{"id":156090,"date":"2021-11-23T15:00:59","date_gmt":"2021-11-23T20:00:59","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=156090"},"modified":"2021-11-23T13:25:49","modified_gmt":"2021-11-23T18:25:49","slug":"redux-chance-progression","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2021\/11\/23\/redux-chance-progression\/","title":{"rendered":"Redux: Chance Progression"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0<a href=\"http:\/\/eepurl.com\/dkY3AH\" target=\"_blank\" rel=\"noopener noreferrer\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<div id=\"attachment_156091\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/interviews\/3440\/the-art-of-fiction-no-70-margaret-drabble\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-156091\" class=\"wp-image-156091 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/9aaee2be-2836-3e28-00a9-69278d45afb4.jpg\" alt=\"\" width=\"1000\" height=\"674\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/9aaee2be-2836-3e28-00a9-69278d45afb4.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/9aaee2be-2836-3e28-00a9-69278d45afb4-300x202.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/9aaee2be-2836-3e28-00a9-69278d45afb4-768x518.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-156091\" class=\"wp-caption-text\">Margaret Drabble photographed by Nancy Crampton.<\/p><\/div>\n<p>This week at\u00a0<em>The Paris Review<\/em>, we\u2019re thinking about family bonds, in anticipation of the upcoming Thanksgiving holiday. Read on for an Art of Fiction interview\u00a0with\u00a0<a href=\"https:\/\/www.theparisreview.org\/interviews\/3440\/the-art-of-fiction-no-70-margaret-drabble\">Margaret Drabble<\/a>, Tama Janowitz\u2019s short story \u201c<a href=\"https:\/\/www.theparisreview.org\/fiction\/3233\/american-dad-tama-janowitz\">American Dad<\/a>,\u201d Jeffrey Yang\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/7485\/ancestors-jeffrey-yang\">Ancestors<\/a>,\u201d and a portfolio of photographs, \u201c<a href=\"https:\/\/www.theparisreview.org\/art-photography\/5872\/iranian-family-portraits-mohsen-rastani\">Iranian Family Portraits<\/a>,\u201d by Mohsen Rastani.<\/p>\n<p>If you enjoy these free interviews, stories, and poems, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/flex\/TPR\/MAIN\/?utm_source=link&amp;utm_medium=newsletter&amp;utm_campaign=default_sub\">subscribe<\/a>\u00a0to\u00a0<em>The Paris Review<\/em>? You\u2019ll also get four new issues of the quarterly delivered straight to your door.<\/p>\n<p style=\"font-size: 18px; line-height: 27px;\"><em>Interview<\/em><br \/>\n<a href=\"https:\/\/www.theparisreview.org\/interviews\/3440\/the-art-of-fiction-no-70-margaret-drabble\" target=\"_blank\" rel=\"noopener\">Margaret Drabble, The Art of Fiction No. 70<\/a><br \/>\n<em>Issue no. 74 (Fall-Winter 1978)<\/em><\/p>\n<blockquote>\n<p dir=\"ltr\">My sister and I are very similar. She\u2019s a novelist and our lives have been parallel in many ways. She has been an important part of my life. One\u2019s relationship with one\u2019s siblings and parents is something that you\u2019re going to write about again and again, in different forms.<\/p>\n<\/blockquote>\n<p dir=\"ltr\"><!--more--><\/p>\n<div style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/fiction\/3233\/american-dad-tama-janowitz\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-156095 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/a6b49737-3f7e-20c6-a90c-835f3d33488a-1.png\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/a6b49737-3f7e-20c6-a90c-835f3d33488a-1.png 640w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/a6b49737-3f7e-20c6-a90c-835f3d33488a-1-300x200.png 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p class=\"wp-caption-text\">GYPSIES WITH THEIR PRIZE POSSESSIONS.<\/p><\/div>\n<p style=\"font-size: 18px; line-height: 27px;\"><span style=\"color: #000000;\"><em>Fiction<\/em><\/span><br \/>\n<a href=\"https:\/\/www.theparisreview.org\/fiction\/3233\/american-dad-tama-janowitz\" target=\"_blank\" rel=\"noopener\">American Dad<\/a><br \/>\nBy Tama Jamowitz<br \/>\n<em>Issue no. 80 (Summer 1981)<\/em><\/p>\n<blockquote>\n<p dir=\"ltr\">As we carried the bags of groceries in from the car the phone rang, my father called, telling me he was coming to Boston for a psychiatric convention. I picked up the phone and swung the receiver, with its extra long cord, over my shoulder, so that I could unload groceries while I talked. \u201cYes? Yes?\u201d I said, \u201cSaturday? Okay, sure. So how long is the psychiatric convention?\u201d<\/p>\n<p dir=\"ltr\">\u201cJust the weekend. It\u2019s on treating mental illness with drugs.\u201d<\/p>\n<p dir=\"ltr\">\u201cWell, that sounds interesting,\u201d I said. Actually, I didn\u2019t see how it could be interesting for my father\u2014he didn\u2019t even believe in mental illness, let alone that it might be chemically based.<\/p>\n<\/blockquote>\n<div id=\"attachment_156097\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/poetry\/7485\/ancestors-jeffrey-yang\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-156097\" class=\"size-full wp-image-156097\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/fe294c74-abd6-778c-6c02-406f0bc8d5e6.png\" alt=\"\" width=\"640\" height=\"426\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/fe294c74-abd6-778c-6c02-406f0bc8d5e6.png 640w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/fe294c74-abd6-778c-6c02-406f0bc8d5e6-300x200.png 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-156097\" class=\"wp-caption-text\">VILLAGERS FROM THE ELBURZ MOUNTAINS.<\/p><\/div>\n<p style=\"font-size: 18px; line-height: 27px;\"><span style=\"color: #000000;\"><em>Poetry<\/em><\/span><br \/>\n<a href=\"https:\/\/www.theparisreview.org\/poetry\/7485\/ancestors-jeffrey-yang\" target=\"_blank\" rel=\"noopener\">Ancestors<\/a><br \/>\nBy Jeffrey Yang<br \/>\n<em>Issue no. 231 (Winter 2019)<\/em><\/p>\n<blockquote><p>Chance progression<\/p>\n<p>Genomic drift<\/p>\n<p>Split-apart generations<br \/>\nof the uprooted tree<\/p>\n<p>abandoned the tablets for another ethos<\/p>\n<p>Ancestors<\/p>\n<p>never spoke of our ancestors<\/p><\/blockquote>\n<div id=\"attachment_156099\" style=\"width: 649px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/art-photography\/5872\/iranian-family-portraits-mohsen-rastani\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-156099\" class=\"size-full wp-image-156099\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/f35c84d4-e7a2-d861-6cc4-03b2c57a992e.png\" alt=\"\" width=\"639\" height=\"426\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/f35c84d4-e7a2-d861-6cc4-03b2c57a992e.png 639w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2021\/11\/f35c84d4-e7a2-d861-6cc4-03b2c57a992e-300x200.png 300w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-156099\" class=\"wp-caption-text\">MRS. SEYHOON, GRANDMOTHER.<\/p><\/div>\n<p><span style=\"color: #000000;\"><em>Art<\/em><\/span><br \/>\n<a href=\"https:\/\/www.theparisreview.org\/art-photography\/5872\/iranian-family-portraits-mohsen-rastani\" target=\"_blank\" rel=\"noopener\">Iranian Family Portraits<\/a><br \/>\nBy Mohsen Rastani<br \/>\n<em>Issue no. 186 (Fall 2008)<\/em><\/p>\n<p><em>If you enjoyed the above, don\u2019t forget to\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/flex\/TPR\/MAIN\/\" target=\"_blank\" rel=\"noopener noreferrer\">subscribe<\/a>! In addition to four print issues per year, you\u2019ll also receive complete digital access to our sixty-eight years\u2019 worth of archives.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter. This week at\u00a0The Paris Review, we\u2019re thinking about family bonds, in anticipation of the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[],"class_list":["post-156090","post","type-post","status-publish","format-standard","hentry","category-redux"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: Chance Progression by The Paris Review<\/title>\n<meta name=\"description\" content=\"November 23, 2021 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. 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