{"id":162756,"date":"2022-12-13T11:30:14","date_gmt":"2022-12-13T16:30:14","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=162756"},"modified":"2022-12-17T13:16:28","modified_gmt":"2022-12-17T18:16:28","slug":"letter-from-the-reviews-new-poetry-editor","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2022\/12\/13\/letter-from-the-reviews-new-poetry-editor\/","title":{"rendered":"A Letter from the Review<\/em>\u2019s New Poetry Editor"},"content":{"rendered":"

\"\"<\/p>\n

As a new member of the Review<\/em>\u2019s team, it gives me great pleasure to bring you several equally new contributors in our new Winter issue. Some are celebrated literary artists, some are emerging voices, and others fall somewhere in between. Perhaps the most lofty among them is William of Aquitaine, also known as the Duke of Aquitaine and Gascony and the Count of Poitou\u2014the earliest troubadour whose work survives today. For all his lands and eleventh-century titles, there\u2019s a slapstick vibe to this unwitting contributor\u2019s bio that I can\u2019t help but find endearing. Excommunicated not once but twice, and flagrant in his affairs and intrigues, William survived more ups and downs than most modern politicians could ever pull off, and in Lisa Robertson\u2019s agile translation, he speaks to us from the end of his earthly tether: \u201cI, William, have world-fatigue,\u201d he sighs across the centuries.<\/p>\n

Much of my new job involves sifting through the slush pile for unexpected gifts\u2014so you can imagine how tickled I was to see the world-weary troubadour dust himself off once again in another poem, by Luis Alberto de Cuenca, titled \u201cWilliam of Aquitaine Returns,\u201d translated into a measured and colloquial English by Gustavo P\u00e9rez Firmat:<\/p>\n

\n

I\u2019m going to make a poem out of nothing.
\nYou and I will be the protagonists.
\nOur emptiness, our loneliness,
\nthe deadly boredom, the daily defeats.<\/p>\n<\/blockquote>\n

The legendary Tang Dynasty poet Tu fu also makes a debut of sorts, in an extended excerpt from Eliot Weinberger\u2019s forthcoming \u201cThe Life of Tu Fu,\u201d the \u201cfictional autobiography\u201d of a poet who witnessed the violence, famine, and displacements of civil war in eighth-century China. \u201cIs there anyone left, under a leaking roof, looking out the door?\u201d the poet asks. \u201cThey even killed the chickens and the dogs.\u201d Weinberger\u2019s wry, oracular Tu Fu describes a world that feels painfully familiar; it might be Ethiopia, Myanmar, or any number of modern conflict zones.<\/p>\n

Elsewhere in our pages, the Ukrainian-American poet Oksana Maksymchuk sends an update from her own war zone, awaiting an enemy\u2019s barrage of propaganda in a cellar lined with strawberry jam; from the couch, C. S. Giscombe shares a resonant scene from his subconscious in the reverie of \u201cSecond Dream\u201d; Timmy Straw recalls losing themselves in a yellowing issue of National Geographic<\/em>, with a nod to Elizabeth Bishop\u2019s \u201cIn the Waiting Room\u201d; and in \u201cMy Blockchain,\u201d Peter Mishler walks offstage with a literary mic drop par excellence<\/em>.<\/p>\n

Wallace Stevens once envisioned an ideal poet who coldly beholds \u201cnothing that is not there and the nothing that is.\u201d In this issue, you\u2019ll find a poet who rewrites Wallace\u2019s \u201cThe Snow Man\u201d in her meditation \u201cThat Is\u201d:<\/p>\n

\n

our thoughts
\nbecome the trying that is<\/p>\n

trying to become
\nthe yes that is<\/p>\n

trying to unify us
\ninto the nothing that is<\/p>\n<\/blockquote>\n

Hannah Emerson\u2019s insistent enjambments\u2014from \u201cthe trying that is\u201d to \u201cthe yes that is\u201d to \u201cthe nothing that is\u201d\u2014convey us, and the snow men within, toward a breathtaking destination: \u201cthe freedom \/ that is \/ free of life yes yes.\u201d<\/p>\n

I\u2019d like to conclude this holiday message with an invitation. Thanks to our stalwart crew of readers and editors, we\u2019ll be throwing open our virtual doors more regularly to poetry submissions moving forward, with a Submittable reading period scheduled for January 2023. I can think of no better way to begin the new year\u2014with a copy of our Winter issue in my parka pocket, new poems to read on my desk, and that singular feeling of \u201cyes yes.\u201d<\/p>\n

 <\/p>\n

Srikanth \u201cChicu\u201d Reddy is the poetry editor of<\/em> The Paris Review.<\/p>\n","protected":false},"excerpt":{"rendered":"

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