{"id":156160,"date":"2021-11-30T12:18:54","date_gmt":"2021-11-30T17:18:54","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=156160"},"modified":"2021-11-30T18:11:41","modified_gmt":"2021-11-30T23:11:41","slug":"redux-each-train-rips","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/11\/30\/redux-each-train-rips\/","title":{"rendered":"Redux: Each Train Rips"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a>

Jan Morris \u00a9 David Hurn.<\/p><\/div>\n

This week at\u00a0The Paris Review<\/em>, we\u2019re traveling via plane, bus, and foot. Read on for Jan Morris\u2019s\u00a0Art of the Essay interview<\/a>, Anuk Arudpragasam\u2019s short story \u201cSo Many Different Worlds<\/a>,\u201d Sarah Green\u2019s poem \u201cVortex, Amtrak<\/a>,\u201d W. S. Merwin\u2019s essay \u201cFlight Home<\/a>,\u201d and a\u00a0portfolio of art<\/a>\u00a0by Paige Jiyoung Moon.<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe<\/a>\u00a0to\u00a0The Paris Review<\/em>? You\u2019ll\u00a0get four new issues of the quarterly delivered straight to your door.<\/p>\n

Interview<\/em>
\nJan Morris, The Art of the Essay No. 2<\/a>
\nIssue no. 143\u00a0(Summer 1997)<\/em><\/p>\n

I\u2019m not the sort of writer who tries to tell other people what they are going to get out of the city. I don\u2019t consider my books travel books. I don\u2019t like travel books, as I said before. I don\u2019t believe in them as a genre of literature. Every city I describe is really only a description of me looking at the city or responding to it.<\/p>\n

<\/p>\n

\"\"<\/a>

ZION AND US (DETAIL), 2019, ACRYLIC ON PANEL, 11 X 14″.<\/p><\/div>\n

Fiction<\/em>
\nSo Many Different Worlds<\/a>
\nBy Anuk Arudpragasam
\nIssue no. 237 (Summer 2021)<\/em><\/p>\n

The bus was making its way in starts and stops, accelerating and braking as the driver tried, ruthlessly, to overtake on the crowded roads, and Ganesan was gazing out through the half-open window, at pedestrians waiting impatiently at traffic lights and bus stops, at passengers in other vehicles staring silently into their phones or out at the monotonous evening. The light hadn\u2019t yet begun to fade but the day was coming to its end, the city\u2019s commuters all lost in the long, mindless journey from place of work to place of sleep, their last remaining obligation to the outside world.<\/p>\n

\"\"<\/a>

SUBWAY 2015, 2015, ACRYLIC ON CANVAS, 11 X 14″.<\/p><\/div>\n

Poetry<\/em>
\nVortex, Amtrak<\/a>
\nBy Sarah Green
\nIssue no. 231 (Winter 2019)<\/em><\/p>\n

Bright scab of track.
\nBright stitch each train
\nrips out. In negative<\/p>\n

degrees, metal cowers
\nas if a god had threatened
\nto curse it,<\/p>\n

and did.<\/p>\n

\"\"<\/a>

OAKHURST LODGE, 2018, ACRYLIC ON CANVAS, 12 X 16″.<\/p><\/div>\n

Nonfiction<\/em>
\nFlight Home<\/a>
\nBy W. S. Merwin
\nIssue no. 17 (Autumn-Winter 1957)<\/em><\/p>\n

Part of the confusion, once the desire to go back got off the chart, arose from the suspicion that this was simply, at least in part, the first shock of maturity: a realization that home, where you grew up and belonged\u2014belonged with and without your own volition\u2014no longer exists. The desire to return to it, the moment you know it no longer exists.<\/p>\n

\"\"<\/a>

LONELY PADDLE BOARDER, 2020, ACRYLIC ON PANEL, 18 X 24″.<\/p><\/div>\n

Art<\/em>
\nNew and Recent Work<\/a>
\nBy Paige Jiyoung Moon, with an introduction by Charlotte Strick
\nIssue no. 236 (Spring 2021)<\/em><\/p>\n

 <\/p>\n

If you enjoyed the above, don\u2019t forget to\u00a0subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-eight years\u2019 worth of archives.<\/em><\/main><\/p>\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

We\u2019ve lowered the paywall on Jan Morris\u2019s Art of the Essay interview, fiction by Anuk Arudpragasam, poetry by Sarah Green, nonfiction by W. S. Merwin, and art by Paige Jiyoung Moon.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-156160","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"\nRedux: Each Train Rips by The Paris Review<\/title>\n<meta name=\"description\" content=\"November 30, 2021 \u2013 We\u2019ve lowered the paywall on Jan Morris\u2019s Art of the Essay interview, fiction by Anuk Arudpragasam, poetry by Sarah Green, nonfiction by W. S. 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