{"id":163532,"date":"2023-03-06T10:09:36","date_gmt":"2023-03-06T15:09:36","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=163532"},"modified":"2024-03-01T15:16:19","modified_gmt":"2024-03-01T20:16:19","slug":"announcing-the-2023-george-plimpton-and-susannah-hunnewell-prize-winners","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2023\/03\/06\/announcing-the-2023-george-plimpton-and-susannah-hunnewell-prize-winners\/","title":{"rendered":"Announcing the 2023 George Plimpton and Susannah Hunnewell Prize Winners"},"content":{"rendered":"
\"\"

Photograph of Harriet Clark by Joshua Conover; photograph of Ishion Hutchinson by Neil Watson.<\/p><\/div>\n

We are delighted to announce that on April 4, at our <\/span>Spring Revel<\/span><\/a>, Harriet Clark<\/span> will receive the George Plimpton Prize, and the inaugural Susannah Hunnewell Prize will be presented to Ishion Hutchinson.\u00a0<\/span><\/p>\n

The George Plimpton Prize, awarded annually since 1993 by the editorial committee of our board of directors, recognizes an emerging writer of exceptional merit published in the <\/span>Review<\/span><\/i> during the preceding year. Previous recipients include Yiyun Li, Ottessa Moshfegh, Emma Cline, Isabella Hammad, Jonathan Escoffery, Eloghosa Osunde, and the 2022 winner, Chetna Maroo.<\/span><\/p>\n

Harriet Clark\u2019s slanting, beautiful story \u201c<\/span>Descent<\/span><\/a>,\u201d which appeared in our <\/span>Summer 2022<\/span><\/a> issue (no. 240), is narrated by a young girl caught between her mother\u2014imprisoned for her part in a botched robbery intended to finance revolutionary struggle\u2014and her grandmother, whose grief encompasses a cruel resentment. A graduate of Stanford University and the Iowa Writers\u2019 Workshop, Clark is the recipient of a Wallace Stegner Fellowship and was a Jones Lecturer in Creative Writing at Stanford. She is at work on her first novel. The <\/span>Review<\/span><\/i>\u2019s publisher, Mona Simpson, writes:<\/span><\/p>\n

In \u201cDescent,\u201d Harriet Clark deftly tells an enclosing story about the wish for resurrection. An eight-year-old girl, \u201ca great stayer,\u201d knows departure as a fact of life. She and her grandfather simulate disappearance and recovery in a game they play with her in the trunk of the car. A silence is kept in honor of a felled deer. Strange cats attack the old man. Clark somehow manages to give us each character\u2019s interiority: \u201cif my mother told this story she might say that one day her father disappeared.\u201d Clark ends where she began, with a conundrum, this time inflected with the grandmother\u2019s harsh language: \u201cTo want to go home was to wish a man dead but I did want, very much, to go home.\u201d <\/span><\/p><\/blockquote>\n

The Susannah Hunnewell Prize, which honors a writer for an outstanding piece of prose or poetry published by the <\/span>Review<\/span><\/i> in the previous calendar year, was established in 2023 in memory of Hunnewell, who joined the <\/span>Review<\/span><\/i> as an intern during George Plimpton\u2019s tenure. She remained associated with the magazine for thirty years, serving as its Paris editor and later as its publisher from 2015 until her death in 2019. She also conducted some of the most beloved interviews in the Writers at Work series, including conversations with Harry Mathews, Kazuo Ishiguro, Richard Pevear and Larissa Volokhonsky, and Emmanuel Carr\u00e8re.\u00a0<\/span><\/p>\n

The prize\u2019s first winner, Ishion Hutchinson, published his essay \u201c<\/span>Women Sweeping<\/span><\/a>\u201d\u2014a moving illumination of the artistry that infused his grandmother\u2019s work and life, by way of \u00c9douard Vuillard\u2019s painting of his own mother sweeping\u2014in our <\/span>Spring 2022<\/span><\/a> issue (no. 239). Born in Port Antonio, Jamaica, Hutchinson is the author of two poetry collections, <\/span>Far District<\/span><\/i> and <\/span>House of Lords and Commons<\/span><\/i>, and a forthcoming collection of essays. He is the recipient of the 2017 National Book Critics Circle Award for Poetry, a Guggenheim Fellowship, a Whiting Award, a Windham-Campbell Prize for poetry, and an American Academy of Arts and Letters Award in Literature. Mona Simpson writes:<\/span><\/p>\n

She was the house, Henry James said of his mother. And so it was with Vuillard\u2019s mother and Ishion Hutchinson\u2019s grandmother, a \u201cshort and solid-built\u201d baker. Sounds of \u201cjubilation\u201d hiss from the kitchen as the narrator witnesses the honor and pleasure of his grandmother making a home. \u201cThe interior does not simply belong to her, it <\/span>is<\/span><\/i> her,\u201d<\/span> Hutchinson writes of Vuillard\u2019s mother<\/span>. <\/span><\/i>For a disenfranchised people, owning a house was, and still is, the ultimate achievement. By herself, Hutchinson\u2019s grandmother earned what Mr. Biswas strived for in Naipaul\u2019s novel: \u201clegally owned property.\u201d <\/span>How? \u201cThrough baking.\u201d<\/span><\/p>\n

This question and answer form a refrain, as the narrator watches her measure flour and sugar with empty Betty and Carnation cans and eats the bits (\u201cbun bun\u201d) left on the tin baking pans after black cake and coconut drops are removed to sell. <\/span>There\u2019s something quietly radical in Hutchinson\u2019s association of his Jamaican grandmother with Madame Vuillard, and in his valorization of what is traditionally women\u2019s work. The narrator was able to go to the good school on the island; Vuillard attended the same school as Marcel Proust. How? We are not told. But at the end of the essay, Hutchinson reveals his grandmother\u2019s guarded secret, her vulnerability, her shame, and her wish, along with her pride.<\/span><\/p><\/blockquote>\n

Tickets are still available for the Revel, which will take place on April 4 at Cipriani 42nd Street. We hope you\u2019ll <\/span>join us<\/span><\/a> to celebrate Clark and Hutchinson, as well as the inimitable Vivian Gornick, who will <\/span>receive<\/span><\/a> the Hadada, our award for lifetime achievement in literature. We\u2019ll also be marking the seventieth anniversary of the <\/span>Review<\/span><\/i>, which was founded in Paris in 1953. Since then, the magazine has evolved the contemporary canon, publishing a spirited mix of emerging and established voices. That exhilarating encounter between different styles and generations also reliably makes the Revel an excellent party, and all proceeds help sustain the magazine. We\u2019d love to see you <\/span>there<\/span><\/a>.<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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