{"id":158551,"date":"2022-04-12T10:57:43","date_gmt":"2022-04-12T14:57:43","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=158551"},"modified":"2022-04-12T10:57:43","modified_gmt":"2022-04-12T14:57:43","slug":"redux-like-no-one-else","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/12\/redux-like-no-one-else\/","title":{"rendered":"Redux: Like No One Else"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Detail from Ghost<\/em>. All drawings by Ed Ruscha.<\/p><\/div>\n

\u201cI styled myself to look like no one else,\u201d Jamaica Kincaid tells Darryl Pinckney in an\u00a0Art of Fiction<\/a>\u00a0interview that appears in our\u00a0new issue<\/a>. \u201cAnd I also knew I didn\u2019t want to write like anyone else.\u201d Tonight, at our first Spring Revel since 2019, we will present Kincaid with our lifetime achievement award, the Hadada, while\u00a0Chetna Maroo<\/a>\u00a0will accept the Plimpton Prize for Fiction. To celebrate, we\u2019re revisiting work by some of the recent prizewinners we were unable to honor in person:\u00a0Jonathan Escoffery<\/a>, who was awarded the Plimpton in 2020;\u00a0Leigh Newman<\/a>, recipient of that year\u2019s Terry Southern Prize for \u201chumor, wit, and sprezzatura\u201d; and\u00a0N. Scott Momaday<\/a>, who accepted the Hadada last year. (And if you missed the\u00a0story<\/a>\u00a0we unlocked last month by Eloghosa Osunde, winner of the 2021 Plimpton Prize, you can always make it right by\u00a0subscribing<\/a>.) We\u2019re also including a 1987 portfolio of\u00a0drawings<\/a>\u00a0by the chair of this year\u2019s Revel, Ed Ruscha.<\/p>\n

If you enjoy these free short stories and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>? You\u2019ll get four new issues of the quarterly delivered straight to your door.<\/p>\n

POETRY
\nConcession<\/a>
\nN. Scott Momaday<\/em><\/p>\n

Believe the sullen sense that sickness made,
\nAnd broke you in its hands.<\/p>\n

Believe that death inhabits the mere shade
\nIntimacy demands.<\/p>\n

From issue no. 99 (Spring 1986)<\/p>\n

\"\"<\/a>

Detail from Red Hostess<\/em>.<\/p><\/div>\n

PROSE
\nUnder the Ackee Tree<\/a>
\nJonathan Escoffery<\/em><\/p>\n

If you\u2019re a man who utterly failed his child, you can either lie down to join him in death, or you can do more for those remaining. If the latter you choose, the first thing you can do is call your wife and beg she to take you back. You can leave message on she answering machine and explain there\u2019s no more reason you must be apart, and if it embarrass she feel, no one up a stateside has to know. At least, no one has to talk about it.<\/p>\n

But if you do this, man will show up at your door early one morning, and when you answer him, Yes, I\u2019m Topper, him will smile and hand you a manila envelope and say, You\u2019ve been served.<\/p>\n

From issue no. 229 (Summer 2019)<\/p>\n

\"\"<\/a>

Detail from Woman from History<\/em>.<\/p><\/div>\n

PROSE
\nHowl Palace<\/a>
\nLeigh Newman<\/em><\/p>\n

To the families on the lake, my home is a bit of an institution. And not just for the wolf room, which my agent suggested we leave off the list of amenities, as most people wouldn\u2019t understand what we meant. About the snow-machine shed and clamshell grotto, I was less flexible. Nobody likes a yard strewn with snow machines and three-wheelers, one or two of which will always be busted and covered in blue tarp. Ours is just not that kind of neighborhood.<\/p>\n

From issue no. 230 (Fall 2019)<\/p>\n

\"\"<\/a>

Detail from Diminished Respect<\/em>.<\/p><\/div>\n

ART
\nDrawings<\/a>
\nEdward Ruscha<\/em><\/p>\n

From issue no. 103 (Summer 1987)<\/p>\n

If you enjoyed the above, don\u2019t forget to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-nine years\u2019 worth of archives.<\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on N. Scott Momaday, Jonathan Escoffery, Leigh Newman, and Ed Ruscha.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[9371,68409,68408,31814,31384],"class_list":["post-158551","post","type-post","status-publish","format-standard","hentry","category-redux","tag-ed-ruscha","tag-jonathan-escoffery","tag-leigh-newman","tag-n-scott-momaday","tag-redux"],"acf":[],"yoast_head":"\nRedux: Like No One Else by The Paris Review<\/title>\n<meta name=\"description\" content=\"April 12, 2022 \u2013 This week, we\u2019ve lowered the paywall on N. 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