{"id":158314,"date":"2022-04-06T07:20:36","date_gmt":"2022-04-06T11:20:36","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=158314"},"modified":"2022-04-07T15:43:44","modified_gmt":"2022-04-07T19:43:44","slug":"anais-duplan-nonfiction","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/anais-duplan-nonfiction\/","title":{"rendered":"Ana\u00efs Duplan, Nonfiction"},"content":{"rendered":"
\"\"<\/a>

Ana\u00efs Duplan. Photograph by Beowulf Sheehan.<\/p><\/div>\n

Ana\u00efs Duplan is a trans* poet, curator, and artist. He is the author of the newly released book <\/em>I Need Music;\u00a0a book of essays<\/em>, Blackspace: On the Poetics of an Afrofuture;\u00a0a full-length poetry collection,\u00a0<\/em>Take This Stallion;\u00a0and a chapbook,\u00a0<\/em>Mount Carmel and the Blood of Parnassus. He has taught poetry at the New School, Bennington College, Columbia University, and Sarah Lawrence College. As an independent curator, he has facilitated curatorial projects in Chicago, Boston, Santa Fe, and Reykjav\u00edk. He was a 2017\u20132019 joint Public Programs fellow at the Museum of Modern Art and the Studio Museum in Harlem, and in 2021 received a Marian Goodman fellowship from Independent Curators International for his research on Black experimental documentary. In 2016, he founded the Center for Afrofuturist Studies, an artist residency program for artists of color, based at Iowa City\u2019s artist-run organization Public Space One.<\/em><\/p>\n

***<\/p>\n

From \u201cMaking Use of the Mundane: Black Performance & Becoming\u201d:<\/p>\n

Growing up, I rationalized my father\u2019s absence with ideas about gender norms. I thought that men, since they are more powerful, didn\u2019t have to have any obligations to other people. I thought that I, too, wanted to not have obligations to other people. I internalized a concept of feminine love as that which either perfectly complements or perfectly emulates the love-object. Both versions are traps.<\/p>\n

In certain ways, having power projected onto you is as asphyxiating as having powerlessness projected onto you. The primary difference is that having powerlessness projected onto you puts you into danger that having power projected onto you doesn\u2019t. Having obligations to other people is part of the beauty of being human, but our connections have to be chosen, not imposed. For a long time, I thought the only way to freely choose anything was as a man.<\/p>\n

The truth is, freedom is the most mundane thing imaginable but it\u2019s also hard to locate and it\u2019s rarely \u201cpure.\u201d All marginalized people inhabit two worlds at the same time: those of freedom and nonfreedom. Being unfree is different than being in bondage. In bondage, as in the case of enslavement, one\u2019s body is owned by someone else. Being unfree, on the other hand, is what happens after the end of enslavement: one becomes an \u201cemancipated\u201d citizen in the society that used to enslave her and that is still built to do so\u2014without a literal title on one\u2019s body, but still with the power to destroy that body, threaten it, circumscribe it, categorize it, and imprison it.<\/p>\n

Should we, \u201cpost-bondage,\u201d focus on the ways in which we\u2019re free (free to move, free to buy, free to breathe) or the ways we\u2019re not free (free to move but displaced and shuffled around, free to buy but within a capitalist system in which one used to exist as commodity, free to breathe but in especial danger at all times)? Neither. In order to locate liberation, one has to locate a third space. This alter-space is not \u201coutside of,\u201d \u201caway from\u201d or \u201cother than\u201d our present world. Instead, it is an intensification, or deepening, of mundane reality.<\/p>\n

***<\/p>\n

From \u201cParadigms for Liberation\u201d:<\/p>\n

Adrian Piper took photos of her naked body while reading The Critique of Pure Reason<\/em> to make sure her body was still there. I don\u2019t want to talk about \u201cthe black body.\u201d Where is such a thing? I am not inside of anything. I want the monad. I want integration, but not the kind that requires \u201cwhite\u201d and \u201cblack\u201d to participate. Integration as the move from a dualist Cartesian world to the monist\u2019s world, so that transcendence is a misnomer\u2014there being nothing to get beyond, to get above or around. In this single world-substance, everywhere is home; everything is forever; and everyone is inalienable.<\/p>\n

***<\/p>\n

From \u201cBlackspace\u201d:<\/p>\n

To propel myself is to stand for something else besides this world as a terrible, terrible place. To go further than my idea of myself extends.<\/p>\n

There is the happiness I feel within the limits of my current self-conception, then there\u2019s the happiness of seeing my self-conception has fallen apart, yet another time. The former kind of happiness happens when reality aligns with my opinions about how the world ought to be. The latter happens when my beliefs about how the world ought to be are destroyed by an inescapable reality. The latter kind of happiness is always precipitated by intense fear.<\/p>\n

When this kind of world-shattering happiness takes place, beauty itself runs out and there\u2019s only after-beauty. Language runs out and there\u2019s after-language. After runs out\u2014<\/p>\n

I was taught from a young age it was important to perform. As I work through my taboos, letting go of performance is most difficult.<\/p>\n

Even \u201cforward\u201d seems to fall apart. What I am is what is the future.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cI don\u2019t want to talk about \u2018the black body.\u2019 Where is such a thing?\u201d<\/p>\n","protected":false},"author":2232,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[68396],"tags":[2165,1253],"class_list":["post-158314","post","type-post","status-publish","format-standard","hentry","category-whiting-awards-2022","tag-nonfiction","tag-whiting-awards"],"acf":[],"yoast_head":"\nAna\u00efs Duplan, Nonfiction by Ana\u00efs Duplan<\/title>\n<meta name=\"description\" content=\"April 6, 2022 \u2013 \u201cI don\u2019t want to talk about \u2018the black body.\u2019 Where is such a thing?\u201d\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2022\/04\/06\/anais-duplan-nonfiction\/\" \/>\n<meta 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