{"id":156599,"date":"2022-01-11T11:00:38","date_gmt":"2022-01-11T16:00:38","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=156599"},"modified":"2022-01-14T16:03:21","modified_gmt":"2022-01-14T21:03:21","slug":"redux-you-dont-know-youve-remembered","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2022\/01\/11\/redux-you-dont-know-youve-remembered\/","title":{"rendered":"Redux: You Don\u2019t Know You\u2019ve Remembered"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/01\/redux.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-156721\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/01\/redux.png\" alt=\"\" width=\"1000\" height=\"747\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/01\/redux.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/01\/redux-300x224.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2022\/01\/redux-768x574.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>What were you up to in the seventies? Were you serving popcorn at Westland Twins cinema in LA, like <b><a href=\"https:\/\/www.theparisreview.org\/interviews\/7852\/the-art-of-fiction-no-250-gary-indiana\">Gary Indiana<\/a><\/b>? Studying history at Dartmouth, like <b><a href=\"https:\/\/www.theparisreview.org\/interviews\/7853\/the-art-of-nonfiction-no-11-annette-gordon-reed\">Annette Gordon-Reed<\/a><\/b>? Hanging out at Club 57 on Saint Mark\u2019s Place, like <b><a href=\"https:\/\/www.theparisreview.org\/art-photography\/7849\/the-dead-supreme-scott-covert\">Scott Covert<\/a><\/b>? Here at the <em>Review<\/em>, we\u2019re looking back to the decade:\u00a0a pivotal period for some of our <b><a href=\"https:\/\/www.theparisreview.org\/back-issues\/238\">recent contributors<\/a><\/b> and the source of aesthetic inspiration for our redesign. To get into the mood, we\u2019re unlocking a piece of <b><a href=\"https:\/\/www.theparisreview.org\/fiction\/3448\/dreams-objects-moments-pati-hill\">experimental fiction<\/a><\/b> by Pati Hill, Eudora Welty\u2019s classic <b><a href=\"https:\/\/www.theparisreview.org\/interviews\/4013\/the-art-of-fiction-no-47-eudora-welty\">Art of Fiction<\/a><\/b> interview, Paul\u00e9 B\u00e1rt\u00f3n\u2019s poem \u201c<b><a href=\"https:\/\/www.theparisreview.org\/poetry\/7169\/the-sleep-bus-paule-barton\">The Sleep Bus<\/a><\/b>,\u201d and a series of drawings by the sculptor <b><a href=\"https:\/\/www.theparisreview.org\/art-photography\/4153\/sculptures-claude-lalanne\">Claude Lalanne<\/a><\/b>.<\/p>\n<p>If you enjoy these free interviews, stories,\u00a0poems, and portfolios, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/flex\/TPR\/MAIN\/?utm_source=link&amp;utm_medium=newsletter&amp;utm_campaign=default_sub&amp;utm_source=The+Paris+Review+Newsletter&amp;utm_campaign=4fcf6a518b-EMAIL_CAMPAIGN_2018_08_05_COPY_01&amp;utm_medium=email&amp;utm_term=0_35491ea532-4fcf6a518b-&amp;mc_cid=4fcf6a518b&amp;mc_eid=UNIQID\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/ssl.drgnetwork.com\/flex\/TPR\/MAIN\/?utm_source%3Dlink%26utm_medium%3Dnewsletter%26utm_campaign%3Ddefault_sub%26utm_source%3DThe%2BParis%2BReview%2BNewsletter%26utm_campaign%3D4fcf6a518b-EMAIL_CAMPAIGN_2018_08_05_COPY_01%26utm_medium%3Demail%26utm_term%3D0_35491ea532-4fcf6a518b-%26mc_cid%3D4fcf6a518b%26mc_eid%3DUNIQID&amp;source=gmail&amp;ust=1640276324306000&amp;usg=AOvVaw1yT2pVaMmn7f-illN58VKg\">subscribe<\/a>\u00a0to\u00a0<em>The Paris Review<\/em>? You\u2019ll\u00a0get four new issues of the quarterly delivered straight to your door.<\/p>\n<p><em>Interview<\/em><br \/>\n<b><\/b><b><a href=\"https:\/\/www.theparisreview.org\/interviews\/4013\/the-art-of-fiction-no-47-eudora-welty\">Eudora Welty, The Art of Fiction No. 47 <\/a><\/b><br \/>\n<em>Issue no. 55 (Fall 1972)<\/em><\/p>\n<p>Once you have heard certain expressions, sentences, you almost never forget them. It\u2019s like sending a bucket down the well and it always comes up full. You don\u2019t know you\u2019ve remembered, but you have. And you listen for the right word, in the present, and you hear it. Once you\u2019re into a story everything seems to apply\u2014what you overhear on a city bus is exactly what your character would say on the page you\u2019re writing. Wherever you go, you meet part of your story. I guess you\u2019re tuned in for it, and the right things are sort of magnetized\u2014if you can think of your ears as magnets.<\/p>\n<p dir=\"ltr\"><!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-156610\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/2-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/2-1024x1024.jpg 1024w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/2-300x300.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/2-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/2-768x768.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/2.jpg 1200w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><span style=\"color: #000000;\"><em>Fiction<\/em><\/span><br \/>\n<b><a href=\"https:\/\/www.theparisreview.org\/fiction\/3448\/dreams-objects-moments-pati-hill\">Dream Objects Moments <\/a><\/b><br \/>\nBy Pati Hill<br \/>\n<em>Issue no. 74 (Fall\u2013Winter 1978)<\/em><\/p>\n<p>I am a rocket.<\/p>\n<p>As I shoot through the atmosphere I lose different parts of myself, most of them invisible to me though they can be seen by my passengers.<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-156609\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/3-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/3-1024x1024.jpg 1024w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/3-300x300.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/3-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/3-768x768.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/3.jpg 1200w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><span style=\"color: #000000;\"><em>Poetry<\/em><\/span><br \/>\n<b><a href=\"https:\/\/www.theparisreview.org\/poetry\/7169\/the-sleep-bus-paule-barton\">The Sleep Bus <\/a><\/b><br \/>\nBy Paul\u00e9 B\u00e1rt\u00f3n<br \/>\n<em>Issue no. 70 (Summer 1977) <\/em><\/p>\n<p>No one on this bus<br \/>\nawake, no animals, no people.<br \/>\nSome damn racket bus!<\/p>\n<p>To the back, shag goat sleeps.<br \/>\nTo the front, the driver sleeps.<\/p>\n<p><span style=\"color: #000000;\"><em><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-156612\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/4-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/4-1024x1024.jpg 1024w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/4-300x300.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/4-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/4-768x768.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/12\/4.jpg 1200w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/em><\/span><\/p>\n<p><span style=\"color: #000000;\"><em>Art<\/em><\/span><br \/>\n<b><a href=\"https:\/\/www.theparisreview.org\/art-photography\/4153\/sculptures-claude-lalanne\">Sculptures<\/a><\/b><br \/>\nBy Claude Lalanne<br \/>\n<em>Issue no. 49 (Fall 1970)<\/em><\/p>\n<p dir=\"ltr\">If you enjoyed the above, don\u2019t forget to\u00a0<a href=\"https:\/\/theparisreview.us17.list-manage.com\/track\/click?u=b6c161007733f0d4c084f3fde&amp;id=94314548f2&amp;e=befe0faba8\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D94314548f2%26e%3Dbefe0faba8&amp;source=gmail&amp;ust=1639588877828000&amp;usg=AOvVaw2YsEkEAWSr7nqaQsiGeGqq\">subscribe<\/a>! In\u00a0addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-eight years\u2019 worth of archives.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, we\u2019ve lowered the paywall on Eudora Welty, Pati Hill, Paul\u00e9 B\u00e1rt\u00f3n, and Claude Lalanne.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[68331,3339,15413,32500,31384],"class_list":["post-156599","post","type-post","status-publish","format-standard","hentry","category-redux","tag-claude-lalanne","tag-eudora-welty","tag-pati-hill","tag-paule-barton","tag-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: You Don\u2019t Know You\u2019ve Remembered by The 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