{"id":158368,"date":"2022-04-06T07:20:21","date_gmt":"2022-04-06T11:20:21","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=158368"},"modified":"2022-04-07T15:39:43","modified_gmt":"2022-04-07T19:39:43","slug":"claire-schwartz-poetry","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/","title":{"rendered":"Claire Schwartz, Poetry"},"content":{"rendered":"
\"\"<\/a>

Claire Schwartz. Photograph by Beowulf Sheehan.<\/p><\/div>\n

Claire Schwartz is the author of the poetry collection\u00a0<\/em>Civil Service, forthcoming from Graywolf, and the culture editor of<\/em>\u00a0Jewish Currents. Claire\u2019s writing has appeared in<\/em>\u00a0The Believer, Los Angeles Review of Books, The Nation, The New Yorker, <\/em>Poetry Magazine, Virginia Quarterly Review,\u00a0and elsewhere.<\/em>\u00a0From 2018 to 2020,\u00a0<\/em>she wrote a column for<\/em>\u00a0The Paris Review\u00a0c<\/em>alled Poetry RX<\/a>, with Kaveh Akbar and Sarah Kay.<\/em>\u00a0She is the recipient of a Pushcart Prize and Yale\u2019s Sylvia Ardyn Boone Prize, and received her PhD from Yale University.<\/em><\/p>\n

<\/p>\n

***<\/p>\n

From Civil Service:<\/em><\/p>\n

Apples<\/strong><\/p>\n

The townspeople paste wax apples on the trees,
\nglow shyly out their windows as the Dictator
\nstruts past the monument of his father strutting
\npast nothing at all. Yesterday, the Dictator dressed
\nthe Butcher\u2019s boy in the uniform of his own son.
\nToday, at the orders of the Dictator, guards shot the boy.<\/p>\n

In the town of his childhood, the Curator is a tourist.
\nHe touches his mother with the language
\nwith which he does not touch his work.
\nIn the painting, bored bored Eve chomps on an apple.
\nIn the tongue of his work, he acquires her.<\/p>\n

At the banquet: music wrung from the townspeople\u2019s anguish,
\npigs choked with apples.
\nThe meat in the soup is human meat.
\nThe Dictator\u2019s rings are made of gold
\nyanked from the teeth of corpses.<\/p>\n

The Censor bloats with what he knows.
\nHis sons bloom in neat rows.
\nAn orchard grows inside his wife.
\nHe prunes her on Sundays.<\/p>\n

Under the earth, the Butcher\u2019s boy, laughing,
\neats an apple. The core rises, light with rot.
\nThe Dictator admires the fruit of his land.<\/p>\n

 <\/p>\n

Letter by Letter<\/strong><\/p>\n

In his office in the attic, in his favorite khaki pants,
\nthe Archivist carefully sets down the glass case
\nof his body so as not to rattle the exhibit of his mind.
\nHe wears gloves to stroke the name on the envelope,
\nthe name written in a florid hand trained by long-ago
\nlove. To live among the dead<\/em>, the Archivist thinks.
\nHis eyebrows do a little jig. With fingers strange
\nto his wife, the Archivist traces the name of the street
\nin the village that burned. The street wears the name of the flower
\nthe Archivist\u2019s mother tucked behind her ear in a photograph
\nlanguishing in a desk drawer. The Archivist carries his mind
\ninto each house. Here, the Cook makes love, his hand
\nbrushing flour against his boyfriend\u2019s nipple. There,
\nthe Tailor\u2019s satisfied song of scissors bisecting
\na ream of red. A girl whose mouth makes an O,
\naround which chocolate makes another mouth, runs
\nthrough the road. The road which runs through
\nthe Archivist\u2019s blood. The girl is the Archivist\u2019s grandmother
\nonly in that she is a story the Archivist tells
\nhimself about how he got here. Under an oak tree,
\ntwo dogs fucking. The girl\u2019s ice cream is melting.
\nThe Archivist\u2019s mind is sticky with history.
\nOf course, the village burns again. History is
\nthe only road that survives. Downstairs, the Archivist\u2019s daughter
\nis hungry. He restores the dead to their folders. To live!<\/em>
\nThe girls\u2019 wails rise through the house like smoke.<\/p>\n

 <\/p>\n

Preferential Treatment<\/strong><\/p>\n

The Censor uses the black crayon
\nto eradicate sex. On payday, he takes
\nhis wife and son to Shake Shack.\u00a0Whatever<\/em>
\nyou want<\/em>, the Censor says to his wife
\nwhen she asks what she should have.
\nThe Censor crosses\u00a0provide for your family<\/em>
\noff the list he keeps tucked in his billfold. To track
\nthe time, the Censor sings\u00a0\u201dYou Are My Sunshine\u201d<\/em>\u00a0twice
\nwhile his son brushes his teeth. The boy shows the glass
\nhis shining mouthstones and growls. He is a bear. No,
\nhe is a boy. In the boy\u2019s drawings, the zebras
\nare purple and white. His mother hangs
\nthem on the fridge.\u00a0What beautiful horses<\/em>,
\nthe Censor says. His wife\u2019s wit trembles, then ebbs.
\nThe children\u2019s nails are clogged with black wax.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cThe girl\u2019s ice cream is melting. The Archivist\u2019s mind is sticky with history.\u201d<\/p>\n","protected":false},"author":1418,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[68396],"tags":[24555,33543,1253],"class_list":["post-158368","post","type-post","status-publish","format-standard","hentry","category-whiting-awards-2022","tag-about-poetry","tag-poetry-rx","tag-whiting-awards"],"acf":[],"yoast_head":"\nClaire Schwartz, Poetry by Claire Schwartz<\/title>\n<meta name=\"description\" content=\"April 6, 2022 \u2013 \u201cThe girl\u2019s ice cream is melting. The Archivist\u2019s mind is sticky with history.\u201d\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Claire Schwartz, Poetry by Claire Schwartz\" \/>\n<meta property=\"og:description\" content=\"April 6, 2022 \u2013 \u201cThe girl\u2019s ice cream is melting. The Archivist\u2019s mind is sticky with history.\u201d\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-04-06T11:20:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-04-07T19:39:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/04\/claireschwartz_credit_beowulfsheehan-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2257\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Claire Schwartz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Claire Schwartz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/\"},\"author\":{\"name\":\"Claire Schwartz\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/b2cd0b1ff3273c9c675c7b255df05808\"},\"headline\":\"Claire Schwartz, Poetry\",\"datePublished\":\"2022-04-06T11:20:21+00:00\",\"dateModified\":\"2022-04-07T19:39:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/\"},\"wordCount\":682,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/04\/claireschwartz_credit_beowulfsheehan-903x1024.jpg\",\"keywords\":[\"about poetry\",\"Poetry Rx\",\"Whiting Awards\"],\"articleSection\":[\"Whiting Awards 2022\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/\",\"name\":\"Claire Schwartz, Poetry by Claire Schwartz\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/04\/claireschwartz_credit_beowulfsheehan-903x1024.jpg\",\"datePublished\":\"2022-04-06T11:20:21+00:00\",\"dateModified\":\"2022-04-07T19:39:43+00:00\",\"description\":\"April 6, 2022 \u2013 \u201cThe girl\u2019s ice cream is melting. The Archivist\u2019s mind is sticky with history.\u201d\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/04\/claireschwartz_credit_beowulfsheehan-scaled.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/04\/claireschwartz_credit_beowulfsheehan-scaled.jpg\",\"width\":2257,\"height\":2560},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Claire Schwartz, Poetry\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/b2cd0b1ff3273c9c675c7b255df05808\",\"name\":\"Claire Schwartz\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/dbdc898e0724bb6a92a2fe5046deaaa9a260d0f65a25600a5003f565ffa4968b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/dbdc898e0724bb6a92a2fe5046deaaa9a260d0f65a25600a5003f565ffa4968b?s=96&d=mm&r=g\",\"caption\":\"Claire Schwartz\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/cschwartz\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Claire Schwartz, Poetry by Claire Schwartz","description":"April 6, 2022 \u2013 \u201cThe girl\u2019s ice cream is melting. The Archivist\u2019s mind is sticky with history.\u201d","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/","og_locale":"en_US","og_type":"article","og_title":"Claire Schwartz, Poetry by Claire Schwartz","og_description":"April 6, 2022 \u2013 \u201cThe girl\u2019s ice cream is melting. The Archivist\u2019s mind is sticky with history.\u201d","og_url":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2022-04-06T11:20:21+00:00","article_modified_time":"2022-04-07T19:39:43+00:00","og_image":[{"width":2257,"height":2560,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/04\/claireschwartz_credit_beowulfsheehan-scaled.jpg","type":"image\/jpeg"}],"author":"Claire Schwartz","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Claire Schwartz","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/"},"author":{"name":"Claire Schwartz","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/b2cd0b1ff3273c9c675c7b255df05808"},"headline":"Claire Schwartz, Poetry","datePublished":"2022-04-06T11:20:21+00:00","dateModified":"2022-04-07T19:39:43+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/"},"wordCount":682,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/04\/claireschwartz_credit_beowulfsheehan-903x1024.jpg","keywords":["about poetry","Poetry Rx","Whiting Awards"],"articleSection":["Whiting Awards 2022"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/","url":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/","name":"Claire Schwartz, Poetry by Claire Schwartz","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/04\/claireschwartz_credit_beowulfsheehan-903x1024.jpg","datePublished":"2022-04-06T11:20:21+00:00","dateModified":"2022-04-07T19:39:43+00:00","description":"April 6, 2022 \u2013 \u201cThe girl\u2019s ice cream is melting. The Archivist\u2019s mind is sticky with history.\u201d","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/04\/claireschwartz_credit_beowulfsheehan-scaled.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/04\/claireschwartz_credit_beowulfsheehan-scaled.jpg","width":2257,"height":2560},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/claire-schwartz-poetry\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Claire Schwartz, Poetry"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/b2cd0b1ff3273c9c675c7b255df05808","name":"Claire Schwartz","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/dbdc898e0724bb6a92a2fe5046deaaa9a260d0f65a25600a5003f565ffa4968b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/dbdc898e0724bb6a92a2fe5046deaaa9a260d0f65a25600a5003f565ffa4968b?s=96&d=mm&r=g","caption":"Claire Schwartz"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/cschwartz\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/158368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/1418"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=158368"}],"version-history":[{"count":10,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/158368\/revisions"}],"predecessor-version":[{"id":158452,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/158368\/revisions\/158452"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=158368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=158368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=158368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}