{"id":159318,"date":"2022-05-10T15:56:02","date_gmt":"2022-05-10T19:56:02","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=159318"},"modified":"2022-05-12T14:07:45","modified_gmt":"2022-05-12T18:07:45","slug":"redux-even-a-fact-is-not-a-fact","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2022\/05\/10\/redux-even-a-fact-is-not-a-fact\/","title":{"rendered":"Redux: Even a Fact Is Not a Fact"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Ned Rorem. Photograph from the Paris Review<\/em> archives.<\/p><\/div>\n

Other people\u2019s diaries, observes<\/a> our web editor, Sophie Haigney, offer \u201cdistinct and potent pleasures, the rare, delightful, occasionally shocking intimacies of reading someone else\u2019s private thoughts.\u201d She\u2019s describing \u201cDiary, 1988,\u201d<\/a> an excerpt from Annie Ernaux\u2019s journals that appears in our Spring issue<\/a>, but the same can be said for Ned Rorem\u2019s Art of the Diary<\/a> interview, Jane Bowles\u2019s short story \u201cEmmy Moore\u2019s Journal<\/a>,\u201d pages\u2014colorful in more senses than one\u2014from Duncan Hannah\u2019s high-school diaries<\/a>, and Charles Wright\u2019s cycle of poems, \u201cFive Journals<\/a>.\u201d And few other forms can be so sharp, so economical in conveying the texture of life lived in times of atrocity, as shown by Liao Yiwu\u2019s account of the Tiananmen Square massacre, \u201cNineteen Days<\/a>.\u201d<\/p>\n

For more diaries, follow our new series featuring contributions from writers and artists: last week, Elisa Gonzalez shared\u00a0pages<\/a>\u00a0from 2018 and Adam Levin\u00a0looked back on<\/a>\u00a0a period of self-interrogation. And if you enjoy these free interviews, stories, poems, and art portfolios, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>? You\u2019ll get four new issues of the quarterly delivered straight to your door.<\/p>\n

INTERVIEW
\nThe Art of the Diary No. 1<\/a>
\nNed Rorem<\/em><\/p>\n

INTERVIEWER<\/p>\n

Auden defined the narcissist as the hunchback who gazes at his image in the water and says, On me it looks good. When I asked you about the diarist\u2019s narcissism, I didn\u2019t just mean the recurrence of I, but the self-absorption\u2014whatever happens to the self is deemed of interest to others.<\/p>\n

ROREM<\/p>\n

Well, yes. Auden was right even when he was wrong. Cocteau said, \u201cJe suis le mensonge qui dit la v\u00e9rit\u00e9.\u201d All art is a lie, insofar as truth is defined by the Supreme Court. After all, Picasso\u2019s goat isn\u2019t a goat. Is the artist a liar, or simply one for whom even a fact is not a fact? There is no truth, not even an overall Truth.<\/p>\n

From issue no. 150\u00a0(Spring 1999)<\/p>\n

 <\/p>\n

\"\"<\/a>

Courtesy of Duncan Hannah.<\/p><\/div>\n

PROSE
\nEmmy Moore\u2019s Journal<\/a>
\nJane Bowles<\/em><\/p>\n

May<\/p>\n

On certain days I forget why I\u2019m here. Today once again wrote my husband all my reasons for coming. He encouraged me to come each time I was in doubt. He said that the worst danger for me was a state of vagueness, so I wrote telling him why I had come to the Hotel Henry\u2014my eighth letter on this subject\u2014but with each new letter I strengthen my position. I am reproducing the letter here. Let there be no mistake. My journal is intended for publication. I want to publish for glory, but also in order to aid other women.<\/p>\n

From issue no. 56 (Spring 1973)<\/p>\n

 <\/p>\n

\"\"<\/a>

Courtesy of Duncan Hannah.<\/p><\/div>\n

POETRY
\nFive Journals<\/a>
\nCharles Wright<\/em><\/p>\n

Inaudible consonant inaudible vowel
The word continues to fall
                                              in splendor around us
Window half shadow window half moon
                                                      back yard like a book of snow
That holds nothing and that nothing holds
Immaculate text
                                not too prescient not too true<\/p>\n

From issue no. 104 (Fall 1987)<\/p>\n

 <\/p>\n

\"\"<\/a>

Courtesy of Duncan Hannah.<\/p><\/div>\n

PROSE
\nNineteen Days<\/a>
\nLiao Yiwu<\/em><\/p>\n

June 4, 1989<\/em><\/p>\n

A massacre took place in the capital city of the People\u2019s Republic of China. The size of it shocked the world. Nobody knows precisely how many innocent people lost their lives. The government put the number of \u201ccollateral deaths\u201d at two hundred or less. But many Chinese believe that it was more like three thousand innocent students and residents who were slain.<\/p>\n

From issue no. 189 (Summer 2009)<\/p>\n

 <\/p>\n

\"\"<\/a>

Duncan Hannah at Bard College, 1973. Photograph from the Paris Review<\/em> archives.<\/p><\/div>\n

ART
\nDiaries, 1970\u201373<\/a>
\nDuncan Hannah<\/em><\/p>\n

Nov. 20th. Listening to the new Velvet Underground LP, Loaded<\/em>. \u201cOne fine morning, she turned on that New York station, she don\u2019t believe what she heard at all .\u2009.\u2009. not at all.\u201d Also the Zombies\u2019\u00a0Odyssey and Oracle<\/em>\u00a0is fantastic. Such a rich wealth of music coming out. It\u2019s where we get our messages, our subversive directions. It\u2019s the soundtrack to our lives. The centerpiece to all this action.<\/p>\n

From issue no. 222 (Fall 2017)<\/p>\n

If you enjoyed the above, don\u2019t forget to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-nine years\u2019 worth of archives.<\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Ned Rorem, Jane Bowles, Charles Wright, Liao Yiwu, and Duncan Hannah.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[1898,30419,8956,14172,3447,31384],"class_list":["post-159318","post","type-post","status-publish","format-standard","hentry","category-redux","tag-charles-wright","tag-duncan-hannah","tag-jane-bowles","tag-liao-yiwu","tag-ned-rorem","tag-redux"],"acf":[],"yoast_head":"\nRedux: Even a Fact Is Not a Fact by The Paris Review<\/title>\n<meta name=\"description\" content=\"May 10, 2022 \u2013 This week, we\u2019ve lowered the paywall on Ned Rorem, Jane Bowles, Charles Wright, Liao Yiwu, and Duncan Hannah.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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