strip club before. Bruno is a seducer. Sex for him is communication, emotion, a tango. Me, not so much. I\u2019m an erratic dancer, pretty erratic emotionally too now that I think about it, and way too goofy for sexy talk. I just dive into sex like I do everything else, with my enthusiasm making up (I hope) for any lack of skill. Bruno had seen burlesque, of course, but it didn\u2019t do much for him. The body without the relationship was just not his thing. And the prospect of a lap dance made him feel squeamish. He had friends who would go to prostitutes, but not in the sense American men do. These were more like mistresses. There was repartee, dinner, sometimes even no sex! I think in France it\u2019s almost impossible to see women as objects, and just everything is more fancy and more distant. In France, taking your clothes off is an art form. You don\u2019t just grab an artist and stick a euro in their garter.<\/p>\n

As Bruno seemed nervous, I suggested he order a drink. He picked a Tahitian cocktail and it was served in a kid\u2019s plastic beach bucket, just a giant amount of alcohol over a giant amount of ice (this bartender had no way of knowing how offensive ice is to the French) with a can of Truly sticking out of it. Bruno was saddened. \u201cThis is too high a level of aggression,\u201d he said.<\/p>\n

He then explained to me what a Tahitian drink should be like, could be like, and I explained to him that we don\u2019t really notice these kinds of details. We are not concerned with presentation, and we don\u2019t savor. The idea is to get drunk. \u201cBut why?\u201d he asked. I shrugged. There is no real answer to that question\u2014about anything in America\u2014except to ask back: Why not?<\/p>\n

The girls did not swarm us. They were content to huddle together like penguins keeping their mostly naked pelts warm with each other\u2019s body heat. A Black girl in cat ears and a tail ventured out to do a few spins on a pole. Another girl pulled up a chair to face her, yelling out terms of endearment and ranking her performance with superlatives. They were both laughing.<\/p>\n

\u201cThe whole day\u2019s been like this,\u201d the bartender told us. \u201cNo one.\u201d The day shift is rough.<\/p>\n

I asked Bruno if there was anything like this in France.<\/p>\n

\u201cWe have places like this, but not the mood. The mood of being lost in life, in the belly of a ghost ship. And we don\u2019t have the way of being nice to each other, the women.\u201d<\/p>\n

Another girl took over the pole\u2014this one blonde and blowsy, with big strong thighs and small natural breasts and a bit of a belly. She wore cowboy boots and a fringed skirt and nothing else. She seemed nice. Looked like she had a kid or two. I said to Bruno, let\u2019s pull up some chairs.<\/p>\n

Hanging from the pole like a bat, she asked us how we were feeling. I explained that it was Bruno\u2019s first time. She seemed to feel that was marvelous. She was making a lot of eye contact, chatting, smiling, even laughing. She lifted up her skirt and slapped her own ass in our faces, which made us laugh. \u201cYou guys are fun,\u201d she said. It felt genuine, intimate\u2014we were just hanging out making each other laugh. She bent down and massaged my shoulders. Holding eye contact. It was pleasant, not dirty\u2014like petting an animal, or your pet petting you. Telepathically, she said, \u201cWe\u2019re friends. We understand each other. Life is hard. Let\u2019s smooth the way.\u201d<\/p>\n

I had supplied Bruno with two hundred dollars in fives, and I gave him a poke. He held one out to her hesitatingly. She gave a sideways judo kick that stopped just short of his face, and held the leg at that angle until he gave up on waiting for her to take it from him, and stuck it carefully in her boot. We stayed with her for the next three songs until all the fives were gone.<\/p>\n

Our girl was the best representation of my roots I could have hoped for\u2014of how much humanity rough edges have to offer. She just did it, did her thing, against bare, dark walls\u2014no backdrop at all, no spotlights changing colors, no costume change. She made something out of nothing, with her physicality and her generosity. She held nothing back. She poured all of herself out onto us all at once, and just kept on pouring.<\/p>\n

When I think of her\u2014how she blends crass and top-class in one bold spirit\u2014is when I really miss America. Because it\u2019s what I know in my bones, and that\u2019s the only thing I can\u2019t find in this beautiful, beautiful country I now call home.<\/p>\n

Back in the car, after the club, Bruno was smiling, a sight I don\u2019t often see. He was in a dream. \u201cIs it possible the friendliness is real? People could be that nice?\u201d he wondered. \u201cIt was not sexual, but sexual, too. Like life. It was life!\u201d<\/p>\n

After that I took him to a honky-tonk where the stools are in the shape of butts. You put your butt on a butt\u2014now that\u2019s my<\/i> idea of humor.
\n 
\n\"\"<\/p>\n

 <\/p>\n

Lisa Carver published the nineties zine<\/em> Rollerderby and has written twenty-four books, including, most recently,<\/em>\u00a0No Land’s Man<\/a>. She lives in Montmorency, France, with a bunch of stepchildren and animals.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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