{"id":158686,"date":"2022-04-19T10:56:50","date_gmt":"2022-04-19T14:56:50","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=158686"},"modified":"2022-04-22T11:57:45","modified_gmt":"2022-04-22T15:57:45","slug":"redux-all-the-green-things-writhing","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/19\/redux-all-the-green-things-writhing\/","title":{"rendered":"Redux: All the Green Things Writhing"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

PHOTO COURTESY OF ANTONELLA ANEDDA ANGIOY.<\/p><\/div>\n

\u201cSpring like a gun to the head,\u201d Dorothea Lasky writes in a\u00a0poem<\/a>\u00a0in our\u00a0latest issue<\/a>, \u201cGreen how I want you.\u201d It\u2019s been a strange, uncertain season, and now that the weather is turning and the cherry trees are beginning to blossom, we\u2019re revisiting some works that evoke\u00a0the cruelest month<\/a>: an\u00a0interview<\/a>\u00a0with the Italian poet Antonella Anedda; a\u00a0story<\/a>\u00a0by Ira Sadoff that makes romancing a florist sound wistful yet thrilling; Elizabeth Brewster Thomas\u2019s\u00a0poem<\/a>\u00a0in which \u201cbeneath your feet a thousand spores of ice \/ blossom in darkness\u201d; and a\u00a0collaboration<\/a>\u00a0between Ben Lerner and the photographer Thomas Demand, featuring a profusion of paper flowers. (And if you pick up a copy of our\u00a0Spring issue<\/a>, you\u2019ll also find\u00a0collages<\/a>\u00a0by the late artist Birdie Lusch, who pasted newspaper clippings onto Hallmark catalogues to make her glorious bouquets.)<\/p>\n

If you enjoy these free interviews, stories, poems, and art portfolios, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>? You\u2019ll get four new issues of the quarterly delivered straight to your door.<\/p>\n

INTERVIEW
\nThe Art of Poetry No. 109<\/a>
\nAntonella Anedda<\/em><\/p>\n

ANEDDA<\/p>\n

The first poem I ever heard was by Aleksandr Blok, on the radio in a small village in Sardinia. It\u2019s an early work that begins, \u201cCarried on the breeze,\u2009\/\u2009the Spring\u2019s music drifted from far, far away.\u201d The poem was about space and wind\u2014how the wind breaks open the clouds to reveal a strip of blue sky.<\/p>\n

INTERVIEWER<\/p>\n

What was it that moved you?<\/p>\n

ANEDDA<\/p>\n

When I was seven, a member of my family, a person I loved, died in front of me. Suddenly her body was a thing without a voice. Listening to Blok\u2019s poem\u2014I was thirteen or fourteen\u2014I thought that perhaps poetry could create a relationship with absence, with death, transposing the present into another space and time.<\/p>\n

From issue no. 234\u00a0(Fall 2019)<\/p>\n

<\/p>\n

\"\"<\/a><\/p>\n

PROSE
\nSeven Romances<\/a>
\nIra Sadoff<\/em><\/p>\n

I could not help myself, I fell in love with the florist. Each day he handed me arrangements of flowers: lilies-of-the-valley, chrysanthemums and roses, exotic willows and violets. As a lover he was strange and melancholy: he had an intense hatred for the out-of-doors and almost never left the house; the mention of sports made him dizzy and a car moving too fast would bring him close to tears. \u2026 When he threatened to leave I became the carnation in his lapel, I was his brooch. When the weather became warm and clear, somehow it was he who wrapped me in a blanket, dragged me outside to a park; and when we made love I was the one who wilted, I felt my color brush off on his chin.<\/p>\n

From issue no. 68 (Winter 1976)<\/p>\n

\"\"<\/a><\/p>\n

POETRY
\nConsolation: After Rilke<\/a>
\nElizabeth Brewster Thomas<\/em><\/p>\n

Spring again. Wet April calls the blue
\nfrom the sky, would give me names
\nfor all the green things writhing from the earth\u2019s<\/p>\n

numb body. But I\u2019ve been too long
\na student of the winter, have memorized the lines
\nof trees whipped bare by wind\u2014I\u2019ve learned to love<\/p>\n

the gray in your hair.<\/p>\n

From issue no. 173\u00a0(Spring 2005)<\/p>\n

\"\"<\/a><\/p>\n

ART
\nSample Trees<\/a>
\nBen Lerner & Thomas Demand<\/em><\/p>\n

Blossoming en masse, in time lapse
\nYou refer to a place where water flows
\nOver a vertical drop in culture\u2009\/\u2009Poems<\/p>\n

Fail to mention fission or decay
\nIn the traditional ways, focusing instead
\nThen renouncing focus, a shimmering effect<\/p>\n

From issue no. 212\u00a0(Spring 2015)<\/p>\n

 <\/p>\n

If you enjoyed the above, don\u2019t forget to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-nine years\u2019 worth of archives.<\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Antonella Anedda, Elizabeth Brewster Thomas, Ira Sadoff, and Thomas Demand.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[68413,3263,68414,21051,31384,6525,21479,17218],"class_list":["post-158686","post","type-post","status-publish","format-standard","hentry","category-redux","tag-antonella-anedda","tag-ben-lerner","tag-elizabeth-brewster-thomas","tag-ira-sadoff","tag-redux","tag-spring","tag-springtime","tag-thomas-demand"],"acf":[],"yoast_head":"\nRedux: All the Green Things Writhing by The Paris Review<\/title>\n<meta name=\"description\" content=\"April 19, 2022 \u2013 This week, we\u2019ve lowered the paywall on Antonella Anedda, Elizabeth Brewster Thomas, Ira Sadoff, and Thomas Demand.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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