{"id":160555,"date":"2022-07-08T01:51:13","date_gmt":"2022-07-08T05:51:13","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=160555"},"modified":"2022-07-08T12:29:12","modified_gmt":"2022-07-08T16:29:12","slug":"more-summer-issue-poets-recommend","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/","title":{"rendered":"More Summer Issue Poets Recommend"},"content":{"rendered":"
\"\"<\/a>

Aerial view of Agios Nikolaos Beach in Hydra, Greece. Photograph by dronepicr<\/a>. Licensed under CC BY 2.0<\/a>.<\/p><\/div>\n

This week, we bring you reviews from two of our issue no. 240<\/a> contributors. If you enjoy these, why not read recommendations<\/a> from four more of our Summer issue poets?<\/i><\/p>\n

I was watching the sunset on the Greek island of Hydra with my best friend when I suddenly said, \u201cI think I hate Henry Miller.\u201d I\u2019d just raced through The Colossus of Maroussi <\/em><\/a><\/span>and then <\/span>Tropic of Cancer<\/span><\/i><\/a>. So, as my friend and I perched on rough stones by the sea, I forced her to listen to my least favorite passages from <\/span>Tropic of Cancer<\/span><\/i>. Miller brags about his penis\u2014\u201ca bone in my prick six inches long\u201d! He catalogs what seems like \u201cevery cunt I grab hold of.\u201d At a bar, he ejaculates on a stranger\u2019s dress. (She\u2019s \u201csore as hell.\u201d) In 1934, when <\/span>Tropic <\/span><\/i>was published, this ecstatic obscenity could have been appealing; in 2022, reading it reminds me of being trapped in the bathroom queue at a party next to a coked-up man with a PhD and a browser tab permanently open to PornHub. The book feels, in Miller\u2019s words, like \u201ca thick tide of semen flooding the gutters.\u201d<\/span><\/p>\n

\u201cI think I hate Henry Miller.\u201d<\/span> I think<\/span><\/i>. Why did I qualify? Well, there is <\/span>Tropic\u2019<\/span><\/i>s bravura opening. And despite the ethnographic gaze that saturates The C<\/em><\/span>olo<\/em>ssus of Maroussi<\/span><\/i>, certain episodes of hilarity delighted me: the saga of Miller\u2019s diarrhea during his visit to Crete, for example, in which he shits his pants, then shits at \u201cthe bottom of a moat near a dead horse swarming with bottle flies\u201d and embarks on an oft-frustrated quest for \u201csoggy rice with a little lemon juice in it\u201d to quiet his bowels, all while touring ruins and being plied with victuals that are decidedly disquieting to his bowels. There are also passages of arresting beauty, where the writing has the feeling not of mania but of deep dreaming. <\/span>Miller\u2019s first approach to the island of Poros can only be quoted in full; it is perfect.\u00a0<\/span><\/p>\n

Does the moment redeem the mass of it? Can I recommend The C<\/em><\/span>o<\/em>lossus of Maroussi <\/span><\/i>for the sake of one gemlike isle? The question engenders other questions: what, if anything, redeems a work of literature? Is the language of redemption even appropriate? What about the language of possession? Yours, mine. Give, take. In college, listening to people debate that problematic, shifting thing called \u201cthe canon,\u201d I privately thought that the books included in it are far weirder than either its defenders or detractors usually admit. I\u2019ve rarely felt that what I read \u201cexcludes\u201d me: no matter who wrote it or when, it is mine for the taking, or leaving. I cling to that feeling even now\u2014even when I read \u201cwhile it\u2019s all very nice to know that a woman has a mind, literature coming from the cold corpse of a whore is the last thing to be served in bed.\u201d\u00a0<\/span><\/p>\n

\u2014Elisa Gonzalez, author of \u201c<\/b>In Cyprus<\/b><\/a>\u201d<\/b><\/p>\n

 <\/p>\n

After teaching <\/span>The Epic of Gilgamesh<\/span><\/i> for more than thirty years, I have only grown increasingly enamored with the myth\u2019s iconic narratives, which depict the age-old, all too human desire for immortality<\/span>. <\/span>The adventures of Gilgamesh\u2014a real Sumerian king who ruled between 2900\u20132350 BC\u2014are many, and take place in both the upper and lower worlds. <\/span>Around 1600\u20131155 BC, they were carved into clay tablets by a scribe.<\/span> Herbert Mason\u2019s translation of the myth, which captures the pathos of Gilgamesh\u2019s heroic journey so memorably,\u00a0 inspired \u201cTablet,\u201d my poem that appears in the summer issue of <\/span>The Paris Review<\/span><\/i>. I was particularly moved by the following commentary on mourning that\u2019s delivered by the chorus in the aftermath of Gilgamesh\u2019s dear friend Enkidu\u2019s death:\u00a0<\/span><\/p>\n

For being human holds the special grief<\/span>
\nOf privacy within the universe\u00a0<\/span>
\nThat yearns and waits to be retouched\u00a0<\/span>
\nBy someone who can take away<\/span>
\nThe memory of death.\u00a0<\/span><\/p><\/blockquote>\n

It is Gilgamesh\u2019s grief which allows him to transform from a misogynistic demigod\/king into a fully human character who finds a way to accept his own mortality. During this time of worldwide grief following the pandemic, <\/span>Gilgamesh<\/span><\/i> is a beautiful reminder of the universality of that most tragic foundation of our humanity. In my apocryphal poem, I imagine Gilgamesh learning how to live, through his \u201cspecial grief of privacy,\u201d in the present: as a wise comedian, lying contentedly at last in his hammock \u201cdreaming and waking, waking and dreaming.\u201d<\/span><\/p>\n

\u2014Chard deNiord, author of \u201c<\/b>Tablet<\/b><\/a>\u201d<\/b><\/p>\n

\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

We recommend The Epic of Gilgamesh, and\u2014audaciously\u2014Henry Miller.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[68386],"tags":[2655,883,19581],"class_list":["post-160555","post","type-post","status-publish","format-standard","hentry","category-the-reviews-review","tag-henry-miller","tag-staff-picks","tag-the-epic-of-gilgamesh"],"acf":[],"yoast_head":"\nMore Summer Issue Poets Recommend by The Paris Review<\/title>\n<meta name=\"description\" content=\"July 8, 2022 \u2013 We recommend The Epic of Gilgamesh, and\u2014audaciously\u2014Henry Miller.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"More Summer Issue Poets Recommend by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"July 8, 2022 \u2013 We recommend The Epic of Gilgamesh, and\u2014audaciously\u2014Henry Miller.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-07-08T05:51:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-07-08T16:29:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/07\/luftbild_nikolaos_strand_hydra_griechenland_44150036034.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"768\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"More Summer Issue Poets Recommend\",\"datePublished\":\"2022-07-08T05:51:13+00:00\",\"dateModified\":\"2022-07-08T16:29:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/\"},\"wordCount\":780,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/07\/luftbild_nikolaos_strand_hydra_griechenland_44150036034.jpeg\",\"keywords\":[\"Henry Miller\",\"staff picks\",\"the Epic of Gilgamesh\"],\"articleSection\":[\"The Review\u2019s Review\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/\",\"name\":\"More Summer Issue Poets Recommend by The Paris Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/07\/luftbild_nikolaos_strand_hydra_griechenland_44150036034.jpeg\",\"datePublished\":\"2022-07-08T05:51:13+00:00\",\"dateModified\":\"2022-07-08T16:29:12+00:00\",\"description\":\"July 8, 2022 \u2013 We recommend The Epic of Gilgamesh, and\u2014audaciously\u2014Henry Miller.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/07\/luftbild_nikolaos_strand_hydra_griechenland_44150036034.jpeg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/07\/luftbild_nikolaos_strand_hydra_griechenland_44150036034.jpeg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"More Summer Issue Poets Recommend\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"More Summer Issue Poets Recommend by The Paris Review","description":"July 8, 2022 \u2013 We recommend The Epic of Gilgamesh, and\u2014audaciously\u2014Henry Miller.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/","og_locale":"en_US","og_type":"article","og_title":"More Summer Issue Poets Recommend by The Paris Review","og_description":"July 8, 2022 \u2013 We recommend The Epic of Gilgamesh, and\u2014audaciously\u2014Henry Miller.","og_url":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2022-07-08T05:51:13+00:00","article_modified_time":"2022-07-08T16:29:12+00:00","og_image":[{"width":1024,"height":768,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/07\/luftbild_nikolaos_strand_hydra_griechenland_44150036034.jpeg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"More Summer Issue Poets Recommend","datePublished":"2022-07-08T05:51:13+00:00","dateModified":"2022-07-08T16:29:12+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/"},"wordCount":780,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/07\/luftbild_nikolaos_strand_hydra_griechenland_44150036034.jpeg","keywords":["Henry Miller","staff picks","the Epic of Gilgamesh"],"articleSection":["The Review\u2019s Review"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/","url":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/","name":"More Summer Issue Poets Recommend by The Paris Review","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/07\/luftbild_nikolaos_strand_hydra_griechenland_44150036034.jpeg","datePublished":"2022-07-08T05:51:13+00:00","dateModified":"2022-07-08T16:29:12+00:00","description":"July 8, 2022 \u2013 We recommend The Epic of Gilgamesh, and\u2014audaciously\u2014Henry Miller.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/07\/luftbild_nikolaos_strand_hydra_griechenland_44150036034.jpeg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/07\/luftbild_nikolaos_strand_hydra_griechenland_44150036034.jpeg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2022\/07\/08\/more-summer-issue-poets-recommend\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"More Summer Issue Poets Recommend"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/160555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=160555"}],"version-history":[{"count":19,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/160555\/revisions"}],"predecessor-version":[{"id":160610,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/160555\/revisions\/160610"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=160555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=160555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=160555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}